George Doering

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Musician: Guitar

The Irishman (2019)

| USA

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Instrumental Soloist

The Highwaymen (2019)

| USA

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Robert Frazen

Cameras: Panavision Millennium DXL2 Camera, Red Monstro 8K Camera

Musician, Musician: Instrumental Soloist

1917 (2019)

| USA, UK, India, Spain, Canada

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA Mini LF

Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens

Musician , Super Group Guitarist

A Star Is Born (2018)

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

| USA

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Jay Cassidy

Cameras: ARRI ALEXA Mini Camera

Musician

Ralph Breaks the Internet (2018)

| USA

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Musician

Bao (2018)

Short Film

| USA, Canada

Directed by: Domee Shi

Cinematography by: Patrick Lin, Ian Megibben

Edited by: Katherine Ringgold

Musician

Incredibles 2 (2018)

| USA

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Musician

War for the Planet of the Apes (2017)

| USA, Canada, New Zealand

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Musician

Spider-Man: Homecoming (2017)

| USA

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Series Cameras, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Series Cameras, ARRI Cameras, Blackmagic Design Cameras, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Featured Musician: Dulcimers, Accordion, Banjo

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

| USA

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Musician

Passengers (2016)

| USA, Australia

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Musician

Ghostbusters (2016)

| USA, Australia

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Musician

Rogue One (2016)

| USA

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Musician: Guitar

Why Him? (2016)

| USA, Cambodia

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

Musician

Suicide Squad (2016)

| USA

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Musician

Doctor Strange (2016)

| USA

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Instrumental Soloist

Finding Dory (2016)

| USA

Directed by: Andrew Stanton, Angus MacLane

Cinematography by: Jeremy Lasky

Edited by: Axel Geddes

Musician

The Finest Hours (2016)

| USA

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leica Summilux-C Series Lenses

Musician

Collateral Beauty (2016)

| USA

Directed by: David Frankel

Cinematography by: Maryse Alberti

Edited by: Andrew Marcus

Cameras: ARRI ALEXA XT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Musician

Star Trek Beyond (2016)

| USA, China, United Arab Emirates, Canada

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Musician

Miracles from Heaven (2016)

| USA

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Emma E. Hickox

Musician

Live by Night (2016)

| USA

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Musician

Sausage Party (2016)

| USA

Directed by: Greg Tiernan, Conrad Vernon

Edited by: Kevin Pavlovic

Musician

Pelé: Birth of a Legend (2016)

| USA

Directed by: Jeff Zimbalist, Michael Zimbalist

Cinematography by: Matthew Libatique

Edited by: Luis Carballar, Naomi Geraghty, Glen Scantlebury

Cameras: Red Epic Dragon Camera

Musician

The Boss (2016)

| USA

Directed by: Ben Falcone

Cinematography by: Julio Macat

Edited by: Craig Alpert

Cameras: ARRI ALEXA 65 Camera

Lenses: Leica Summilux-C Series Lenses

Musician

Ice Age: Collision Course (2016)

| USA

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Musician

Zootopia (2016)

| USA

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Musician

Southside with You (2016)

| USA

Directed by: Richard Tanne

Cinematography by: Patrick Scola

Edited by: Evan Schiff

Musician

Ride Along 2 (2016)

| USA

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Musician: Guitars

Fifty Shades of Grey (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| USA

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Cameras: ARRI ALEXA XT Plus Camera

Musician

The Big Short (2015)

| USA

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Musician

Tomorrowland (2015)

| USA, Spain, France, UK

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Musician

Jurassic World (2015)

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

| USA

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Instrumental Soloist

Bridge of Spies (2015)

| Germany, India, USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

Musician

Joy (2015)

| USA

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Featured Musician

The 33 (2015)

| Chile, USA

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Michael Tronick

Cameras: ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Musician

Spy (2015)

| USA, UK, France, Hungary, Germany

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Musician

The Walk (2015)

| USA

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Dragon Camera

Musician

Inside Out (2015)

| USA

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Musician: Guitar Soloist

'The Simpsons' Barthood (2015)

Television Episode

| USA

Directed by: Rob Oliver, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Musician

The SpongeBob Movie: Sponge Out of Water (2015)

| USA, South Korea, Australia

Directed by: Paul Tibbitt, Mike Mitchell

Cinematography by: Phil Meheux

Edited by: David Ian Salter

Cameras: ARRI ALEXA Camera

Musician

The Intern (2015)

| USA

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician: Guitar, Dulcimers

Spectre (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

| UK, USA

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Editing System: Avid Editing System

Musician: Mandolin And Guitars

The Homesman (2014)

| USA, France

Directed by: Tommy Lee Jones

Cinematography by: Rodrigo Prieto

Edited by: Roberto Silvi

Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Musician

The Equalizer (2014)

Lenses: Angenieux Optimo Anamorphic 56-152mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Musician

Get on Up (2014)

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

| UK, USA

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Musician

22 Jump Street (2014)

| USA

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Musician

X-Men: Days of Future Past (2014)

| USA, UK, Canada

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leica Summilux-C Series Lenses

Musician

The Judge (2014)

| USA

Directed by: David Dobkin

Cinematography by: Janusz Kaminski

Edited by: Mark Livolsi

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Musician

Need for Speed (2014)

| USA, India

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Musician

Million Dollar Arm (2014)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Cooke S4 Lenses

| USA

Directed by: Craig Gillespie

Cinematography by: Gyula Pados

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Musician

The Maze Runner (2014)

| USA, UK

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician

This Is Where I Leave You (2014)

| USA

Directed by: Shawn Levy

Cinematography by: Terry Stacey

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician: Featured Soloist Guitar, Mandolin

A Million Ways to Die in the West (2014)

| USA

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony PMW-F55 Camera

Editing System: Avid Editing System

Soloist: Guitars

Transformers: Age of Extinction (2014)

| USA, China, Hong Kong

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leica Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Musician

Rio 2 (2014)

| USA

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

Musician

The Best of Me (2014)

| USA

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Matt Chesse

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses

Musician

Epic (2013)

| USA

Directed by: Chris Wedge

Cinematography by: Renato Falcão

Edited by: Andy Keir

Musician

A Good Day to Die Hard (2013)

| USA, Russia

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician

Turbo (2013)

| USA

Directed by: David Soren

Cinematography by: Chris Stover

Edited by: James Ryan

Musician

The Hangover Part III (2013)

| USA

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Musician

Labor Day (2013)

| USA

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

Musician: Guitars

Man of Steel (2013)

| USA, UK

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Musician

This Is the End (2013)

| USA

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Musician

Monsters University (2013)

| USA

Directed by: Dan Scanlon

Edited by: Greg Snyder

Musician

Frozen (2013)

| USA

Directed by: Chris Buck, Jennifer Lee

Edited by: Jeff Draheim

Musician

Pacific Rim (2013)

| USA

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Zeiss Ultra Prime Lenses

Musician

R.I.P.D. (2013)

| USA

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Musician

Captain Phillips (2013)

| USA

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leica Summilux-C Series Lenses, Zeiss Super Speed Lenses

Musician

Identity Thief (2013)

| USA

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Musician

The Lone Ranger (2013)

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

| USA

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Musician

Temptation: Confessions of a Marriage Counselor (2013)

| USA

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Musician

Oz the Great and Powerful (2013)

| USA

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Editing System: Avid Editing System

Musician

Gangster Squad (2013)

| USA

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Instrumental Soloist

Side Effects (2013)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red Epic Camera

Musician

G.I. Joe: Retaliation (2013)

| USA

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Musician

We're the Millers (2013)

| USA, UK

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Audio Coordinator / Musician: Instrumental Soloist

Saving Mr. Banks (2013)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, UK, Australia

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Musician

Star Trek Into Darkness (2013)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Musician

The Dictator (2012)

| USA

Directed by: Larry Charles

Cinematography by: Lawrence Sher

Edited by: Greg Hayden, Eric Kissack

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Musician

Parental Guidance (2012)

| USA

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Musician: Guitar

The Lorax (2012)

| USA, France

Directed by: Chris Renaud, Kyle Balda

Edited by: Claire Dodgson, Steven Liu, Ken Schretzmann

Musician

Good Deeds (2012)

| USA

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Musician

Men in Black 3 (2012)

| USA, United Arab Emirates

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Musician: Guitar And Hammered Dulcimer

Skyfall (2012)

| UK, USA

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Musician: Guitar

John Carter (2012)

| USA

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Musician

Ice Age: Continental Drift (2012)

| USA

Directed by: Steve Martino, Mike Thurmeier

Cinematography by: Renato Falcão

Edited by: Christopher Campbell, James Palumbo, David Ian Salter

Musician

The Three Stooges (2012)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Musician

Trouble with the Curve (2012)

| USA

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Musician

21 Jump Street (2012)

| USA

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Musician

Diary of a Wimpy Kid: Dog Days (2012)

| USA, Canada

Directed by: David Bowers

Cinematography by: Anthony B. Richmond

Edited by: Troy Takaki

Musician

Here Comes the Boom (2012)

| USA

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Musician: Guitars/ethnic Guitars

Trade of Innocents (2012)

| USA, Thailand

Directed by: Christopher M. Bessette

Cinematography by: Philip Hurn

Edited by: Diane Brunjes

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Featured Musician

The Odd Life of Timothy Green (2012)

| USA

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Musician

Big Miracle (2012)

| USA, UK

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Musician: Guitar, Wanderlust Band

Wanderlust (2012)

| USA

Directed by: David Wain

Cinematography by: Michael Bonvillain

Edited by: David Moritz, Robert Nassau

Editing System: Avid Editing System

Musician

Lincoln (2012)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Musician

The Guilt Trip (2012)

| USA

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Musician

This Means War (2012)

| USA

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Musician

Madea's Witness Protection (2012)

| USA

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Musician

The Campaign (2012)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Musician

People Like Us (2012)

| USA

Directed by: Alex Kurtzman

Cinematography by: Salvatore Totino

Edited by: Robert Leighton

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Musician

Joyful Noise (2012)

| USA

Directed by: Todd Graff

Cinematography by: David Boyd

Edited by: Kathryn Himoff

Musician: Guitar

Darling Companion (2012)

| USA

Directed by: Lawrence Kasdan

Cinematography by: Michael McDonough

Edited by: Carol Littleton

Musician: Guitars

Battleship (2012)

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Musician: Mandolin

Life of Pi (2012)

| USA, Taiwan, UK, Canada

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Audio Coordination / Musician: Instrumental Soloist

The Best Exotic Marigold Hotel (2011)

| UK, USA, United Arab Emirates

Directed by: John Madden

Cinematography by: Ben Davis

Edited by: Chris Gill

Musician

The Hangover Part II (2011)

| USA, Thailand

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher, Michael L. Sale

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Musician

Too Big to Fail (2011)

| USA

Directed by: Curtis Hanson

Cinematography by: Kramer Morgenthau

Edited by: Plummy Tucker, Barbara Tulliver

Musician

Drive Angry (2011)

| USA

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Musician

Footloose (2011)

| USA

Directed by: Craig Brewer

Cinematography by: Amy Vincent

Edited by: Billy Fox

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician

The Big Year (2011)

| USA, Canada

Directed by: David Frankel

Cinematography by: Lawrence Sher

Edited by: Mark Livolsi

Musician

Tower Heist (2011)

| USA

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Musician

The Muppets (2011)

| USA

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Musician

The Change-Up (2011)

| USA

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Audio Coordinator / Instrumental Soloist

The Adjustment Bureau (2011)

| USA

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Musician: Guitar

Cowboys & Aliens (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, India

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Editing System: Autodesk Smoke Editing System

Musician: Guitars

Your Highness (2011)

| USA

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Musician

Madea's Big Happy Family (2011)

| USA

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Musician

Red Riding Hood (2011)

| USA, Canada

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Musician

Diary of a Wimpy Kid: Rodrick Rules (2011)

| USA

Directed by: David Bowers

Cinematography by: Jack N. Green

Edited by: Troy Takaki

Cameras: Panavision Cameras

Musician: Guitar

Rango (2011)

| USA, Brazil, UK

Directed by: Gore Verbinski

Cinematography by: Roger Deakins

Edited by: Craig Wood

Editing System: Avid Editing System

Featured Musician

Prom (2011)

| USA

Directed by: Joe Nussbaum

Cinematography by: Byron Shah

Edited by: Jeffrey M. Werner

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician: Soloist - Guitar

Transformers: Dark of the Moon (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Editing System: Avid Editing System

Musician: Guitars

Larry Crowne (2011)

| USA

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Music Audio Coordinator / Musician: Instrumental Soloist

The Help (2011)

| USA, India, United Arab Emirates

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Musician

The Dilemma (2011)

| USA

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician

X: First Class (2011)

| USA, UK

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Musician

Water for Elephants (2011)

| USA

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Musician

The Adventures of Tintin (2011)

| USA, New Zealand, UK

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Musician: Guitar

Rio (2011)

| USA, Brazil

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner

Musician

New Year's Eve (2011)

| USA

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Michael Tronick

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Featured Musician

Hop (2011)

| USA, India, Malaysia, Taiwan, Canada, UK

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Musician

Real Steel (2011)

| USA, India

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Musician

Mission: Impossible - Ghost Protocol (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, United Arab Emirates, Czech Republic, Russia, India, Canada

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, Imax MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Musician

Puss in Boots (2011)

| USA

Directed by: Chris Miller

Cinematography by: Gil Zimmerman

Edited by: Erika Dapkewicz

Musician

Thin Ice (2011)

| USA

Directed by: Jill Sprecher

Cinematography by: Dick Pope

Edited by: Lee Percy

Musician

Jack and Jill (2011)

| USA

Directed by: Dennis Dugan

Cinematography by: Dean Cundey

Edited by: Tom Costain

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician

Judy Moody and the Not Bummer Summer (2011)

| USA

Directed by: John Schultz

Cinematography by: Shawn Maurer

Edited by: John Pace

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Musician

Crazy, Stupid, Love. (2011)

| USA

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Musician

Arthur (2011)

| USA

Directed by: Jason Winer

Cinematography by: Uta Briesewitz

Edited by: Brent White

Musician

The Green Hornet (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

| USA

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Editing System: Avid Editing System

Musician

Super 8 (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

| USA

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Editing System: Avid Editing System

Musician

The Book of Eli (2010)

| USA

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Musician / Musician: Guitar

Salt (2010)

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Musician: Guitar

Dinner for Schmucks (2010)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Musician

The Last Song (2010)

| USA

Directed by: Julie Anne Robinson

Cinematography by: John Lindley

Edited by: Nancy Richardson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 Camera

Musician

Alice in Wonderland (2010)

| USA

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Editing System: Avid Editing System

Musician

When in Rome (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| USA

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Musician

Predators (2010)

| USA

Directed by: Nimród Antal

Cinematography by: Gyula Pados

Edited by: Dan Zimmerman

Editing System: Avid Editing System

Musician

Diary of a Wimpy Kid (2010)

| USA, UK

Directed by: Thor Freudenthal

Cinematography by: Jack N. Green

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

Musician

The A-Team (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, UK

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Musician: Guitar

Knight and Day (2010)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Musician

For Colored Girls (2010)

| USA

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Musician: Guitar

Wall Street: Money Never Sleeps (2010)

| USA

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Musician

Going the Distance (2010)

| USA

Directed by: Nanette Burstein

Cinematography by: Eric Steelberg

Edited by: Peter Teschner

Featured Musician

Marmaduke (2010)

| USA

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Musician

Toy Story 3 (2010)

| USA

Directed by: Lee Unkrich

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Musician

Date Night (2010)

| USA

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Musician

Life as We Know It (2010)

| USA

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Musician

Due Date (2010)

| USA

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Musician

You Again (2010)

| USA

Directed by: Andy Fickman

Cinematography by: David Hennings

Edited by: Keith Brachmann, David Rennie

Musician

Tangled (2010)

| USA

Directed by: Nathan Greno, Byron Howard

Edited by: Tim Mertens

Musician

Little Fockers (2010)

| USA

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Greg Hayden, Leslie Jones, Myron Kerstein

Cameras: ARRI Cameras

Musician

Secretariat (2010)

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

| USA

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Musician

The Karate Kid (2010)

| USA, China

Directed by: Harald Zwart

Cinematography by: Roger Pratt

Edited by: Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Musician

Why Did I Get Married Too? (2010)

| USA

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Musician

The Company Men (2010)

| USA

Directed by: John Wells

Cinematography by: Roger Deakins

Edited by: Robert Frazen

Musician

Sex and the City 2 (2010)

| USA

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Musician

Hot Tub Time Machine (2010)

| USA

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

Musician: Additional Guitars

The River Why (2010)

| USA

Directed by: Matthew Leutwyler

Cinematography by: Karsten Gopinath

Edited by: Robert Dalva, Matthew Leutwyler

Musician

How to Train Your Dragon (2010)

| USA

Directed by: Dean DeBlois, Chris Sanders

Cinematography by: Gil Zimmerman

Edited by: Maryann Brandon, Darren T. Holmes

Musician

Dear John (2010)

| USA

Directed by: Lasse Hallström

Cinematography by: Terry Stacey

Edited by: Kristina Boden

Musician

The Sorcerer's Apprentice (2010)

| USA

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Musician

Harry Potter and the Deathly Hallows: Part 1 (2010)

| UK, USA

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Musician

Yogi Bear (2010)

| USA, New Zealand

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Musician

Couples Retreat (2009)

| USA

Directed by: Peter Billingsley

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Musician

Night at the Museum: Battle of the Smithsonian (2009)

| USA, Canada

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Musician: Additional Guitar

Duplicity (2009)

| USA, Germany

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Musician

The Final Destination (2009)

| USA

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Musician

Confessions of a Shopaholic (2009)

| USA

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Musician

Knowing (2009)

| USA, UK, Australia

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician

Did You Hear About the Morgans? (2009)

| USA

Directed by: Marc Lawrence

Cinematography by: Florian Ballhaus

Edited by: Susan E. Morse

Cameras: ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

Musician

Ice Age: Dawn of the Dinosaurs (2009)

| USA

Directed by: Carlos Saldanha, Mike Thurmeier

Edited by: Harry Hitner, James Palumbo

Musician / Soloist: Guitar

Transformers: Revenge of the Fallen (2009)

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Musician

Aliens in the Attic (2009)

| USA, Canada

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

Musician

The Princess and the Frog (2009)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Jeff Draheim

Musician

Bride Wars (2009)

| USA

Directed by: Gary Winick

Cinematography by: Frederick Elmes

Edited by: Susan Littenberg

Cameras: ARRI Cameras

Musician: Featured Soloist

A Dog Year (2009)

| USA

Directed by: George LaVoo

Cinematography by: Frederick Elmes

Edited by: Michael Taylor, Leo Trombetta

Cameras: ARRI Cameras

Musician

Old Dogs (2009)

| USA

Directed by: Walt Becker

Cinematography by: Jeffrey L. Kimball

Edited by: Ryan Folsey, Tom Lewis

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

My Sister's Keeper (2009)

| USA

Directed by: Nick Cassavetes

Cinematography by: Caleb Deschanel

Edited by: Jim Flynn, Alan Heim

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Musician

Land of the Lost (2009)

| USA

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Musician

He's Just Not That Into You (2009)

| Germany, USA

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Musician

Hotel for Dogs (2009)

| Germany, USA

Directed by: Thor Freudenthal

Cinematography by: Michael Grady

Edited by: Sheldon Kahn

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Musician

Drag Me to Hell (2009)

| USA

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System, Final Cut Pro Editing System

Musician

Year One (2009)

| USA

Directed by: Harold Ramis

Cinematography by: Alar Kivilo

Edited by: Craig Herring, Steve Welch

Cameras: Panavision Cameras

Musician

The Hangover (2009)

| USA, Germany

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Musician

2012 (2009)

| USA

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Musician

Up (2009)

| USA

Directed by: Pete Docter, Bob Peterson

Cinematography by: Patrick Lin

Edited by: Kevin Nolting

Musician

The Rebound (2009)

| USA

Directed by: Bart Freundlich

Cinematography by: Jonathan Freeman

Edited by: Christopher Tellefsen

Musician

The Pink Panther 2 (2009)

| USA

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Julia Wong

Cameras: Moviecam Compact Camera

Musician

Coraline (2009)

| USA

Directed by: Henry Selick

Cinematography by: Pete Kozachik

Edited by: Christopher Murrie, Ronald Sanders

Cameras: Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

Editing System: Avid Editing System

Musician

College Road Trip (2008)

| USA

Directed by: Roger Kumble

Cinematography by: Theo van de Sande

Edited by: Roger Bondelli

Musician

Drillbit Taylor (2008)

| USA

Directed by: Steven Brill

Cinematography by: Fred Murphy

Edited by: Brady Heck, Thomas J. Nordberg

Musician

Nights in Rodanthe (2008)

| USA, Australia

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

Musician

The Strangers (2008)

| USA

Directed by: Bryan Bertino

Cinematography by: Peter Sova

Edited by: Kevin Greutert

Cameras: Panavision Cameras

Musician: Guitar

Bolt (2008)

| USA

Directed by: Byron Howard, Chris Williams

Cinematography by: Scott Beattie

Edited by: Tim Mertens

Musician

Seven Pounds (2008)

| USA

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Musician

Meet Dave (2008)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Musician

Meet the Browns (2008)

| USA

Directed by: Tyler Perry

Cinematography by: Sandi Sissel

Edited by: Maysie Hoy

Musician

Hancock (2008)

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Musician

Bedtime Stories (2008)

| USA

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Musician

Baby Mama (2008)

| USA

Directed by: Michael McCullers

Cinematography by: Daryn Okada

Edited by: Bruce Green, Debra Neil-Fisher

Cameras: Panavision Cameras

Musician

The Curious Case of Benjamin Button (2008)

| USA

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Musician

RocknRolla (2008)

| UK, USA, France

Directed by: Guy Ritchie

Cinematography by: David Higgs

Edited by: James Herbert

Cameras: ARRIFLEX D-20 Camera

Musician

Speed Racer (2008)

| USA, Australia, Germany

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Musician

Marley & Me (2008)

| USA

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Ultra Prime Lenses

Audio Coordinator / Instrumental Soloist

Revolutionary Road (2008)

| USA, UK

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Editing System: Lightworks Editing System

Musician: Guitar

Miracle at St. Anna (2008)

| USA, Italy

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Musician

Semi-Pro (2008)

| USA

Directed by: Kent Alterman

Cinematography by: Shane Hurlbut

Edited by: Debra Neil-Fisher, Peter Teschner

Musician

Sex and the City (2008)

| USA

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Musician: Guitar

Tropic Thunder (2008)

| USA, UK, Germany

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Musician

Appaloosa (2008)

| USA

Directed by: Ed Harris

Cinematography by: Dean Semler

Edited by: Kathryn Himoff

Musician

Vantage Point (2008)

| USA

Directed by: Pete Travis

Cinematography by: Amir Mokri

Edited by: Stuart Baird

Musician

Smart People (2008)

| USA

Directed by: Noam Murro

Cinematography by: Toby Irwin

Edited by: Robert Frazen, Yana Gorskaya

Musician

What Happens in Vegas (2008)

| USA

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

Musician: Solo Guitar

Stop-Loss (2008)

| USA

Directed by: Kimberly Peirce

Cinematography by: Chris Menges

Edited by: Claire Simpson

Musician

High School Musical 3: Senior Year (2008)

| USA

Directed by: Kenny Ortega

Cinematography by: Daniel Aranyó

Edited by: Don Brochu

Musician

Body of Lies (2008)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses

| USA, UK

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Editing System: Avid Editing System

Musician

Doubt (2008)

| USA

Directed by: John Patrick Shanley

Cinematography by: Roger Deakins

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 535 B Camera

Musician: Guitar Soloist

Swing Vote (2008)

| USA

Directed by: Joshua Michael Stern

Cinematography by: Shane Hurlbut

Edited by: Jeff McEvoy

Musician

The Love Guru (2008)

| UK, Germany, USA

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

Musician

Sweet Nothing in My Ear (2008)

| USA

Directed by: Joseph Sargent

Cinematography by: Donald M. Morgan

Edited by: Michael Brown

Musician

Wanted (2008)

| USA, Germany

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Musician: Solo Guitar

August Rush (2007)

| USA

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician: Guitar

Charlie Bartlett (2007)

| USA

Directed by: Jon Poll

Cinematography by: Paul Sarossy

Edited by: Alan Baumgarten

Musician

Evan Almighty (2007)

| USA

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Musician

Charlie Wilson's War (2007)

| USA, Germany

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Musician: Guitar

Disturbia (2007)

| USA

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Musician: Additional Guitar Solos

Martian Child (2007)

| USA

Directed by: Menno Meyjes

Cinematography by: Robert D. Yeoman

Edited by: Bruce Green

Musician

Enchanted (2007)

| USA

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Musician

Reign Over Me (2007)

| USA

Directed by: Mike Binder

Cinematography by: Russ T. Alsobrook

Edited by: Steve Edwards, Jeremy Roush

Editing System: Final Cut Pro Editing System

Musician

Beowulf (2007)

| USA

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Musician

License to Wed (2007)

| USA, Australia

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Kathryn Himoff

Musician

The Kingdom (2007)

| USA, Germany, United Arab Emirates

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

Musician

The Comebacks (2007)

| USA

Directed by: Tom Brady

Cinematography by: Anthony B. Richmond

Edited by: Alan Edward Bell

Musician

Bridge to Terabithia (2007)

| USA

Directed by: Gabor Csupo

Cinematography by: Michael Chapman

Edited by: John Gilbert

Cameras: Panavision Cameras

Musician

The Game Plan (2007)

| USA

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Cameras: Panavision Cameras

Musician

The Reaping (2007)

| USA

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Colby Parker Jr.

Musician

Underdog (2007)

| USA

Directed by: Frederik Du Chau

Cinematography by: David Eggby

Edited by: Tom Finan

Featured Musician: Rhythm

Hairspray (2007)

| USA, UK

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Instrumental Soloist: Guitar

Slipstream (2007)

| USA

Directed by: Anthony Hopkins

Cinematography by: Dante Spinotti

Edited by: Michael R. Miller

Musician: Guitar

Shooter (2007)

| USA

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Musician: Acoustic Guitar

The Lookout (2007)

| USA

Directed by: Scott Frank

Cinematography by: Alar Kivilo

Edited by: Jill Savitt

Musician

Why Did I Get Married? (2007)

| USA

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Musician

Ratatouille (2007)

| USA

Directed by: Brad Bird, Jan Pinkava

Cinematography by: Robert Anderson

Edited by: Darren T. Holmes

Musician

Wild Hogs (2007)

| USA

Directed by: Walt Becker

Cinematography by: Robbie Greenberg

Edited by: Christopher Greenbury, Stuart H. Pappé

Cameras: Panavision Cameras

Musician

The Bucket List (2007)

| USA

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Musician

Rush Hour 3 (2007)

| USA, Germany

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Musician: Dulcimer

Ocean's Thirteen (2007)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

Towelhead (2007)

| USA

Directed by: Alan Ball

Cinematography by: Newton Thomas Sigel

Edited by: Andy Keir

Musician

Blades of Glory (2007)

| USA

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Musician

Walk Hard: The Dewey Cox Story (2007)

| USA

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone, Steve Welch

Musician: Guitar

The Life Before Her Eyes (2007)

| USA

Directed by: Vadim Perelman

Cinematography by: Pawel Edelman

Edited by: David Baxter, David Baxter

Musician

Mr. Magorium's Wonder Emporium (2007)

| USA, Canada

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

Musician

Cars (2006)

| USA

Directed by: John Lasseter, Joe Ranft

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Musician

You, Me and Dupree (2006)

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Musician

American Dreamz (2006)

| USA

Directed by: Paul Weitz

Cinematography by: Robert Elswit

Edited by: Myron Kerstein

Musician

Firewall (2006)

| USA

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Jim Page

Musician

Superman Returns (2006)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Editing System: Adobe Premiere Editing System, Avid Editing System

Musician: Guitar, The Smokin' Band

Smokin' Aces (2006)

| UK, France, USA

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

Musician

The Pink Panther (2006)

| USA, Czech Republic

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: George Folsey Jr., Brad Wilhite

Musician

Happy Feet (2006)

| USA, Australia

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

Musician

Click (2006)

| USA

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Musician

Talladega Nights: The Ballad of Ricky Bobby (2006)

| USA

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Musician

Monster House (2006)

| USA

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

Musician

Garfield: A Tail of Two Kitties (2006)

| UK, USA

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot

Musician

The Good German (2006)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Musician

Little Children (2006)

| USA

Directed by: Todd Field

Cinematography by: Antonio Calvache

Edited by: Leo Trombetta

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Musician

We Are Marshall (2006)

| USA

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

Musician

Nacho Libre (2006)

| Germany, USA

Directed by: Jared Hess

Cinematography by: Xavier Grobet

Edited by: Billy Weber

Musician

John Tucker Must Die (2006)

| USA, Canada

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Musician

Charlotte's Web (2006)

| USA, Germany, Australia

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

Musician

Material Girls (2006)

| USA

Directed by: Martha Coolidge

Cinematography by: Johnny E. Jensen

Edited by: Steven Cohen

Musician

Final Destination 3 (2006)

| USA, Germany

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Chris G. Willingham

Musician

ATL (2006)

| USA

Directed by: Chris Robinson

Cinematography by: Karsten Gopinath

Edited by: David Blackburn

Musician

The Shaggy Dog (2006)

| USA

Directed by: Brian Robbins

Cinematography by: Gabriel Beristain

Edited by: Ned Bastille

Musician

RV (2006)

| UK, Germany, USA

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

Musician

Miami Vice (2006)

| USA, Germany, Paraguay, Uruguay

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Musician

The Fast and the Furious: Tokyo Drift (2006)

| USA, Germany, Japan

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

Featured Musician

Eight Below (2006)

| USA

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

Musician

Big Momma's House 2 (2006)

| USA

Directed by: John Whitesell

Cinematography by: Mark Irwin

Edited by: Priscilla Nedd-Friendly

Musician

Flicka (2006)

| USA, UK

Directed by: Michael Mayer

Cinematography by: James M. Muro

Edited by: Andrew Marcus

Musician

Rocky Balboa (2006)

| USA

Directed by: Sylvester Stallone

Cinematography by: Clark Mathis

Edited by: Sean Albertson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera

Musician: Guitars

The Devil Wears Prada (2006)

| USA, France

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Musician

Hoot (2006)

| USA

Directed by: Wil Shriner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell

Musician

Harry Potter and the Goblet of Fire (2005)

| UK, USA

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Musician

Bad News Bears (2005)

| USA

Directed by: Richard Linklater

Cinematography by: Rogier Stoffers

Edited by: Sandra Adair

Musician

The Legend of Zorro (2005)

| USA

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Musician

Rumor Has It... (2005)

| USA, Germany, Australia

Directed by: Rob Reiner

Cinematography by: Peter Deming

Edited by: Robert Leighton

Musician

Cinderella Man (2005)

| USA

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician: Guitar

The Chumscrubber (2005)

| USA, Germany

Directed by: Arie Posin

Cinematography by: Lawrence Sher

Edited by: William S. Scharf, Arthur Schmidt

Musician

Fun with Dick and Jane (2005)

| USA

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Musician

The Three Burials of Melquiades Estrada (2005)

| France, USA, Mexico

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

Musician

Corpse Bride (2005)

| USA, UK

Directed by: Tim Burton, Mike Johnson

Cinematography by: Pete Kozachik

Edited by: Chris Lebenzon, Jonathan Lucas

Cameras: ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

Musician

The 40-Year-Old Virgin (2005)

| USA

Directed by: Judd Apatow

Cinematography by: Jack N. Green

Edited by: Brent White

Musician

King Kong (2005)

| New Zealand, USA, Germany

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Musician

The Pacifier (2005)

| Canada, USA

Directed by: Adam Shankman

Cinematography by: Peter James

Edited by: Christopher Greenbury

Musician

The Prize Winner of Defiance, Ohio (2005)

| USA

Directed by: Jane Anderson

Cinematography by: Jonathan Freeman

Edited by: Robert Dalva

Musician

Kicking & Screaming (2005)

| USA

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé, Peter Teschner

Musician / Musician: Percussion

Constantine (2005)

| USA, Germany

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Musician

Sky High (2005)

| USA

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

Musician

The Interpreter (2005)

| UK, France, Germany, USA

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

Musician: Acoustic Guitar And Dulcimer

Dreamer: Inspired by a True Story (2005)

| USA

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Editing System: Final Cut Pro Editing System

Musician

Jarhead (2005)

| USA, UK, Germany

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Musician

Dark Water (2005)

| USA

Directed by: Walter Salles

Cinematography by: Affonso Beato

Edited by: Daniel Rezende

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Musician

Ice Princess (2005)

| USA, Canada

Directed by: Tim Fywell

Cinematography by: David Hennings

Edited by: Janice Hampton

Musician

The Island (2005)

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Musician

Must Love Dogs (2005)

| USA

Directed by: Gary David Goldberg

Cinematography by: John Bailey

Edited by: Roger Bondelli, Eric A. Sears

Cameras: Panavision Cameras

Musician

The Skeleton Key (2005)

| USA, Germany

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

Musician

A Lot Like Love (2005)

| USA

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Susan Littenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician

Beauty Shop (2005)

| USA

Directed by: Bille Woodruff

Cinematography by: Theo van de Sande

Edited by: Michael Jablow

Musician

Raising Helen (2004)

| USA

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green, Tara Timpone

Musician

Team America: World Police (2004)

| USA, Germany

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Musician: Hawaiian Lap Steel Guitar

The Big Bounce (2004)

| USA

Directed by: George Armitage

Cinematography by: Jeffrey L. Kimball

Edited by: Brian Berdan, Barry Malkin

Musician

Something the Lord Made (2004)

| USA

Directed by: Joseph Sargent

Cinematography by: Donald M. Morgan

Edited by: Michael Brown

Musician

Starsky & Hutch (2004)

| USA

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

Musician

Shrek 2 (2004)

| USA

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Musician: Guitar Solos

Bobby Jones: Stroke of Genius (2004)

| USA

Directed by: Rowdy Herrington

Cinematography by: Tom Stern

Edited by: Pasquale Buba

Cameras: Panavision Cameras

Musician: Guitar/dulcimer/vietnamese Banjo

Ocean's Twelve (2004)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Musician

Mr 3000 (2004)

| USA

Directed by: Charles Stone III

Cinematography by: Shane Hurlbut

Edited by: Bill Pankow

Musician

The Bourne Supremacy (2004)

| USA, Germany

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Musician

Spider-Man 2 (2004)

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses

Musician

The Village (2004)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Roger Deakins

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Musician

Dawn of the Dead (2004)

| USA, Canada, Japan, France

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Musician

Mean Girls (2004)

| USA, Canada

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

Musician

Confessions of a Teenage Drama Queen (2004)

| Germany, USA

Directed by: Sara Sugarman

Cinematography by: Stephen H. Burum

Edited by: Anita Brandt Burgoyne

Musician

Dodgeball: A True Underdog Story (2004)

| USA

Directed by: Rawson Marshall Thurber

Cinematography by: Jerzy Zielinski

Edited by: Alan Baumgarten, Peter Teschner

Cameras: Panavision Cameras

Musician

The Incredibles (2004)

| USA

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

Musician

Welcome to Mooseport (2004)

| USA, Germany

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

Musician

Win a Date with Tad Hamilton! (2004)

| USA

Directed by: Robert Luketic

Cinematography by: Peter Lyons Collister

Edited by: Scott Hill

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Musician

13 Going on 30 (2004)

| USA

Directed by: Gary Winick

Cinematography by: Don Burgess

Edited by: Susan Littenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

The Alamo (2004)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Musician

Lemony Snicket's A Series of Unfortunate Events (2004)

| USA, Germany

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Musician

Ladder 49 (2004)

| USA

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Bud S. Smith, M. Scott Smith

Musician

The Polar Express (2004)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Musician: Acoustic Guitar

Collateral (2004)

| USA

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Musician

Along Came Polly (2004)

| USA

Directed by: John Hamburg

Cinematography by: Seamus McGarvey

Edited by: William Kerr, Nick Moore

Musician

National Treasure (2004)

| USA

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Musician

Van Helsing (2004)

| USA, Czech Republic, Romania

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Musician

Garfield (2004)

| USA

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Musician

Soul Plane (2004)

| USA

Directed by: Jessy Terrero

Cinematography by: Jonathan Sela

Edited by: Michael R. Miller

Musician

Shark Tale (2004)

| USA

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

Musician

A Cinderella Story (2004)

| USA, Canada

Directed by: Mark Rosman

Cinematography by: Anthony B. Richmond

Edited by: Cara Silverman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision Lenses

Musician

Harry Potter and the Prisoner of Azkaban (2004)

| UK, USA

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Musician

Anchorman: The Legend of Ron Burgundy (2004)

| USA

Directed by: Adam McKay

Cinematography by: Thomas E. Ackerman

Edited by: Brent White

Musician

Final Destination 2 (2003)

| USA, Canada

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

Musician: Guitars

Shade (2003)

| USA

Directed by: Damian Nieman

Cinematography by: Anthony B. Richmond

Edited by: Scott Conrad, Glenn Garland

Musician

Looney Tunes: Back in Action (2003)

| Germany, USA

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Musician

Under the Tuscan Sun (2003)

| USA, Italy

Directed by: Audrey Wells

Cinematography by: Geoffrey Simpson

Edited by: Arthur Coburn, Andrew Marcus, Todd E. Miller

Musician

Elf (2003)

| USA

Directed by: Jon Favreau

Cinematography by: Greg Gardiner

Edited by: Dan Lebental

Cameras: Panavision Cameras

Lenses: Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Musician

Seabiscuit (2003)

| USA

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Editing System: Avid Editing System

Instrumental Soloist / Musician

Finding Nemo (2003)

| USA, Australia

Directed by: Andrew Stanton, Lee Unkrich

Cinematography by: Sharon Calahan, Jeremy Lasky, Jericca Cleland

Edited by: David Ian Salter

Musician

Down with Love (2003)

| USA, Germany

Directed by: Peyton Reed

Cinematography by: Jeff Cronenweth

Edited by: Larry Bock

Musician

Something's Gotta Give (2003)

| USA

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Musician

Good Boy! (2003)

| USA

Directed by: John Hoffman

Cinematography by: James Glennon

Edited by: Craig Herring

Musician

The Cat in the Hat (2003)

| USA

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Musician

Holes (2003)

| USA

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Musician

The Core (2003)

| USA, Germany, Canada, UK

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Musician

Willard (2003)

| Canada, USA

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Musician

The Company (2003)

| Germany, USA

Directed by: Robert Altman

Cinematography by: Andrew Dunn

Edited by: Geraldine Peroni

Musician

Brother Bear (2003)

| USA

Directed by: Aaron Blaise, Robert Walker

Edited by: Tim Mertens

Musician

The Lizzie McGuire Movie (2003)

| USA

Directed by: Jim Fall

Cinematography by: Jerzy Zielinski

Edited by: Margaret Goodspeed

Cameras: Panavision Cameras

Musician

Dickie Roberts: Former Child Star (2003)

| USA

Directed by: Sam Weisman

Cinematography by: Thomas E. Ackerman

Edited by: Roger Bondelli

Musician

American Wedding (2003)

| USA, Germany

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

Identity (2003)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: David Brenner

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Musician

Hollywood Homicide (2003)

| USA

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Paul Seydor

Cameras: Panavision Panaflex Camera

Musician

The Italian Job (2003)

| USA, France, UK, Italy

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Musician

Agent Cody Banks (2003)

| USA, Canada

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

Paycheck (2003)

| USA, Canada

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

Musician: Guitar

Ice Age (2002)

| USA

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

Musician

The Tuxedo (2002)

| USA

Directed by: Kevin Donovan

Cinematography by: Stephen F. Windon

Edited by: Craig Herring

Musician

Showtime (2002)

| USA, Australia

Directed by: Tom Dey

Cinematography by: Thomas Kloss

Edited by: Billy Weber

Musician

xXx (2002)

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

| USA

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Musician

The Bourne Identity (2002)

| USA, Germany, Czech Republic

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Musician

Blue Crush (2002)

| USA, Germany

Directed by: John Stockwell

Cinematography by: David Hennings

Edited by: Emma E. Hickox

Musician

Two Weeks Notice (2002)

| USA, Australia

Directed by: Marc Lawrence

Cinematography by: László Kovács

Edited by: Susan E. Morse

Musician

The Scorpion King (2002)

| USA, Germany, Belgium

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Musician

Lilo & Stitch (2002)

| USA

Directed by: Dean DeBlois, Chris Sanders

Edited by: Darren T. Holmes

Musician

Tuck Everlasting (2002)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Jay Cassidy

Cameras: Panavision Panaflex Gold II Camera

Musician

Maid in Manhattan (2002)

| USA

Directed by: Wayne Wang

Cinematography by: Karl Walter Lindenlaub

Edited by: Craig McKay

Musician

Clockstoppers (2002)

| USA

Directed by: Jonathan Frakes

Cinematography by: Tim Suhrstedt

Edited by: Peter E. Berger, Jeff Canavan

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Musician

Big Fat Liar (2002)

| USA, Germany

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Stuart H. Pappé, Kimberly Ray

Musician

Eye See You (2002)

| Germany, USA

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

Musician

The Hot Chick (2002)

| USA

Directed by: Tom Brady

Cinematography by: Tim Suhrstedt

Edited by: Peck Prior

Musician

Austin Powers in Goldmember (2002)

| USA

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

Musician

Spirit: Stallion of the Cimarron (2002)

| USA

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Musician

Eight Legged Freaks (2002)

| USA

Directed by: Ellory Elkayem

Cinematography by: John S. Bartley

Edited by: David Siegel

Musician

The Country Bears (2002)

| USA

Directed by: Peter Hastings

Cinematography by: Mitchell Amundsen

Edited by: George Bowers, Seth Flaum

Musician: Mandolin, Acoustic And Electric Guitars

The Salton Sea (2002)

| USA

Directed by: D.J. Caruso

Cinematography by: Amir Mokri

Edited by: Jim Page

Musician

Harry Potter and the Chamber of Secrets (2002)

| UK, USA, Germany

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Musician

Road to Perdition (2002)

| USA

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Editing System: Lightworks Editing System

Musician

Treasure Planet (2002)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Michael Kelly

Musician

Blood Work (2002)

| USA

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Musician

The Princess Diaries (2001)

| USA, UK

Directed by: Garry Marshall

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Green

Musician

Jeepers Creepers (2001)

| Germany, USA

Directed by: Victor Salva

Cinematography by: Don E. FauntLeRoy

Edited by: Ed Marx

Cameras: Panavision Panaflex Millennium Camera

Musician

Scary Movie 2 (2001)

| USA, Canada

Directed by: Keenen Ivory Wayans

Cinematography by: Steven Bernstein

Edited by: Thomas J. Nordberg, Richard Pearson, Peter Teschner

Musician

Rush Hour 2 (2001)

| Hong Kong, USA

Directed by: Brett Ratner

Cinematography by: Matthew F. Leonetti

Edited by: Mark Helfrich, Robert K. Lambert

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Musician

What's the Worst That Could Happen? (2001)

| USA

Directed by: Sam Weisman

Cinematography by: Anastas N. Michos

Edited by: Garth Craven, Nick Moore

Cameras: Panavision Cameras

Musician

Not Another Teen Movie (2001)

| USA

Directed by: Joel Gallen

Cinematography by: Reynaldo Villalobos

Edited by: Steve Welch

Musician

Jimmy Neutron: Boy Genius (2001)

| USA

Directed by: John A. Davis

Cinematography by: Steve Kolbe, Chris Sherrod

Edited by: Gregory Perler, Jon Price

Musician

Osmosis Jones (2001)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Lois Freeman-Fox, Stephen Schaffer, Sam Seig

Musician

America's Sweethearts (2001)

| USA

Directed by: Joe Roth

Cinematography by: Phedon Papamichael

Edited by: Stephen A. Rotter

Musician

Spy Kids (2001)

| USA

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

Musician

The Royal Tenenbaums (2001)

| USA

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Dylan Tichenor

Editing System: Avid Editing System

Musician

Bubble Boy (2001)

| USA

Directed by: Blair Hayes

Cinematography by: Jerzy Zielinski

Edited by: Pamela Martin

Musician

See Spot Run (2001)

| USA, Australia

Directed by: John Whitesell

Cinematography by: John S. Bartley

Edited by: Cara Silverman

Musician

Down to Earth (2001)

| Germany, Canada, Australia, USA

Directed by: Chris Weitz, Paul Weitz

Cinematography by: Richard Crudo

Edited by: Priscilla Nedd-Friendly

Musician

One Night at McCool's (2001)

| USA

Directed by: Harald Zwart

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Cannon

Musician

Monsters, Inc. (2001)

| USA

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

Musician

Antitrust (2001)

| USA

Directed by: Peter Howitt

Cinematography by: John Bailey

Edited by: Zach Staenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

American Pie 2 (2001)

| USA

Directed by: J.B. Rogers

Cinematography by: Mark Irwin

Edited by: Larry Madaras, Stuart H. Pappé

Cameras: Moviecam Compact Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses

Musician

The Mummy Returns (2001)

| USA

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Musician

Bandits (2001)

| USA

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

Musician

Shrek (2001)

| USA

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Musician

3000 Miles to Graceland (2001)

| USA

Directed by: Demian Lichtenstein

Cinematography by: David Franco

Edited by: Michael J. Duthie, Miklos Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

Joe Somebody (2001)

| USA

Directed by: John Pasquin

Cinematography by: Daryn Okada

Edited by: David Finfer

Musician

I Am Sam (2001)

| USA

Directed by: Jessie Nelson

Cinematography by: Elliot Davis

Edited by: Richard Chew

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

Musician

Training Day (2001)

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Musician

Evolution (2001)

| USA

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Musician

The Mexican (2001)

| USA, Mexico

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Craig Wood

Cameras: Panavision Cameras

Musician

Charlie's Angels (2000)

| USA, Germany

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Musician

Bait (2000)

| Canada, USA

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

Musician

All the Pretty Horses (2000)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Musician: Guitar

Drowning Mona (2000)

| USA

Directed by: Nick Gomez

Cinematography by: Bruce Douglas Johnson

Edited by: Richard Pearson

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Musician

The Flintstones in Viva Rock Vegas (2000)

| USA

Directed by: Brian Levant

Cinematography by: Jamie Anderson

Edited by: Kent Beyda

Musician

The Patriot (2000)

| USA, Germany

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

Final Destination (2000)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Musician

Bedazzled (2000)

| USA, Germany

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

Musician

Wonder Boys (2000)

| USA, Germany, UK, Japan

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Dede Allen

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Musician

28 Days (2000)

| USA

Directed by: Betty Thomas

Cinematography by: Declan Quinn

Edited by: Peter Teschner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

Miss Congeniality (2000)

| USA

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

Musician

Nutty Professor II: The Klumps (2000)

| USA

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: William Kerr

Musician

The Emperor's New Groove (2000)

| USA

Directed by: Mark Dindal

Cinematography by: Thomas Baker

Edited by: Tom Finan, Pam Ziegenhagen

Musician

Pay It Forward (2000)

| USA

Directed by: Mimi Leder

Cinematography by: Oliver Stapleton

Edited by: David Rosenbloom

Cameras: Panavision Cameras

Musician

Proof of Life (2000)

| USA

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

Musician

The Story of Us (1999)

| USA

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

Musician

The Out-of-Towners (1999)

| USA

Directed by: Sam Weisman

Cinematography by: John Bailey

Edited by: Kent Beyda

Cameras: Panavision Cameras

Musician: Mandola, Appalachian Dulcimer And Lap Steel Guitar

American Beauty (1999)

| USA

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Tariq Anwar, Christopher Greenbury

Musician

American Pie (1999)

| USA

Directed by: Paul Weitz, Chris Weitz

Cinematography by: Richard Crudo

Edited by: Priscilla Nedd-Friendly

Musician

Anywhere But Here (1999)

| USA

Directed by: Wayne Wang

Cinematography by: Roger Deakins

Edited by: Nicholas C. Smith

Musician

Teaching Mrs. Tingle (1999)

| USA

Directed by: Kevin Williamson

Cinematography by: Jerzy Zielinski

Edited by: Debra Neil-Fisher

Musician

Blue Streak (1999)

| USA, Germany

Directed by: Les Mayfield

Cinematography by: David Eggby

Edited by: Michael Tronick

Musician: Guitar

Toy Story 2 (1999)

| USA

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

Musician

The Straight Story (1999)

| France, UK, USA

Directed by: David Lynch

Cinematography by: Freddie Francis

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Gold II Camera

Musician

The Deep End of the Ocean (1999)

| USA

Directed by: Ulu Grosbard

Cinematography by: Stephen Goldblatt

Edited by: John Bloom

Musician

The Other Sister (1999)

| USA

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Bruce Green

Musician: Guitar

Bowfinger (1999)

| USA

Directed by: Frank Oz

Cinematography by: Ueli Steiger

Edited by: Richard Pearson

Musician

10 Things I Hate About You (1999)

| USA

Directed by: Gil Junger

Cinematography by: Mark Irwin

Edited by: O. Nicholas Brown

Cameras: Moviecam Compact Camera

Lenses: Angenieux Lenses, Cooke Lenses, Panavision Lenses

Musician

Star Wars: Episode I - The Phantom Menace (1999)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Musician: Guitar

The Big Kahuna (1999)

| USA

Directed by: John Swanbeck

Cinematography by: Anastas N. Michos

Edited by: Peggy Davis

Cameras: Panavision Cameras

Musician

Analyze This (1999)

| USA, Australia

Directed by: Harold Ramis

Cinematography by: Stuart Dryburgh

Edited by: Craig Herring, Christopher Tellefsen

Musician

Music of the Heart (1999)

| USA

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Gregg Featherman, Patrick Lussier

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

Stigmata (1999)

| USA

Directed by: Rupert Wainwright

Cinematography by: Jeffrey L. Kimball

Edited by: Michael J. Duthie, Michael R. Miller

Musician

South Park: Bigger, Longer & Uncut (1999)

| USA

Directed by: Trey Parker

Edited by: John Venzon

Musician

Black Dog (1998)

| USA, UK, France, Germany, Japan

Directed by: Kevin Hooks

Cinematography by: Buzz Feitshans IV

Edited by: Debra Neil-Fisher, Sabrina Plisco

Musician

Meet Joe Black (1998)

| USA

Directed by: Martin Brest

Cinematography by: Emmanuel Lubezki

Edited by: Joe Hutshing, Michael Tronick

Musician

Playing by Heart (1998)

| USA

Directed by: Willard Carroll

Cinematography by: Vilmos Zsigmond

Edited by: Pietro Scalia

Musician

Six Days Seven Nights (1998)

| USA

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Musician

Patch Adams (1998)

| USA

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

The Parent Trap (1998)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Musician

Armageddon (1998)

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Musician

Mafia! (1998)

| USA

Directed by: Jim Abrahams

Cinematography by: Pierre Letarte

Edited by: Terry Stokes

Musician

Holy Man (1998)

| USA

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Musician

The Prince of Egypt (1998)

| USA

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Musician

Practical Magic (1998)

| USA

Directed by: Griffin Dunne

Cinematography by: Andrew Dunn

Edited by: Elizabeth Kling

Musician

Hope Floats (1998)

| USA

Directed by: Forest Whitaker

Cinematography by: Caleb Deschanel

Edited by: Richard Chew

Cameras: Panavision Cameras

Musician

Rush Hour (1998)

| USA

Directed by: Brett Ratner

Cinematography by: Adam Greenberg

Edited by: Mark Helfrich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Musician

A Price Above Rubies (1998)

| UK, USA

Directed by: Boaz Yakin

Cinematography by: Adam Holender

Edited by: Arthur Coburn

Musician

Half Baked (1998)

| USA

Directed by: Tamra Davis

Cinematography by: Steven Bernstein

Edited by: Don Zimmerman

Musician

The Horse Whisperer (1998)

| USA

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Musician

Hard Rain (1998)

| USA, UK, Denmark, France, Japan, New Zealand, Germany, Australia

Directed by: Mikael Salomon

Cinematography by: Peter Menzies Jr.

Edited by: Amnon David, Paul Hirsch, Gillian L. Hutshing

Musician

Rounders (1998)

| USA

Directed by: John Dahl

Cinematography by: Jean-Yves Escoffier

Edited by: Scott Chestnut

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Musician

I'll Be Home for Christmas (1998)

| USA, Canada

Directed by: Arlene Sanford

Cinematography by: Hiro Narita

Edited by: Anita Brandt Burgoyne

Musician

Max Q (1998)

| USA, Canada

Directed by: Michael Shapiro

Cinematography by: Glen MacPherson

Edited by: Michael Schweitzer

Musician

The Rainmaker (1997)

| USA, Germany

Directed by: Francis Ford Coppola

Cinematography by: John Toll

Edited by: Melissa Kent, Barry Malkin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Musician

Good Will Hunting (1997)

| USA

Directed by: Gus Van Sant

Cinematography by: Jean-Yves Escoffier

Edited by: Pietro Scalia

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Musician

Oscar and Lucinda (1997)

| USA, Australia, UK

Directed by: Gillian Armstrong

Cinematography by: Geoffrey Simpson

Edited by: Nicholas Beauman

Musician

Selena (1997)

| USA

Directed by: Gregory Nava

Cinematography by: Edward Lachman

Edited by: Nancy Richardson

Musician

Rosewood (1997)

| USA

Directed by: John Singleton

Cinematography by: Johnny E. Jensen

Edited by: Bruce Cannon

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Musician

Amistad (1997)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Lenses: Zeiss Super Speed Lenses

Musician

Anastasia (1997)

| USA

Directed by: Don Bluth, Gary Goldman

Edited by: Bob Bender, Fiona Trayler

Musician

The Postman (1997)

| USA

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

Musician

Boogie Nights (1997)

| USA

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Moviecam Compact Camera, Panavision Panaflex Gold Camera

Musician

That Darn Cat (1997)

| USA

Directed by: Bob Spiers

Cinematography by: Jerzy Zielinski

Edited by: Roger Barton

Musician

Red Corner (1997)

| USA

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter E. Berger

Musician

Men in Black (1997)

| USA

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Musician

Hercules (1997)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Tom Finan, Robert W. Hedland

Musician

That Old Feeling (1997)

| USA

Directed by: Carl Reiner

Cinematography by: Steve Mason

Edited by: Richard Halsey

Musician

Conspiracy Theory (1997)

| USA

Directed by: Richard Donner

Cinematography by: John Schwartzman

Edited by: Kevin Stitt, Frank J. Urioste

Musician

McHale's Navy (1997)

| USA

Directed by: Bryan Spicer

Cinematography by: Buzz Feitshans IV

Edited by: Russell Denove

Cameras: Panavision Cameras

Musician

Liar Liar (1997)

| USA

Directed by: Tom Shadyac

Cinematography by: Russell Boyd

Edited by: Don Zimmerman

Musician

A Simple Wish (1997)

| USA

Directed by: Michael Ritchie

Cinematography by: Ralf D. Bode

Edited by: William S. Scharf

Musician

Space Jam (1996)

| USA

Directed by: Joe Pytka

Cinematography by: Michael Chapman

Edited by: Sheldon Kahn

Musician

The Mirror Has Two Faces (1996)

| USA

Directed by: Barbra Streisand

Cinematography by: Andrzej Bartkowiak, Dante Spinotti

Edited by: Jeff Werner

Cameras: Panavision Panaflex Camera

Musician

Phenomenon (1996)

| USA

Directed by: Jon Turteltaub

Cinematography by: Phedon Papamichael

Edited by: Bruce Green

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Musician

Hard Eight (1996)

| USA

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Barbara Tulliver

Musician

Set It Off (1996)

| USA

Directed by: F. Gary Gray

Cinematography by: Marc Reshovsky

Edited by: John Carter

Musician

Mars Attacks! (1996)