Panavision Ultra Speed MKII Lenses | 26 Titles
BlacKkKlansman (2018)
Country | USA
Type | Motion Picture
Running Time | 135 Minutes
Aspect Ratio | 2.39:1
Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
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Beyond the Black Rainbow (2010)
Country | Canada
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.39:1
Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
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Spotlight (2015) 
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 1.85:1
Directed by | Tom McCarthy | Cinematography by | Masanobu Takayanagi | Editing by | Tom McArdle Cameras | ARRI ALEXA XT Camera
Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
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Room (2015)
Country | Ireland, Canada, UK, USA
Type | Motion Picture
Running Time | 118 Minutes
Aspect Ratio | 2.39:1
Directed by | Lenny Abrahamson | Cinematography by | Danny Cohen | Editing by | Nathan Nugent Cameras | Red Epic Dragon Camera
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A Walk Among the Tombstones (2014)
Country | USA
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 2.39:1
Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
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Warrior (2011)
Country | USA
Type | Motion Picture
Running Time | 140 Minutes
Aspect Ratio | 2.35:1
Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
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Nightcrawler (2014)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
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Foxcatcher (2014)
Country | USA
Type | Motion Picture
Running Time | 134 Minutes
Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neillmodified:
Summoned (2013)
Country | USA
Type | Television Movie
Running Time | 89 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Peter Sullivan | Cinematography by | Roberto Schein | Editing by | Randy Carter Cameras | Sony Cameras, Sony PMW-F3 Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision Ultra Speed MKII Lenses
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Desperate Housewives (2004)
Country | USA
Type | Television Series
Running Time | 45 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder | Editing by | Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson Cameras | ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
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Mad Max: Fury Road (2015)
Country | Australia, USA, South Africa
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
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Hot to Trot (1988)
Country | USA
Type | Motion Picture
Running Time | 83 Minutes
Aspect Ratio | 1.85:1
Directed by | Michael Dinner | Cinematography by | Victor J. Kemper | Editing by | Frank Morriss, Dallas Puett Cameras | Panavision Panaflex Gold Camera
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Men in Black (1997)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 1.85:1
Directed by | Barry Sonnenfeld | Cinematography by | Donald Peterman | Editing by | Jim Millermodified:
The Cemetery Club (1993)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Directed by | Bill Duke | Cinematography by | Steven Poster | Editing by | John Carter Cameras | Panavision Panaflex Platinum Camera
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Requiem for a Dream (2000)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses | Panavision Ultra Speed MKII Lenses
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The Iceman (2012)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Directed by | Ariel Vromen | Cinematography by | Bobby Bukowski | Editing by | Danny Rafic Cameras | ARRI ALEXA Plus Camera, Canon EOS-7D Camera
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Zombieland (2009)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.35:1
Directed by | Ruben Fleischer | Cinematography by | Michael Bonvillain | Editing by | Alan Baumgartenmodified:
Repo! The Genetic Opera (2008)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 1.85:1
Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Harvey Rosenstock Cameras | Panavision Genesis Camera
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Australia (2008)
Country | UK, Australia, USA
Type | Motion Picture
Running Time | 165 Minutes
Aspect Ratio | 2.39:1
Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Dody Dorn, Michael McCusker Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
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Safety Not Guaranteed (2012)
Country | USA
Type | Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 2.39:1
Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson Cameras | Sony PMW-F3 Camera
Lenses | Panavision Ultra Speed MKII Lenses
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