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ARRI ALEXA XT Camera | 96 Titles

ARRI ALEXA XT Camera 3.79/5 19 Votes

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The Lobster (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 119 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Colin Farrell, Rachel Weisz, Jessica Barden

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

John Wick (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Love, Simon (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Greg Berlanti | Cinematography by | John Guleserian | Editing by | Harry Jierjian

Starring | Nick Robinson, Jennifer Garner, Josh Duhamel

Cameras | ARRI ALEXA XT Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Life Itself (2018)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Dan Fogelman | Cinematography by | Brett Pawlak | Editing by | Julie Monroe

Starring | Oscar Isaac, Olivia Wilde, Annette Bening

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Cooke Panchro/i Classic Lenses

Wildlife (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Paul Dano | Cinematography by | Diego García | Editing by | Louise Ford, Matthew Hannam

Starring | Ed Oxenbould, Jake Gyllenhaal, Carey Mulligan

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ad Astra (2019)

Motion Picture | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Wind River (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Taylor Sheridan | Cinematography by | Ben Richardson | Editing by | Gary Roach

Starring | Elizabeth Olsen, Jeremy Renner, Graham Greene

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Lenses, Zeiss Standard Speed Prime Lenses

The Sisters Brothers (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Jacques Audiard | Cinematography by | Benoît Debie | Editing by | Juliette Welfling

Starring | John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses

Doctor Who (2005)

Television Series | 2D | HD Project, SD Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett

Starring | Jodie Whittaker, Peter Capaldi, Pearl Mackie, Matt Smith

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

12 Strong (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Nicolai Fuglsig | Cinematography by | Rasmus Videbæk | Editing by | Lisa Lassek

Starring | Chris Hemsworth, Michael Shannon, Michael Peña

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Creed II (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Steven Caple Jr. | Cinematography by | Kramer Morgenthau | Editing by | Dana E. Glauberman, Saira Haider, Paul Harb

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Lenses, Zeiss Master Prime Lenses

Upgrade (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny

Starring | Logan Marshall-Green, Melanie Vallejo, Steve Danielsen

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Hitman’s Bodyguard (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | Patrick Hughes | Cinematography by | Jules O'Loughlin | Editing by | Jake Roberts

Starring | Ryan Reynolds, Samuel L. Jackson, Gary Oldman

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens

Flatliners (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Niels Arden Oplev | Cinematography by | Eric Kress | Editing by | Tom Elkins

Starring | Elliot Page, Diego Luna, Nina Dobrev

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lenses

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd

Starring | Johnny Depp, Geoffrey Rush, Javier Bardem

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Handmaiden (2016)

Television Series | 2D | 2K Project | Color | 145 Minutes

Directed by | Park Chan-wook | Cinematography by | Chung-hoon Chung | Editing by | Kim Jae-bum, Kim Sang-beom

Starring | Kim Min-hee, Ha Jung-woo, Cho Jin-woong

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74

All I See Is You (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Hughes Winborne

Starring | Blake Lively, Jason Clarke, Ahna O'Reilly

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision G Series Anamorphic Lenses

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Cold War (2018)

Motion Picture | 2D | 4K Project | Black & White | 1.37:1 | 89 Minutes

Directed by | Pawel Pawlikowski | Cinematography by | Lukasz Zal | Editing by | Jaroslaw Kaminski

Starring | Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

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