Pedrocito
If Beale Street Could Talk (2018)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime DNA Lenses
Ray
Flatliners (2017)
Directed by: Niels Arden Oplev
Cinematography by: Eric Kress
Edited by: Tom Elkins
Cameras: ARRI ALEXA XT Camera
Lenses: Panavision Lenses
Jonah
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Cassian Andor
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Julio
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Gonzalo
Contraband (2012)
Directed by: Baltasar Kormákur
Cinematography by: Barry Ackroyd
Edited by: Elísabet Ronaldsdóttir
Cameras: Aaton Penelope Camera
Raul
Casa de mi Padre (2012)
Directed by: Matt Piedmont
Cinematography by: Ramsey Nickell
Edited by: David Trachtenberg
Cameras: Panavision Panaflex Gold II Camera
Executive Producer
Miss Bala (2011)
Directed by: Gerardo Naranjo
Cinematography by: Mátyás Erdély
Edited by: Gerardo Naranjo
Executive Producer
Sin Nombre (2009)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Executive Producer, Gabriel
Walking Vengeance (2008)
Directed by: Agustín Díaz Yanes
Cinematography by: Paco Femenia
Edited by: José Salcedo
Jack Lira
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Executive Producer
I'm Gonna Explode (2008)
Directed by: Gerardo Naranjo
Cinematography by: Tobias Datum
Executive Producer
Drama/Mex (2006)
Directed by: Gerardo Naranjo
Cinematography by: Tobias Datum
Edited by: Yibran Asuad
Tommaso Moreno
Fade to Black (2006)
Directed by: Oliver Parker
Cinematography by: John de Borman
Edited by: Guy Bensley
Enrique Cruz
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Sancho
Vampires: Los Muertos (2002)
Directed by: Tommy Lee Wallace
Cinematography by: Henner Hofmann
Edited by: Charles Bornstein
Alejandro 'Alex'
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Tenoch Iturbide
Y Tu Mamá También (2001)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Super Speed Lenses
Carlos
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Himself, Self
The Daily Show (1996)
Cinematography by: Dave Carroll, Ryan Scafuro, Michael Chase, James P. Brady, James Markham Hall Jr., Peter Zivkovic, Joel Sadler, Matt Sohn
Edited by: Einar Westerlund, Mark Paone, Daric Schlesselman, Randi Snitz, Graham Knox Frazier, Andrew Matheson, David Small, Eric Davies, Nikolai Johnson, Tonya Dreher, Thomas Favilla, Mike Choi, Aurora De Lucia, Amanda Sprecher, Randy Ross, Max Heller, Erin Shannon, Catherine Trasborg, Elyse Kaftan, Jesse Gordon, Woody Richman, Robert York, Eric Kissack, Joseph Vassallo, Matthew Giaquinto, Blake Gingerich, Nick Mougis, Alexis Johnson
