Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893.
Cooke S4 Lenses | 309 Titles
Phone: +1 (0)116 264 0700 UK / +1 973 335 4460 USA
Contact: Alison Green
Specs
Introduced: 1998
Cooke S4, T2.0 Primes became S4/i lenses in 2005 when Cooke /i Technology for metadata capture was incorporated from that date forward. Cooke S4 and S4/i lenses are visually the same. The only change is the upgrade to allow digital connectivity for recording metadata frame-by-frame. See list of /i Technology Partners at cookeoptics.com for compatible products saving you time and money during production through post. Note: lens image shown is S4/i lens with /i Technology connector near base.
PEN15 (2019)
Country | USA
Type | Television Series
Running Time | 30 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Andy Rydzewski | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden
Cameras | ARRI ALEXA Mini Camera
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True Blood (2008)
Country | USA
Type | Television Series
Running Time | 800 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
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Call the Midwife (2012)
Country | UK
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce | Editing by | Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras | ARRIFLEX D-21 Camera
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American Pie 2 (2001)
Country | USA
Type | Motion Picture
Running Time | 108 Minutes
Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé
Cameras | Moviecam Compact Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
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Gamer (2009)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 1.85:1
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White
Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Hulk (2003)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 1.85:1
Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres
Cameras | ARRIFLEX 535 B Camera
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The Institute (2017)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 4096x2304 - (1.78:1) Capture Resolution
Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler
Cameras | Red Epic Dragon Camera
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Cat and Mouse (2015)
Country | Netherlands, Belgium
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek
Cameras | Red One Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
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House of Lies (2012)
Country | USA
Type | Television Series
Running Time | 28 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Peter Levy, Loren S. Yaconelli | Editing by | Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Gortimer Gibbon’s Life on Normal Street (2014)
Country | USA
Type | Television Series
Running Time | 23 Minutes
| Cinematography by | Eduardo Enrique Mayén, Francisco Bulgarelli | Editing by | Cheryl Campsmith, Marcelo Sansevieri, Kevin Gasca
Cameras | Sony PMW-F55 Camera
Lenses | Cooke S4 Lenses
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Hördur – Zwischen den Welten (2015)
Country | Germany
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 2.39:1
Directed by | Ekrem Ergün | Cinematography by | Eric Ferranti | Editing by | Sabine Brose
Cameras | ARRI ALEXA M Camera
Lenses | Cooke S4 Lenses
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Mängelexemplar (2016)
Country | Germany
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt
Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera
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Dirty Grandpa (2016)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke S4 Lenses
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Fathers and Daughters (2015)
Country | Italy, USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Directed by | Gabriele Muccino | Cinematography by | Shane Hurlbut | Editing by | Alex Rodríguez
Cameras | Canon EOS-C500 Camera, Red Epic Camera
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La isla mínima (2014)
Country | Spain
Type | Motion Picture
Running Time | 105 Minutes
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Camera
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Taken 3 (2014)
Country | France, USA, Spain
Type | Motion Picture
Running Time | 108 Minutes
Directed by | Olivier Megaton | Cinematography by | Eric Kress | Editing by | Audrey Simonaud, Nicolas Trembasiewicz
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses
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Milk (2008)
Country | USA
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 1.85:1
Directed by | Gus Van Sant | Cinematography by | Harris Savides | Editing by | Elliot Graham
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The Messenger (2009)
Country | USA
Type | Motion Picture
Running Time | 113 Minutes
Aspect Ratio | 2.39:1
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Alex Hall
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Style Lenses, Cooke S4 Lenses
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Creed (2015)
Country | USA
Type | Motion Picture
Running Time | 133 Minutes
Aspect Ratio | 2.39:1
Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
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Trumbo (2015)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 1.85:1
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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