Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893.
Cooke S4 Lenses | 309 Titles
Phone: +1 (0)116 264 0700 UK / +1 973 335 4460 USA
Contact: Alison Green
Specs
Introduced: 1998
Cooke S4, T2.0 Primes became S4/i lenses in 2005 when Cooke /i Technology for metadata capture was incorporated from that date forward. Cooke S4 and S4/i lenses are visually the same. The only change is the upgrade to allow digital connectivity for recording metadata frame-by-frame. See list of /i Technology Partners at cookeoptics.com for compatible products saving you time and money during production through post. Note: lens image shown is S4/i lens with /i Technology connector near base.
A Beautiful Mind (2001) 
135 Minutes
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
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The Grand Budapest Hotel (2014)
99 Minutes
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling Cameras | ARRICAM Studio (ST) Camera
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Unstoppable (2010)
98 Minutes
Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Live Free or Die Hard (2007)
128 Minutes
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
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Breaking Bad (2008)
49 Minutes
| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses
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PEN15 (2019)
30 Minutes
| Cinematography by | Andy Rydzewski | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden Cameras | ARRI ALEXA Mini Camera
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True Blood (2008)
800 Minutes
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
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Call the Midwife (2012)
60 Minutes
| Cinematography by | Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce | Editing by | Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis Cameras | ARRIFLEX D-21 Camera
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American Pie 2 (2001)
108 Minutes
Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé Cameras | Moviecam Compact Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
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Gamer (2009)
95 Minutes
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Hulk (2003)
138 Minutes
Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres Cameras | ARRIFLEX 535 B Camera
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The Institute (2017)
90 Minutes
Capture Resolution | 4096x2304 - (1.78:1) Capture Resolution
Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler Cameras | Red Epic Dragon Camera
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Cat and Mouse (2015)
90 Minutes
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek Cameras | Red One Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
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House of Lies (2012)
28 Minutes
| Cinematography by | Peter Levy, Loren S. Yaconelli | Editing by | Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Gortimer Gibbon’s Life on Normal Street (2014)
23 Minutes
| Cinematography by | Eduardo Enrique Mayén, Francisco Bulgarelli | Editing by | Cheryl Campsmith, Marcelo Sansevieri, Kevin Gasca Cameras | Sony PMW-F55 Camera
Lenses | Cooke S4 Lenses
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Hördur – Zwischen den Welten (2015)
80 Minutes
Directed by | Ekrem Ergün | Cinematography by | Eric Ferranti | Editing by | Sabine Brose Cameras | ARRI ALEXA M Camera
Lenses | Cooke S4 Lenses
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Mängelexemplar (2016)
111 Minutes
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera
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Dirty Grandpa (2016)
102 Minutes
Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke S4 Lenses
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Fathers and Daughters (2015)
116 Minutes
Directed by | Gabriele Muccino | Cinematography by | Shane Hurlbut | Editing by | Alex Rodríguez Cameras | Canon EOS-C500 Camera, Red Epic Camera
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La isla mínima (2014)
105 Minutes
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano Cameras | ARRI ALEXA XT Camera
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