ARRIFLEX 535 B Camera | 82 Titles
Star Wars: Episode I – The Phantom Menace (1999)
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith
Lenses | Hawk C-Series Lenses
Hail, Caesar! (2016)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Starship Troopers (1997)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Caroline Ross
Lenses | Zeiss Lenses
Shoplifters (2018)
Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda
Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses
Eyes Wide Shut (1999)
Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
A Beautiful Mind (2001) 
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Schindler’s List (1993)
The Lord of the Rings: The Return of the King (2003)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
The Expendables (2010)
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Hulk (2003)
Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres
Cameras | ARRIFLEX 535 B Camera
Four Days in September (1997)
Directed by | Bruno Barreto | Cinematography by | Félix Monti | Editing by | Isabelle Rathery
Cameras | ARRIFLEX 535 B Camera
Doubt (2008)
Directed by | John Patrick Shanley | Cinematography by | Roger Deakins | Editing by | Dylan Tichenor
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Dirty Pretty Things (2002)
Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Johnny Flynton (2002)
Directed by | Lexi Alexander | Cinematography by | Alexander Buono | Editing by | Christopher Klonecke
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
Tôkyô kazoku (2013)
Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii
Cameras | ARRIFLEX 535 B Camera
La grande bellezza (2013)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Switch (2011)
Directed by | Thomas Hefferon | Cinematography by | Jj Rolfe | Editing by | Eamonn Cleary
Cameras | Aaton 35-III Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
Le fils à Jo (2011)
Directed by | Philippe Guillard | Cinematography by | Ludovic Colbeau-Justin | Editing by | Elodie Codaccioni, Sandro Lavezzi
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Soshite chichi ni naru (2013)
Directed by | Hirokazu Koreeda | Cinematography by | Mikiya Takimoto | Editing by | Hirokazu Koreeda
Cameras | ARRIFLEX 535 B Camera
Ek Tha Tiger (2012)
