Color | 2940 Titles
The Salt of the Earth (2014)
Country | France, Brazil, Italy
Type | Documentary
Running Time | 110 Minutes
Aspect Ratio | 1.85:1
Directed by | Juliano Ribeiro Salgado, Wim Wenders | Cinematography by | Hugo Barbier, Juliano Ribeiro Salgado | Editing by | Maxine Goedicke, Rob Myers
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Guardians of the Galaxy (2014)
Country | USA
Type | Motion Picture
Running Time | 121 Minutes
Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood
Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens
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Rocky Balboa (2006)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses | Zeiss Master Prime Lenses
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The Last Black Man in San Francisco (2019)
Country | USA
Type | Motion Picture
Running Time | 121 Minutes
Directed by | Joe Talbot | Cinematography by | Adam Newport-Berra | Editing by | David Marks
Cameras | ARRI ALEXA Mini Camera
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Twin Peaks (1990)
Country | USA
Type | Television Series
Running Time | 47 Minutes
Aspect Ratio | 1.33:1 (4x3)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Cameras | ARRIFLEX Camera, Panavision Panaflex Camera
Lenses | Panavision Lenses
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CSI: Miami (2002)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr. | Editing by | Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Lost Girl (2010)
Country | Canada
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | David Greene, Craig Wright, Joachim Martin, Anton Van Rooyen | Editing by | Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin
Cameras | Panavision Genesis Camera
Lenses | Panavision Lenses
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Royal Pains (2009)
Country | USA
Type | Television Series
Running Time | 42 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary | Editing by | Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Super Power Beat Down (2012)
Country | USA
Type | Television Series, Web Series
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy
Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera
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The New Mickey Mouse Club (1977)
The Grand Tour (2016)
Country | UK, USA
Type | Television Series
Running Time | 60 Minutes
| Cinematography by | Ben Joiner, Steve Lidgerwood | Editing by | Chris Denton, James Hart, Dan James, Adam Hutchings, Steve Flatt, Stephen Bainbridge, Chris Denton, Tom Rich, Mark Roverts
Lenses | ARRI / Fujinon Lenses, Canon Lenses
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Stranger Things (2016)
Country | USA
Type | Television Series
Running Time | 51 Minutes
Capture Resolution | 6144x3160 - (1.94:1) Capture Resolution
| Cinematography by | Tim Ives, Tod Campbell, Lachlan Milne, David Franco | Editing by | Kevin D. Ross, Dean Zimmerman, Nat Fuller, Katheryn Naranjo
Cameras | Red Epic Dragon Camera
Lenses | Leica Lenses
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Altered Carbon (2018)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 2.0:1
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
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Ice (2016)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Robert Aschmann, Christos Bitsakos, Maz Makhani | Editing by | Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic 40-440mm 2S T4.5 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Lenses
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The Goldbergs (2013)
Country | USA
Type | Television Series
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Jason Blount, Joseph E. Gallagher, Scott Browner, David Hennings | Editing by | Kevin Leffler, Ruthie Aslan, Peter B. Ellis, Jon Corn, Ivan Victor, Jeremy Reuben, Brian Barr, Sam Seig, Dave Canseco, Nick Mougis, Richard Candib, Scott Pellet, Robert Lanford, Jeremy Dillermodified:
R.L. Stine’s The Haunting Hour (2010)
Country | USA, Canada
Type | Television Series
Running Time | 23 Minutes
| Cinematography by | Michael Balfry | Editing by | Lisa Robison, Charles Robichaud, Jana Fritsch, Jeanne Slater, Jana Fitsch
Cameras | Red Epic Camera
Lenses | Cooke S4/i Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens
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The Flash (2014)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard | Editing by | Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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Better Call Saul (2015)
Country | USA
Type | Television Series
Running Time | 46 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
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Treasures of the Copper Scroll (2007)
Country | USA
Type | Direct to Video, Documentary
Running Time | 50 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring |
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
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The Intruder (2019)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Directed by | Deon Taylor | Cinematography by | Daniel Pearl | Editing by | Melissa Kent
Cameras | ARRI ALEXA Mini Camera
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