Color | 3015 Titles
Pinocchio (1940)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.37:1
Directed by | Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Hamilton Luske, Bill Roberts, Ben Sharpsteen
Cameras | Bell & Howell 2709 Camera
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Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
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Blade Runner (1982)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings
Cameras | Panavision Panaflex Gold Camera
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Lawrence of Arabia (1962)
Country | UK
Type | Motion Picture
Running Time | 216 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates
Cameras | Super Panavision-70 Camera
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Live by Night (2016)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | Ben Affleck | Cinematography by | Robert Richardson | Editing by | William Goldenberg
Cameras | ARRI ALEXA 65 Camera
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Deadwood: The Movie (2019)
Country | USA
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.0:1
Directed by | Daniel Minahan | Cinematography by | David Klein | Editing by | Erick Fefferman, Martin Nicholson
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
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Natural Born Pranksters (2016)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Roman Atwood, Ben Pluimer | Cinematography by | Donny Anderson | Editing by | Ben Daughtrey, Benjamin Mitnick
Cameras | Blackmagic Cinema Camera
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First Reformed (2017)
Country | USA, UK, Australia
Type | Motion Picture
Running Time | 113 Minutes
Aspect Ratio | 1.37:1
Directed by | Paul Schrader | Cinematography by | Alexander Dynan | Editing by | Benjamin Rodriguez Jr.
Cameras | ARRI ALEXA SXT Series Cameras
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The Texas Chain Saw Massacre (1974)
Country | USA
Type | Motion Picture
Running Time | 83 Minutes
Directed by | Tobe Hooper | Cinematography by | Daniel Pearl | Editing by | J. Larry Carroll, Sallye Richardson
Cameras | Bolex H16 RX5 Camera, Éclair NPR Camera
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Andhadhun (2018)
Country | India
Type | Movie
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sriram Raghavan | Cinematography by | K.U. Mohanan | Editing by | Pooja Ladha Surti
Cameras | ARRI ALEXA Camera
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Sanam Teri Kasam (2016)
Country | India
Type | Motion Picture
Running Time | 154 Minutes
Directed by | Radhika Rao, Vinay Sapru | Cinematography by | Chirantan Das | Editing by | Devendra Murdeshwarmodified:
Sofia (2018)
Country | France, Qatar, Belgium, Morocco
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 1.85:1
Directed by | Meryem Benm'Barek-Aloïsi | Cinematography by | Son Doan | Editing by | Céline Perréard
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
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Mr. Robot (2015)
Country | USA
Type | Television Series
Running Time | 49 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Tod Campbell, Tim Ives | Editing by | Franklin Peterson, John Petaja, Justin Krohn, Philip Harrison, Rosanne Tan, Joel T. Pashby, Sam Seig, Sharidan Williams-Sotelo, Joe Bini, Andrew Thompson
Cameras | Red Epic Dragon Camera
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LBJ (2016)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Reiner | Cinematography by | Barry Markowitz | Editing by | Bob Joyce
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision PVintage Prime Lenses
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Chitty Chitty Bang Bang (1968)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley
Cameras | Super Panavision-70 Camera
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Gomorrah (2008)
Country | Italy
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.39:1
Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
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The People vs. Larry Flynt (1996)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Hotel Mumbai (2018)
Country | India, Australia, USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x854 - (2.40:1) Capture Resolution
Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
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Pulp Fiction (1994)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.39:1
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
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Mary Poppins Returns (2018)
Country | USA, UK
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
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