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Color | 3220 Titles

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Rosewood (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 140 Minutes

Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon

Starring | Jon Voight, Ving Rhames, Don Cheadle, Bruce McGill

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Vikings (2013)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | P.J. Dillon, Peter Robertson, Owen McPolin, John S. Bartley, Suzie Lavelle | Editing by | Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson

Starring | Gustaf Skarsgård, Katheryn Winnick, Alexander Ludwig, Travis Fimmel

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision Lenses

Clemency (2019)

Motion Picture | 2D | 2K Project | Color | 113 Minutes

Directed by | Chinonye Chukwu | Cinematography by | Eric Branco | Editing by | Phyllis Housen

Starring | Alfre Woodard, Wendell Pierce, Vernee Watson, Aldis Hodge

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Cooke Anamorphic Lenses

Ad Astra (2019)

Motion Picture | 4K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Lenses, Zeiss Master Prime Lenses

The Crucible (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Nicholas Hytner | Cinematography by | Andrew Dunn | Editing by | Tariq Anwar

Starring | Daniel Day-Lewis, Winona Ryder, Paul Scofield, Joan Allen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Moonlight (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders

Starring | Mahershala Ali, Naomie Harris, Trevante Rhodes, Alex R. Hibbert

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses

Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

High Flying Bird (2019)

Motion Picture | 2D | 4K Project | Color | 90 Minutes

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh

Starring | André Holland, Melvin Gregg, Eddie Tavares, Farah Bala

Cameras | Apple iPhone Camera

Tangerine (2015)

Motion Picture | 2D | HD Project | Color | 88 Minutes

Directed by | Sean Baker | Cinematography by | Sean Baker, Radium Cheung | Editing by | Sean Baker

Starring | Kitana Kiki Rodriguez, Mya Taylor, Karren Karagulian, Mickey O'Hagan

Cameras | Apple iPhone Camera

Ocean’s Eleven (2001)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

$Ocean\'s Eleven (2001) - Behind the Scenes at ShotOnSet!$

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione

Starring | George Clooney, Brad Pitt, Julia Roberts, Matt Damon

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Killing (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Gregory Middleton, Peter Wunstorf, Brian Johnson | Editing by | Elizabeth Kling, Joel T. Pashby, Amy E. Duddleston, Sarah Boyd, Howard Leder, Philip Fowler

Starring | Mireille Enos, Joel Kinnaman, Billy Campbell, Liam James

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Of Fathers and Sons (2017)

Documentary | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Talal Derki | Cinematography by | Kahtan Hassoun | Editing by | Anne Fabini

Starring | Abu Osama, Ayman Osama, Osama Osama

Velvet Goldmine (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Maryse Alberti | Editing by | James Lyons

Starring | Ewan McGregor, Jonathan Rhys Meyers, Christian Bale, Toni Collette

Cameras | Aaton Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Topsy-Turvy (1999)

Motion Picture | 2D | Color | 1.66:1 | 154 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Robin Sales

Starring | Jim Broadbent, Allan Corduner, Dexter Fletcher, Sukie Smith

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

Homeland (2011)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 55 Minutes

| Cinematography by | David Klein, Nelson Cragg, Giorgio Scali, Chris Manley | Editing by | Jordan Goldman, Philip Carr Neel, Harvey Rosenstock, Joe Hobeck, Terry Kelley, Michael Ruscio, Sarah Zeitlin, Garret Donnelly, Victoria Grimsley, David Latham

Starring | Claire Danes, Mandy Patinkin, Damian Lewis, Rupert Friend

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Canon Lenses, Nikon - Nikkor Lenses, Zeiss Ultra Prime Lenses

The Mirror Has Two Faces (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Barbra Streisand | Cinematography by | Andrzej Bartkowiak, Dante Spinotti | Editing by | Jeff Werner

Starring | Barbra Streisand, Jeff Bridges, Lauren Bacall, George Segal

Cameras | Panavision Panaflex Camera

Isle of Dogs (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Edward Bursch, Ralph Foster, Andrew Weisblum

Starring | Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban

Cameras | Canon EOS-1DX Camera

Broad City (2014)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Steven Capitano Calitri, Chris Teague, Ashley Connor, Paul Koestner | Editing by | Elizabeth Merrick, Laura Weinberg, Jessica Brunetto, Jon Philpot, Nick Mougis, Alex Minnick, Kate Pedatella, Samuel Rosenberg, Nick Paley, Jon Higgins, Warren Paley

Starring | Ilana Glazer, Abbi Jacobson, Hannibal Buress, Arturo Castro

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo DP Zoom Lenses, Cooke S4/i Lenses

Criminal Minds (2005)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9) | 42 Minutes

One Small Step (2018)

Short Film | 2D | Color | 2.39:1 | 8 Minutes

Directed by | Andrew Chesworth, Bobby Pontillas | Cinematography by | Andrew Chesworth | Editing by | Andrew Chesworth, Shaofu Zhang

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