ARRIFLEX 35 III Camera | 59 Titles
Apocalypse and the Beauty Queen (2005)
Country | USA
Type | Direct to Video, Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 1.85:1
Starring ~ Taylor Asberry,
Beverly Hynds,
Courtney Kocak
Directed by | Thomas Smugala | Cinematography by | Jeff Barklage | Editing by | Daniel Hirsh, Michael Matassa, Jack Snyder
Cameras | ARRIFLEX 35 III Camera, Moviecam 3N Camera
Lenses | Angenieux HP Zoom Lenses, Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke Speed Panchro (S1) 32mm f2.0 Lens, Cooke Speed Panchro (S1) 40mm f2.0 Lens, Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro (S1) 75mm f2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens, Cooke Zoom Lenses
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Furious 7 (2015)
Country | USA, Japan
Type | Motion Picture
Running Time | 137 Minutes
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Starring ~ Vin Diesel,
Paul Walker,
Dwayne Johnson
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
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The Thin Red Line (1998)
Country | USA
Type | Motion Picture
Running Time | 170 Minutes
Aspect Ratio | 2.39:1
Starring ~ Jim Caviezel,
Sean Penn,
Nick Nolte
Directed by | Terrence Malick | Cinematography by | John Toll | Editing by | Leslie Jones, Saar Klein, Billy Weber
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
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Léon: The Professional (1994)
Country | France
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.35:1
Starring ~ Jean Reno,
Gary Oldman,
Natalie Portman
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux HR Zoom Lenses, Technovision Lenses
modified:
Toto (2011)
Country | Czech Republic
Type | Motion Picture
Running Time | 9 Minutes
Starring ~ Daniel Novak,
Ivo Syrovy,
Veronika Moudra
Directed by | Andoni Elias Nava | Cinematography by | Alex Gallitano | Editing by | Andoni Elias Nava
Cameras | ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
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Snowboard Academy (1996)
Country | USA, Canada
Type | Direct to Video, Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.33:1 (4x3)
Starring ~ Jim Varney,
Corey Haim,
Brigitte Nielsen
Directed by | John Shepphird | Cinematography by | Bruno Philip | Editing by | Richard Comeau
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
modified:
Arrival II (1998)
Country | Canada, USA
Type | Motion Picture
Running Time | 101 Minutes
Starring ~ Patrick Muldoon,
Jane Sibbett,
Michael Sarrazin
Directed by | Kevin Tenney | Cinematography by | Bruno Philip | Editing by | Gregory Fine, Heidi Haines
Lenses | Angenieux HR 17-102mm T2.9 Lens, Angenieux HR 25-250mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, Zeiss Standard Speed Prime Lenses
modified:
Unstoppable (2010)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 2.39:1
Starring ~ Denzel Washington,
Chris Pine,
Rosario Dawson
Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
modified:
Gremlins 2: The New Batch (1990)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Starring ~ Zach Galligan,
Phoebe Cates,
John Glover
Directed by | Joe Dante | Cinematography by | John Hora | Editing by | Kent Beyda
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Death Race (2008)
Country | USA, Germany, UK
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.35:1
Starring ~ Jason Statham,
Joan Allen,
Tyrese Gibson
Directed by | Paul W.S. Anderson | Cinematography by | Scott Kevan | Editing by | Niven Howie
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
modified:
The Golden Seal (1983)
Country | USA
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 1.85:1
Starring ~ Steve Railsback,
Michael Beck,
Penelope Milford
Directed by | Frank Zuniga | Cinematography by | Eric Saarinen | Editing by | Robert Q. Lovett
Cameras | ARRIFLEX 35 III Camera
modified:
A Cry in the Wild (1990)
Country | USA
Type | Motion Picture
Running Time | 82 Minutes
Aspect Ratio | 1.85:1
Starring ~ Jared Rushton,
Ned Beatty,
Pamela Sue Martin
Directed by | Mark Griffiths | Cinematography by | Gregg Heschong | Editing by | Carol Oblath
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera
modified:
The Cell (2000)
Country | USA, Germany
Type | Motion Picture
Running Time | 107 Minutes
Aspect Ratio | 2.39:1
Starring ~ Jennifer Lopez,
Vince Vaughn,
Vincent D'Onofrio
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
modified:
Gone in Sixty Seconds (2000)
Country | USA
Type | Motion Picture
Running Time | 118 Minutes
Aspect Ratio | 2.35:1
Starring ~ Nicolas Cage,
Angelina Jolie,
Giovanni Ribisi
Directed by | Dominic Sena | Cinematography by | Paul Cameron | Editing by | Roger Barton, Chris Lebenzon, Tom Muldoon
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Ballistic: Ecks vs. Sever (2002)
Country | USA, Germany
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 2.35:1
Starring ~ Antonio Banderas,
Lucy Liu,
Talisa Soto
Directed by | Wych Kaosayananda | Cinematography by | Julio Macat | Editing by | Jay Cassidy, Caroline Ross
Lenses | Cooke S4 Lenses
modified:
Con Air (1997)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Starring ~ Nicolas Cage,
John Cusack,
John Malkovich
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
Terminator Salvation (2009)
Country | USA, Germany, UK, Italy
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.35:1
Starring ~ Christian Bale,
Sam Worthington,
Anton Yelchin
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Zelary (2003)
Country | Czech Republic, Slovakia, Austria
Type | Motion Picture
Running Time | 142 Minutes
Aspect Ratio | 1.85:1
Starring ~ Anna Geislerová,
György Cserhalmi,
Ivan Trojan
Directed by | Ondrej Trojan | Cinematography by | Asen Sopov | Editing by | Vladimír Barák
modified:
The Naked Man (1998)
Country | USA
Type | Motion Picture
Aspect Ratio | 1.85:1
Starring ~ Michael Rapaport,
Michael Jeter,
John Carroll Lynch
Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Mark Cretcher
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
modified:
Lung joi gong woo (1998)
Country | Hong Kong
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 1.85:1
Starring ~ Andy Lau,
Gigi Leung,
Suki Kwan
Directed by | Jing Wong | Cinematography by | Siu-Keung Cheng | Editing by | Marco Mak
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
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