Distributed Aspect Ratio » 1.33:1 (4x3)

1.33:1 (4x3) | 175 Titles

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Downhill (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 110 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Claude L. McDonnell | Editing by | T.L. Rich, Ivor Montagu

Starring | Ivor Novello, Ben Webster, Norman McKinnel

I Love Lucy (1951)

Television Series | 2D | Film Project | Black & White | 1.33:1 (4x3) | 30 Minutes

| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn

Starring | Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley

Cameras | Mitchell BNC Camera

Filming ‘Othello’ (1978)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 84 Minutes

Directed by | Orson Welles | Cinematography by | Gary Graver

Starring | Orson Welles, Micheál MacLiammóir, Hilton Edwards

Killers of the Flower Moon (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 206 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Robert De Niro, Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

Van Hitcom Naar Shitcom (En Weer Terug) (2024)

Short Film | 2D | HD Project | Black & White, Color | 1.33:1 (4x3), 1.78:1 (16x9) | 13 Minutes

Directed by | Charmeno Kraladis | Cinematography by | Tijmen Kroonenberg | Editing by | Keno Aladjuz

Starring | Keno Aladjuz, Tijmen Kroonenberg, Merel Koomen

Cameras | Panasonic Lumix DMC-GH5s Camera

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Twin Peaks (1990)

Television Series | 2D | Film Project | Color | 1.33:1 (4x3) | 47 Minutes

| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney

Starring | Kyle MacLachlan, Michael Ontkean, Mädchen Amick, Dana Ashbrook

Cameras | ARRIFLEX Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

The Divine Lady (1928)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 99 Minutes

Directed by | Frank Lloyd | Cinematography by | John F. Seitz | Editing by | Hugh Bennett

Starring | Corinne Griffith, Victor Varconi, H.B. Warner

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Vox Lux (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.66:1 | 114 Minutes

Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam

Starring | Natalie Portman, Jude Law, Stacy Martin

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Buffy the Vampire Slayer (1997)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern

Starring | Sarah Michelle Gellar, Nicholas Brendon, Alyson Hannigan, Anthony Head

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

A Letter to Three Wives (1949)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 103 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Arthur C. Miller | Editing by | J. Watson Webb Jr.

Starring | Jeanne Crain, Linda Darnell, Ann Sothern

Sunrise (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 94 Minutes

Directed by | F.W. Murnau | Cinematography by | Charles Rosher, Karl Struss | Editing by | Harold D. Schuster

Starring | George O'Brien, Janet Gaynor, Margaret Livingston

Cameras | Mitchell Standard Camera

The Birth of a Nation (1915)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 195 Minutes

Directed by | D.W. Griffith | Cinematography by | G.W. Bitzer | Editing by | D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh

Starring | Lillian Gish, Mae Marsh, Henry B. Walthall, Miriam Cooper

Cameras | Pathé Cameras

Blonde (2022)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 167 Minutes

Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson

Starring | Ana de Armas, Lily Fisher, Julianne Nicholson

Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Stalker (1979)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 162 Minutes

Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova

Starring | Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn

Cameras | Kinor 35C 5KSN Camera, Mitchell NC Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens

The Teachers’ Lounge (2023)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3) | 98 Minutes

Directed by | Ilker Çatak | Cinematography by | Judith Kaufmann | Editing by | Gesa Jäger

Starring | Leonie Benesch, Anne-Kathrin Gummich, Rafael Stachowiak

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Leitz Summilux-C Series Lenses

Everything Everywhere All at Once (2022)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1, 2.0:1, 2.39:1 | 139 Minutes

Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers

Starring | Michelle Yeoh, Stephanie Hsu, Jamie Lee Curtis

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

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