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2D | 4780 Titles

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Official Secrets (2019)

Motion Picture | 2D | Color | 112 Minutes

Directed by | Gavin Hood | Cinematography by | Florian Hoffmeister | Editing by | Megan Gill

Starring | Keira Knightley, Matt Smith, Matthew Goode, Rhys Ifans

Cameras | Sony CineAlta VENICE Camera

Lenses | Leica Summicron-C Series Lenses

The Aeronauts (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley

Starring | Felicity Jones, Eddie Redmayne, Himesh Patel, Vincent Perez

Cameras | Red Monstro 8K Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Archer (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Editing by | Pierre Cerrato, Brad Lee Zimmerman, Christian Danley, Andy Sipes, Nate Ladd, Ted Murphy

Starring | H. Jon Benjamin, Judy Greer, Amber Nash, Chris Parnell

Batman (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy

Starring | Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision SL35-M 35 mm T1.9 Lens

Hunters (2020)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | William Rexer, Tim Norman, Frederick Elmes | Editing by | Matt Barber, Amy E. Duddleston, John Petaja, Andrew Groves

Starring | Al Pacino, Logan Lerman, Lena Olin, Jerrika Hinton

Cameras | Red Monstro 8K Camera

The Daily Show (1996)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 22 Minutes

Giri/Haji (2019)

Television Series | 2D | Color |

| Cinematography by | Piers McGrail, David Odd | Editing by | Elen Pierce Lewis, Matthew Tabern, Dominic Strevens

Starring | Takehiro Hira, Sophia Brown, Charlie Creed-Miles, Jamie Draven

Cameras | Sony CineAlta VENICE Camera

A Hidden Life (2019)

Motion Picture | 2D | 4K Project | Color | 174 Minutes

Directed by | Terrence Malick | Cinematography by | Jörg Widmer | Editing by | Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Starring | August Diehl, Valerie Pachner, Maria Simon, Karin Neuhäuser

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

21 Bridges (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Brian Kirk | Cinematography by | Paul Cameron | Editing by | Tim Murrell

Starring | Chadwick Boseman, Sienna Miller, J.K. Simmons, Stephan James

Cameras | ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

The Night of the Virgin (2016)

Motion Picture | 2D | 2K Project | Color | 2.70:1 | 116 Minutes

Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia

Starring | Javier Bódalo, Miriam Martín, Víctor Amilibia, Ignatius Farray

Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera

Lenses | Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I Lenses

Nightwatch (1994)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Ole Bornedal | Cinematography by | Dan Laustsen | Editing by | Camilla Skousen

Starring | Nikolaj Coster-Waldau, Sofie Gråbøl, Kim Bodnia, Lotte Andersen

Cameras | Moviecam Compact Camera, Moviecam SuperAmerica Camera

Wendy (2020)

Motion Picture | 2D | Color | 112 Minutes

Directed by | Benh Zeitlin | Cinematography by | Sturla Brandth Grøvlen | Editing by | Scott Cummings, Affonso Gonçalves

Starring | Yashua Mack, Devin France, Gage Naquin, Gavin Naquin

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

The Yaku and the Undefeated (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 86 Minutes

Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion

Starring | Struggle E. Stylez, Sofia Salgado, Wesley Renard, Robyn Elise

Cameras | Blackmagic Design Cameras

Lenses | Samyang Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

A:D (2005)

Short Film | 2D | SD Project | Color | 1.78:1 (16x9) | 24 Minutes

Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef

Starring | Owen Callaghan, John Collins, Clodagh Downing, Michael Glynn

Cameras | Sony DCR-VX2000 Camera

Lenses | Sony Lenses

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

The Magicians (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush | Editing by | Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey

Starring | Stella Maeve, Hale Appleman, Arjun Gupta, Summer Bishil

Cameras | ARRI ALEXA Mini Camera

Lenses | Leica Summicron-C Series Lenses, Panavision PVintage Prime Lenses

Incredible Violence (2018)

Motion Picture | 2D | Color | 92 Minutes

Directed by | G. Patrick Condon | Cinematography by | Ian Vatcher | Editing by | Justin Oakey

Starring | M.J. Kehler, Stephen Oates, Michael Worthman, Kimberley Drake

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Clairmont 100 mm T3.4 Lens, Clairmont 32 mm T2.3 Lens, Clairmont 40 mm T2.3 Lens, Clairmont 50 mm T2.3 Lens, Clairmont 75 mm T2.8 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens

Orange Is the New Black (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens

Starring | Taylor Schilling, Danielle Brooks, Taryn Manning, Emma Myles

Cameras | ARRI ALEXA Camera, Panasonic VariCam 35

Lenses | Cooke 5/i Lenses

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