Released in 2D | 4622 Titles
The Godfather (1972) 
Country | USA
Type | Motion Picture
Running Time | 175 Minutes
Aspect Ratio | 1.85:1
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses
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Narcos (2015)
Country | USA, Colombia, Mexico
Type | Television Series
Running Time | 49 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquezmodified:
Landspeed (2002)
Country | USA
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 1.85:1
Directed by | Christian McIntire | Cinematography by | Todd Barron | Editing by | David Flores, Christian McIntire, Ken Peters Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Lenses
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Stalker (1979)
Country | Soviet Union
Type | Motion Picture
Running Time | 162 Minutes
Aspect Ratio | 1.33:1 (4x3)
Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova Cameras | Kinor Cameras, Mitchell NC Camera
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Il ragazzo invisibile: Fratelli (2018)
Country | Italy
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione Cameras | ARRI ALEXA XT Camera
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Escape Room (2019)
Country | USA, South Africa
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 2.39:1
Directed by | Adam Robitel | Cinematography by | Marc Spicer | Editing by | Steve Mirkovich Cameras | ARRI ALEXA Mini Camera
Lenses | Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
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Detainment (2018)
Country | Ireland, UK
Type | Short Film
Running Time | 30 Minutes
Aspect Ratio | 2.39:1
Directed by | Vincent Lambe | Cinematography by | Patrick Jordan | Editing by | Vincent Lambemodified:
Border (2018)
Country | Sweden, Denmark
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.39:1
Directed by | Ali Abbasi | Cinematography by | Nadim Carlsen | Editing by | Olivia Neergaard-Holm, Anders Skov Cameras | Red Digital Cinema Cameras
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A Quiet Place (2018)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
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Can You Ever Forgive Me? (2018)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Marielle Heller | Cinematography by | Brandon Trost | Editing by | Anne McCabe Cameras | Panavision Millennium DXL Camera
Lenses | Panavision Primo 70 Lenses
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Live Free or Die Hard (2007)
Country | USA, UK
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.39:1
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
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Magnum Force (1973)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.39:1
Directed by | Ted Post | Cinematography by | Frank Stanley | Editing by | Ferris Webster Cameras | Panavision Panaflex Camera
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Doctor Who (2005)
Country | UK, Canada
Type | Television Series
Running Time | 45 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Balazs Bolygo, Graham Frake, Tony Slater Ling, Dale McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Sam Heasman, Tico Poulakakis, Catherine Goldschmidt, Ed Moore, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Joel Skinner, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Becky Trotman, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookwaymodified:
Breaking Bad (2008)
Country | USA
Type | Television Series
Running Time | 49 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses
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Bad Boys II (2003)
Country | USA
Type | Motion Picture
Running Time | 147 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, Mark Goldblatt, Tom Muldoon Cameras | Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
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Deep Impact (1998)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.35:1
Directed by | Mimi Leder | Cinematography by | Dietrich Lohmann | Editing by | Paul Cichocki, David Rosenbloom Cameras | ARRIFLEX 535 Camera
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3 Idiots (2009)
Country | India
Type | Motion Picture
Running Time | 170 Minutes
Aspect Ratio | 2.39:1
Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani Cameras | ARRICAM Lite (LT) Camera
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Whiplash (2014)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
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Bad Santa (2003)
Country | USA, Germany
Type | Motion Picture
Running Time | 91 Minutes
Directed by | Terry Zwigoff | Cinematography by | Jamie Anderson | Editing by | Robert Hoffmanmodified:
Jaws (1975)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.35:1
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
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