2D | 5452 Titles
Transformers: The Last Knight (2017)
Directed by | Michael Bay | Cinematography by | Jonathan Sela | Editing by | Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer
Lenses | ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The 39 Steps (1935)
Directed by | Alfred Hitchcock | Cinematography by | Bernard Knowles | Editing by | Derek N. Twist
Cameras | Mitchell BNC Camera
4 Days (2017)
Directed by | Michalis Giagkounidis | Cinematography by | Mihalis Gkatzogias | Editing by | Smaro Papaevangelou
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon L Series Lenses
Badur Hogar (2019)
Directed by | Rodrigo Moscoso | Cinematography by | Gaspar Quique Silva | Editing by | Federico Casoni
Cameras | ARRI AMIRA Camera
Lenses | Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 20 mm T2.1 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Standard Prime MKII 40 mm T2.1 Lens, Zeiss Standard Prime MKII 85 mm T2.1 Lens
Downhill (1927)
Directed by | Alfred Hitchcock | Cinematography by | Claude L. McDonnell | Editing by | T.L. Rich, Ivor Montagu
Ojalá vivas tiempos interesantes (2017)
Directed by | Santiago Van Dam | Cinematography by | Gaspar Quique Silva | Editing by | Lourdes Miere
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Nikon - Nikkor Lenses
Strangers on a Train (1951)
Als Het Leven Soms Anders Is (2024)
Directed by | Lotte Ruules | Cinematography by | Max van de Pol | Editing by | Keno Aladjuz
Cameras | Sony CineAlta VENICE Camera
The Beach (2000)
Directed by | Danny Boyle | Cinematography by | Darius Khondji | Editing by | Masahiro Hirakubo
Cameras | ARRIFLEX 235 Camera
What Just Happened (2008)
Directed by | Barry Levinson | Cinematography by | Stéphane Fontaine | Editing by | Hank Corwin
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Terminator: Dark Fate (2019)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
The Office (2005)
| Cinematography by | Matt Sohn, Randall Einhorn, Sarah Levy, Peter Smokler | Editing by | David Rogers, Claire Scanlon, Dean Holland, Rob Burnett, Stuart Bass, Rick Weis, Michael Zurer, Gary Levy, Josh Belson, Colin Johnson, Curtis Thurber, Kathryn Himoff, Richie Edelson, Grady Cooper
Cameras | Sony HDW-F900 Camera, Sony HDW-F900R Camera
Blade Runner (1982)
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings
Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses
Longlegs (2024)
Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng
Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses
Minority Report (2002)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision Lenses
Gold Star (2020)
Directed by | Amin Pourbarghi | Cinematography by | Costa Konstantinou | Editing by | Gusti Wiblinger
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon EF Series Lenses, Canon FD Series Lenses
The Terminator (1984)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
Sharp Instinct: Volume II ()
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Cameras | Panasonic Cameras, Sony Cameras
Lefka Hristougenna 1948 (2023)
Directed by | Antonios Vallindras | Cinematography by | Mihalis Gkatzogias | Editing by | Vasia Ntoulia
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
Eike, Tudo ou Nada (2022)
Directed by | Dida Andrade, Andradina Azevedo | Cinematography by | Andradina Azevedo | Editing by | Maria Rezende
Cameras | Red Komodo Camera
Lenses | Zeiss Lenses
