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2D | 4759 Titles

2D 3.75/5 4 Votes

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What if it Was Me? (2020)

Motion Picture | 2D | Color |

Directed by | Matt Power | Cinematography by | Matt Power | Editing by | Alex Coleman

Starring | David Tomlinson, Jacelyn Holmes, Danilo Reyes, Tiffany Blom

Cameras | Red Scarlet Dragon Camera

Lenses | Canon L Series Lenses

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Green Book (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 130 Minutes

Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito

Starring | Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leica Summilux-C Series Lenses

Doctor Who (2005)

Television Series | 2D | HD Project, SD Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett

Starring | Jodie Whittaker, Peter Capaldi, Pearl Mackie, Matt Smith

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF

Lenses | Zeiss Compact Zoom CZ.2 15-30mm T2.9 Lens, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Monstrosity (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 62 Minutes

Directed by | Josef Lichtenberger | Cinematography by | Josef Lichtenberger

Starring | Mathias Baldauf, Andreas Baumgartner, Stefan Baumgartner, Thomas Friedl

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

Beyond the Night (2018)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Jason Noto | Cinematography by | Daniel Sharnoff | Editing by | Kathryn J. Schubert

Starring | Tammy Blanchard, Zane Holtz, Azhy Robertson, Caitlin Mehner

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA SXT Plus

Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens

Brave New World (2020)

Television Series | 2D | Color |

| Cinematography by | Andrew Commis, Carl Sundberg, Gustav Danielsson | Editing by | Sacha Szwarc, Tom Hemmings, Dominic Strevens, Daniel Greenway

Starring | Alden Ehrenreich, Jessica Brown Findlay, Harry Lloyd, Nicholle Hembra

Goodbye Christopher Robin (2017)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Victoria Boydell

Starring | Domhnall Gleeson, Margot Robbie, Kelly Macdonald, Vicki Pepperdine

Marriage Story (2019)

Motion Picture | 2D | 4K Project | Color | 137 Minutes

Directed by | Noah Baumbach | Cinematography by | Robbie Ryan | Editing by | Jennifer Lame

Starring | Adam Driver, Scarlett Johansson, Julia Greer, Azhy Robertson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Liberty (2018)

Miniseries | 2D | HD Project | Color | 2.0:1 | 58 Minutes

| Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen

Starring | Connie Nielsen, Carsten Bjørnlund, Sofie Gråbøl, Charlie Karumi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cineovision Lenses, Optica Elite 35 Anamorphic 50-160 mm T4.9 Lens

The Highwaymen (2019)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

The Highwaymen | ShotOnWhat?

Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Robert Frazen

Starring | Kevin Costner, Woody Harrelson, Kathy Bates, John Carroll Lynch

Cameras | Panavision Millennium DXL2 Camera, Red Monstro 8K Camera

Beauty and the Beast (2012)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | David A. Makin, D. Gregor Hagey, Bruce Chun, David Greene, Michael Storey, Theo van de Sande, Manfred Guthe, David Herrington | Editing by | Aaron Rottinghaus, John Peter Bernardo, Jim Towne, Juan Carlos Garza, Sunny Hodge, Padraic McKinley, Monty DeGraff, Fred Peterson, Stan Salfas, Terrell Clegg, John Heath, Robert Ivison, James R. Symons, David Ekstrom, Michelle Choug

Starring | Kristin Kreuk, Jay Ryan, Nina Lisandrello, Austin Basis

Cameras | ARRI ALEXA Camera

Arrow (2012)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Gordon Verheul, Corey Robson, Glen Winter, Neil Cervin, Bruce Worrall, C. Kim Miles, Chris Banting, Gregory Middleton, Todd Elyzen, Shamus Whiting-Hewlett | Editing by | Kristin Windell, Andi Armaganian, Patrick Brian, Jessie Murray, Thomas Wallerstein, Paul Karasick, David Holland, Carol Stutz, Dexter N. Adriano, Iris Hershner, Jennifer Hoks

Starring | Stephen Amell, Katie Cassidy, David Ramsey, Susanna Thompson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux HP Zoom Lenses

Downton Abbey (2019)

Movie | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Michael Engler | Cinematography by | Ben Smithard | Editing by | Mark Day

Starring | Michelle Dockery, Matthew Goode, Tuppence Middleton, Geraldine James

Cameras | Sony Cameras, Sony CineAlta VENICE Camera

Lenses | Zeiss Supreme Prime 100mm T1.5 Lens, Zeiss Supreme Prime 21mm T1.5 Lens, Zeiss Supreme Prime 25mm T1.5 Lens, Zeiss Supreme Prime 29mm T1.5 Lens, Zeiss Supreme Prime 35mm T1.5 Lens, Zeiss Supreme Prime 50mm T1.5 Lens, Zeiss Supreme Prime 65mm T1.5 Lens, Zeiss Supreme Prime 85mm T1.5 Lens

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

Flytrap (2015)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 81 Minutes

Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger

Starring | Jeremy Crutchley, Gabrielle Stone, Jonah Blechman, Ina-Alice Kopp

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Angenieux 24-240 f2.6 Zoom Lens

Highly Ghosted (2018)

Television Episode, Web Series | 2D | UHD Project | Color | 2.76:1 |

Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope

Starring | Michael Boris, Scott Migdol, Natalie Hodges, Zairilla Bacon

Cameras | Blackmagic Pocket Cinema 4K Camera, Panasonic Lumix DMC-GH5 Camera

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