Released in 2D | 4496 Titles
Superman Returns (2006)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.39:1
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Elliot Graham, John Ottman
Cameras | Panavision Genesis Camera
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Sharknado 2: The Second One (2014)
Country | USA
Type | Television Movie
Running Time | 95 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Anthony C. Ferrante | Cinematography by | Ben Demaree | Editing by | Ana Florit, Vashi Nedomansky
Cameras | Blackmagic Cinema Camera, Red Epic Camera
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The Fast and the Furious (2001)
Country | USA, Germany
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess
Lenses | Zeiss Ultra Prime Lenses
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Measure of a Man (2018)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
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Ophelia (2018)
Country | UK, USA
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 2.39:1
Directed by | Claire McCarthy | Cinematography by | Denson Baker | Editing by | Luke Dunkley
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus
Lenses | Angenieux Optimo Anamorphic 40-440mm 2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
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The Strangers: Prey at Night (2018)
Country | UK, USA
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 2.39:1
Directed by | Johannes Roberts | Cinematography by | Ryan Samul | Editing by | Martin Brinkler
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
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Beloved (1998)
Country | USA
Type | Motion Picture
Running Time | 172 Minutes
Aspect Ratio | 1.85:1
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Andy Keir, Carol Littleton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Country | USA, Canada
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor
Cameras | Panavision Panaflex Camera
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Van Helsing (2004)
Country | USA, Czech Republic, Romania
Type | Motion Picture
Running Time | 131 Minutes
Aspect Ratio | 1.85:1
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May
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The Cable Guy (1996)
Country | USA
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 2.39:1
Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg
Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera
Lenses | Zeiss Standard Speed Prime Lenses
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Dark (2017)
Country | Germany, USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 2.0:1
Capture Resolution | 4096x2048 - (2.0:1) Capture Resolution
| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Zeiss Ultra Prime Lenses
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Innerself (2018)
Country | USA
Type | Motion Picture
Running Time | 93 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu
Cameras | Panasonic Lumix DMC-GH5 Camera
Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens
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Tango (1998)
Country | Spain, Argentina
Type | Motion Picture
Running Time | 115 Minutes
Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz
Cameras | Technovision Cameras
Lenses | Technovision Lenses
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Set Fire to the Stars (2014)
Country | UK
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Directed by | Andy Goddard | Cinematography by | Chris Seager | Editing by | Mike Jones
Cameras | ARRI ALEXA Series Cameras
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The Vanishing (2018)
Country | UK
Type | Motion Picture
Running Time | 107 Minutes
Aspect Ratio | 2.39:1
Directed by | Kristoffer Nyholm | Cinematography by | Jørgen Johansson | Editing by | Morten Højbjerg
Cameras | ARRI Cameras
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Rattlesnake (2019)
Country | USA
Type | Motion Picture
Aspect Ratio | 2.40:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Zak Hilditch | Editing by | Merlin Eden
Cameras | Sony CineAlta VENICE Camera
Lenses | Kowa Cine Prominar Spherical Lenses
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Rounded Corners (2019)
Country | USA
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
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Dinosaur (2000)
Country | USA
Type | Motion Picture
Running Time | 82 Minutes
Aspect Ratio | 1.85:1
Directed by | Eric Leighton, Ralph Zondag | Cinematography by | David R. Hardberger, Steven Douglas Smith | Editing by | H. Lee Peterson
Cameras | VistaVision Cameras
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American Horror Story (2011)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba | Editing by | Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Lenses, Panavision Lenses
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Marco Polo (2014)
Country | USA
Type | Television Series
Running Time | 60 Minutes
| Cinematography by | Vanja Cernjul, Romain Lacourbas, Xavier Grobet, Gavin Struthers | Editing by | Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras | Sony PMW-F55 Camera
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