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Sony CineAlta VENICE Camera | 28 Titles

Sony CineAlta VENICE Camera 4.15/5 20 Votes

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Als Het Leven Soms Anders Is (2024)

Short Film | 2D | 4K Project | Color | 1.50:1 | 22 Minutes

Directed by | Lotte Ruules | Cinematography by | Max van de Pol | Editing by | Keno Aladjuz

Starring | Marie-Claire Molly, Bente van Pruissen, Marije van der Made

Cameras | Sony CineAlta VENICE Camera

Mission: Impossible – Dead Reckoning Part One (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 163 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Fraser Taggart | Editing by | Eddie Hamilton

Starring | Tom Cruise, Hayley Atwell, Ving Rhames

Cameras | ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Killers of the Flower Moon (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 206 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Robert De Niro, Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

The Zone of Interest (2023)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 105 Minutes

Directed by | Jonathan Glazer | Cinematography by | Lukasz Zal | Editing by | Paul Watts

Starring | Christian Friedel, Sandra Hüller, Johann Karthaus

Cameras | Sony CineAlta VENICE Camera

Lenses | Leitz M 0.8 Series Lenses

Flamin’ Hot (2023)

Movie | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Eva Longoria | Cinematography by | Federico Cantini | Editing by | Kayla Emter, Liza D. Espinas

Starring | Jesse Garcia, Annie Gonzalez, Emilio Rivera

Cameras | Sony CineAlta VENICE Camera

Lenses | Canon K35 Prime Lenses, Cooke Xtal Express Lenses, Laowa Lenses, Panavision Panaspeed Series Lenses, Panavision Primo Anamorphic Lenses

Godzilla Minus One (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 124 Minutes

Directed by | Takashi Yamazaki | Cinematography by | Kôzô Shibasaki | Editing by | Ryûji Miyajima

Starring | Minami Hamabe, Sakura Andô, Ryunosuke Kamiki

Cameras | Sony CineAlta VENICE Camera

Lenses | Angenieux Optimo Ultra 12x Lens, Zeiss Supreme Prime Series Lenses

The Crown (2016)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 58 Minutes

Top Gun: Maverick (2022)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Eddie Hamilton

Starring | Tom Cruise, Jennifer Connelly, Miles Teller

Cameras | Sony CineAlta VENICE Camera

Lenses | Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Black Panther: Wakanda Forever (2022)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 161 Minutes

Directed by | Ryan Coogler | Cinematography by | Autumn Durald Arkapaw | Editing by | Kelley Dixon, Jennifer Lame, Michael P. Shawver

Starring | Letitia Wright, Lupita Nyong'o, Danai Gurira

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

CODA (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 111 Minutes

Directed by | Sian Heder | Cinematography by | Paula Huidobro | Editing by | Geraud Brisson

Starring | Emilia Jones, Marlee Matlin, Troy Kotsur

Cameras | Sony CineAlta VENICE Camera

Lenses | ARRI Signature Prime Lenses

Avatar: The Way of Water (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1, 2.39:1 | 192 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldana, Sigourney Weaver

Cameras | Sony CineAlta VENICE Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Blonde (2022)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 167 Minutes

Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson

Starring | Ana de Armas, Lily Fisher, Julianne Nicholson

Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Pearl (2022)

Motion Picture | 2D | 4K Project | Color | 103 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Mia Goth, David Corenswet, Tandi Wright

Cameras | Sony CineAlta VENICE Camera

Lenses | Hawk MiniHawk Hybrid Anamorphic Lenses

The Quiet Girl (2022)

Motion Picture | 2D | 4K Project | Color | 1.37:1 | 95 Minutes

Directed by | Colm Bairéad | Cinematography by | Kate McCullough | Editing by | John Murphy

Starring | Carrie Crowley, Andrew Bennett, Catherine Clinch

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Compact Prime CP.3 Lenses

The Saint of the Impossible (2020)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Marc Raymond Wilkins | Cinematography by | A. Burak Turan | Editing by | Jann Anderegg

Starring | Kellan Tetlow, Damian Muziani, Isabelle Boulton

Cameras | Sony CineAlta VENICE Camera

Lenses | Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Optica Elite 35 Anamorphic 100 mm T2.1 Lens, Optica Elite 35 Anamorphic 40 mm T2.1 Lens, Optica Elite 35 Anamorphic 75 mm T2.1 Lens

All Quiet on the Western Front (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann

Starring | Felix Kammerer, Albrecht Schuch, Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Westworld (2016)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9), 2.39:1 | 62 Minutes

| Cinematography by | John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery | Editing by | Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Starring | Evan Rachel Wood, Jeffrey Wright, Ed Harris

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

Beau Is Afraid (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 179 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Joaquin Phoenix, Patti LuPone, Amy Ryan

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision Lenses, Panavision Primo Zooms Spherical Lenses

An Officer and a Spy (2019)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Louis Garrel, Christophe Maratier, Pierre Poirot, Stéfan Godin

Cameras | Sony CineAlta VENICE Camera

Lenses | Cooke S7/i 21mm T2.0 Lens, Cooke S7/i Lenses

Tetris (2021)

Motion Picture | 2D | 4K Project | Color |

Directed by | Jon S. Baird

Starring | Taron Egerton, Togo Igawa, Ben Bradley

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision Anamorphic Zoom Lenses, Panavision AWZ2.3 37-85mm T2.8 Lens, Panavision C Series Anamorphic Lenses

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