Zeiss Compact Prime Lenses | 14 Titles
Altered Carbon (2018)
60 Minutes
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
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Star Trek Beyond (2016)
122 Minutes
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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I, Timon (2017)
78 Minutes
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini Cameras | Canon EOS-C300 Mark II Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
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Steve Jobs (2015)
122 Minutes
Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
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Annabelle Hooper and the Ghosts of Nantucket (2016)
92 Minutes
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
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Premaya Nam (2017)
95 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Kalpana Ariyawansa, Vindana Ariyawansa | Cinematography by | Jaan Shenberger | Editing by | Kalpana Ariyawansa, Jaan Shenberger Cameras | Panasonic Lumix DMC-GH2 Camera, Sony PMW-F3 Camera
Lenses | Nikon AF NIKKOR 80-200 mm f2.8 ED Lens, Nikon Micro-NIKKOR 55 mm f3.5 Lens, Panasonic Lumix G Vario 14-42mm f3.5 Lens, Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X Pro FX 16-28 mm f2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Vivitar Series 1 28-105 mm f2.8-3.8 Macro Zoom Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens
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Fuga de cerebros 2 (2011)
106 Minutes
Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Verónica Callón Cameras | ARRI ALEXA Camera
Lenses | Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Compact Prime Lenses
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Collision (2013)
101 Minutes
Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Leica Summilux-C Series Lenses, Zeiss Compact Prime Lenses
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Drinking Buddies (2013)
90 Minutes
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Joe Swanberg | Cinematography by | Ben Richardson | Editing by | Joe Swanberg Cameras | Red Scarlet Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime Lenses
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SOKO Wismar (2004)
| Cinematography by | Constantin Kesting, Klaus Liebertz, Jakob Ebert, Georgij Pestov, Voxi Bärenklau, Nicolai Kätsch, Tobias Platow, Oliver Sander, Andreas Tams, Marcus Kanter, Sabine Berchter, Eeva Fleig, Konstantin Kröning, Till Müller, Inka Sackenheim, Rudolf Schröder, Michael Tötter, Markus Fraunholz, Thomas C. Wagner, Bernhard Wagner, Florian Foest | Editing by | Ines Bluhm, Vessela Martschewski, Claudia Klook, Florentine Bruck, Ingo Ehrlich, Ingo Recker, Yvonne von Bechtolsheim, Esther Weinert, Christine Boock, Julia Dupuis, Christian Bolik, Lars Jordan, Grit Meyer, Gilda Rosskamp, Lars Späth, Dagmar Dick, Ann-Sophie Schweizer, Claudia Fröhlich, Christiane Fazlagic, Lawrence Tooley, Daniel Jakubowski, Jochen Retter
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Cameras | ARRIFLEX 16SR3 Camera, GoPro HD Hero2 Camera, GoPro HD Hero3 Camera, Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Compact Prime Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra 16 Lenses
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Dean Slater: Resident Advisor (2013)
83 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Colin Sander | Cinematography by | Boa Simon | Editing by | R.J. Daniel Hanna Cameras | Canon EOS-C300 Camera
Lenses | Canon Lenses, Zeiss Compact Prime Lenses
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Department (2012)
141 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution
Directed by | Ram Gopal Varma | Cinematography by | Siddhartha More, Sapan Narula, Zaryan Patel, Harshraj Shroff, M. Ravichandran Thevar | Editing by | Vinay Chauhan, Abhijit Kokate Cameras | Canon Cameras, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Panasonic Cameras, Red Digital Cinema Cameras, Red One MX Camera, Weisscam Cameras, Weisscam HS-1 Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses, Zeiss Compact Prime Lenses, Zeiss Lenses
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17 filles (2011)
86 Minutes
Directed by | Delphine Coulin, Muriel Coulin | Cinematography by | Jean-Louis Vialard | Editing by | Guy Lecorne Lenses | Zeiss Compact Prime Lenses
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Silent House (2011)
86 Minutes
Directed by | Chris Kentis, Laura Lau | Cinematography by | Igor Martinovic Cameras | Canon EOS-5D Mark II Camera
Lenses | Zeiss Compact Prime Lenses
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