Lenses » ARRI Lenses » ARRI / Zeiss Lenses » Zeiss Ultra Prime Lenses

Zeiss Ultra Prime 8R 8 mm T.2.8 Lens : 5Zeiss Ultra Prime Distagon 10 mm T2.1 Lens : 6Zeiss Ultra Prime Distagon 12 mm T1.9 Lens : 1Zeiss Ultra Prime Distagon 14 mm T1.9 Lens : 6Zeiss Ultra Prime Distagon 16 mm T1.9 Lens : 5Zeiss Ultra Prime Distagon 20 mm T1.9 Lens : 3Zeiss Ultra Prime Distagon 24 mm T1.9 Lens : 7Zeiss Ultra Prime Distagon 28 mm T1.9 Lens : 2Zeiss Ultra Prime Distagon 32 mm T1.9 Lens : 9Zeiss Ultra Prime Distagon 40 mm T1.9 Lens : 6Zeiss Ultra Prime Planar 50 mm T1.9 Lens : 10Zeiss Ultra Prime Planar 65 mm T1.9 Lens : 5Zeiss Ultra Prime Planar 85 mm T1.9 Lens : 5Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens : 3Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens : 3Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens : 3

Zeiss Ultra Prime Lenses | 236 Titles

Zeiss Ultra Prime Lenses 3.67/5 12 Votes

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Eighth Grade (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 93 Minutes

Directed by | Bo Burnham | Cinematography by | Andrew Wehde | Editing by | Jennifer Lilly

Starring | Elsie Fisher, Josh Hamilton, Emily Robinson

Cameras | Red Helium 8K Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Babysitter (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 85 Minutes

Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Martin Bernfeld, Peter Gvozdas

Starring | Judah Lewis, Samara Weaving, Robbie Amell

Cameras | Red Weapon Dragon Camera

Lenses | Cooke S4/i Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Vox Lux (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.66:1 | 114 Minutes

Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam

Starring | Natalie Portman, Jude Law, Stacy Martin

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Lost River (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ryan Gosling | Cinematography by | Benoît Debie | Editing by | Nico Leunen, Valdís Óskarsdóttir

Starring | Christina Hendricks, Iain De Caestecker, Matt Smith, Saoirse Ronan

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Red Epic Camera

Lenses | Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Geostorm (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen

Starring | Gerard Butler, Jim Sturgess, Abbie Cornish

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Fellowship of the Ring (2001)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 178 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert

Starring | Elijah Wood, Ian McKellen, Orlando Bloom

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Ultra Prime Lenses

Papillon (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Michael Noer | Cinematography by | Hagen Bogdanski | Editing by | John Axelrad, Lee Haugen

Starring | Charlie Hunnam, Damijan Oklopdzic, Christopher Fairbank

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Ultra Prime Lenses

The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Amélie (2001)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 122 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Mathieu Kassovitz, Rufus

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses | Zeiss Ultra Prime Lenses

PEN15 (2019)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Andy Rydzewski, Adam Silver, Bella Gonzales | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden, John Daigle, Michael Scotti Jr.

Starring | Maya Erskine, Anna Konkle, Melora Walters

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Ultra Prime Lenses

Law & Order (1990)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris

Starring | Jerry Orbach, Jesse L. Martin, Dennis Farina

Cameras | ARRI ALEXA Camera, Panavision Cameras, Panavision Panaflex Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses

Christopher Roth (2010)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Maxime Alexandre | Cinematography by | Maxime Alexandre

Starring | Joaquim de Almeida, Anna Galiena, Jessica Bonanni

Cameras | Red One Camera

Lenses | Zeiss Ultra Prime Lenses

L’Arminuta (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Giuseppe Bonito | Cinematography by | Alfredo Betrò | Editing by | Roberto Missiroli

Starring | Aurora Barulli, Carlotta De Leonardis, Fabrizio Ferracane

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens

A Christmas Prince (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 92 Minutes

Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey

Starring | Rose McIver, Ben Lamb, Alice Krige

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Ultra Prime Lenses

Cold War (2018)

Motion Picture | 2D | 4K Project | Black & White | 1.37:1 | 89 Minutes

Directed by | Pawel Pawlikowski | Cinematography by | Lukasz Zal | Editing by | Jaroslaw Kaminski

Starring | Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

A Cure for Wellness (2016)

Motion Picture | 2D | 2K Project | Color | 1.66:1, 1.78:1 (16x9) | 146 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | Pete Beaudreau, Lance Pereira

Starring | Dane DeHaan, Jason Isaacs, Mia Goth

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Nomadland (2020)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 107 Minutes

Directed by | Chloé Zhao | Cinematography by | Joshua James Richards

Starring | Frances McDormand, David Strathairn, Linda May

Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses | Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses

The Beach House (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 88 Minutes

Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier

Starring | Liana Liberato, Noah Le Gros, Jake Weber, Maryann Nagel

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Empire Hotel (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 82 Minutes

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