Madeline
Collateral Beauty (2016)
| USA
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
Paula
Moonlight (2016)
| USA
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA XT Plus Camera
Moneypenny
Spectre (2015)
| UK, USA
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Angela Rivera
Southpaw (2015)
| Hong Kong, USA
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Winnie Madikizela
Mandela: Long Walk to Freedom (2013)
| UK, South Africa, France
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Eve Moneypenny
'Top Gear' 50 Years of Bond Cars (2012)
| UK
Directed by: Phil Churchward
Edited by: Dan James
Eve
Skyfall (2012)
| UK, USA
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Jane Obinchu
The First Grader (2010)
| UK, USA, Kenya
Directed by: Justin Chadwick
Cinematography by: Rob Hardy
Edited by: Paul Knight
Mika
Ninja Assassin (2009)
| Germany, USA
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Sarrah
August (2008)
| USA
Directed by: Austin Chick
Cinematography by: Andrij Parekh
Edited by: Pete Beaudreau
Linda Washington
Street Kings (2008)
| USA
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Tia Dalma
Pirates of the Caribbean: At World's End (2007)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Tia Dalma
Pirates of the Caribbean: Dead Man's Chest (2006)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Trudy Joplin
Miami Vice (2006)
| USA, Germany, Paraguay, Uruguay
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Jennie
Tristram Shandy: A Cock and Bull Story (2005)
| UK
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Peter Christelis
Cameras: Sony HDC-750 Camera
Sophie
After the Sunset (2004)
| USA
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Selena
28 Days Later... (2002)
| UK
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
