Lightworks Editing System | 56 Titles
Killers of the Flower Moon (2023)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
The Irishman (2019)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Pulp Fiction (1994)
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Mission: Impossible (1996)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Paul Hirsch
Cameras | Panavision Panaflex Camera, Wescam Cameras
Bruce Almighty (2003)
Directed by | Tom Shadyac | Cinematography by | Dean Semler | Editing by | Scott Hill
Lenses | Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Romeo + Juliet (1996)
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
Shutter Island (2010)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
The People vs. Larry Flynt (1996)
Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dirty Pretty Things (2002)
Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Pride & Prejudice (2005)
Directed by | Joe Wright | Cinematography by | Roman Osin | Editing by | Paul Tothill
Lenses | Cooke S4 Lenses
Batman Forever (1995)
Directed by | Joel Schumacher | Cinematography by | Stephen Goldblatt | Editing by | Mark Stevens, Dennis Virkler
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Lock, Stock and Two Smoking Barrels (1998)
Directed by | Guy Ritchie | Cinematography by | Tim Maurice-Jones | Editing by | Niven Howie
Cameras | ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Centurion (2010)
Directed by | Neil Marshall | Cinematography by | Sam McCurdy | Editing by | Chris Gill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Evan Almighty (2007)
Directed by | Tom Shadyac | Cinematography by | Ian Baker | Editing by | Scott Hill
Cameras | Panavision Cameras
The Hitchhiker’s Guide to the Galaxy (2005)
Directed by | Garth Jennings | Cinematography by | Igor Jadue-Lillo | Editing by | Niven Howie
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The King’s Speech (2010) 
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Tariq Anwar
Lenses | Zeiss Master Prime Lenses
