Angelo Bruno
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Priest
The Painted Bird (2019)
Directed by: Václav Marhoul
Cinematography by: Vladimír Smutný
Edited by: Ludek Hudec
Lenses: Hawk V-Lite Lenses
Gondo
Isle of Dogs (2018)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Canon EOS-1DX Camera
Mick Boyle
Youth (2015)
Directed by: Paolo Sorrentino
Cinematography by: Luca Bigazzi
Edited by: Cristiano Travaglioli
Cameras: Red Epic Dragon Camera
Lenses: Zeiss Ultra Prime Lenses
Smiley
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Ludwig
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Commander Pierce
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Himself
'The Daily Show' Harry Markopolos (2010)
Directed by: Chuck O'Neil
Edited by: Daric Schlesselman
Don Carini
The Last Godfather (2010)
Directed by: Hyung-rae Shim
Cinematography by: Mark Irwin
Edited by: Jeff Freeman
Randy Weir
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
OSS Commander Who Agrees To Deal
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
John O'Neill
'The Path to 9/11' Episode #1.1 (2006)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
John O'Neill
'The Path to 9/11' Episode #1.2 (2006)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Roger Culkin
A Crime (2006)
Directed by: Manuel Pradal
Cinematography by: Giorgos Arvanitis
Edited by: Jennifer Augé
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
The Merchant
Il mercante di pietre (2006)
Directed by: Renzo Martinelli
Cinematography by: Blasco Giurato
Edited by: Osvaldo Bargero
Nick Carr
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Sadusky
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Che, Producer
Cuban Blood (2003)
Directed by: Juan Gerard
Cinematography by: Kramer Morgenthau
Edited by: Duncan Burns
Matt Benson
Ginostra (2002)
Directed by: Manuel Pradal
Cinematography by: Maurizio Calvesi
Edited by: Valérie Deseine
Jack Crawford
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Executive Producer, SS-Oberscharführer Erich Mußfeldt
The Grey Zone (2001)
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Major Steve Arnold
Taking Sides (2001)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Sylvie Landra
Dad
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
CPO Henry Klough
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
PJ Waters
Holy Smoke (1999)
Directed by: Jane Campion
Cinematography by: Dion Beebe
Edited by: Veronika Jenet
Vernon
Shadrach (1998)
Directed by: Susanna Styron
Cinematography by: Hiro Narita
Edited by: Colleen Sharp
Harry Houdini
FairyTale: A True Story (1997)
Directed by: Charles Sturridge
Cinematography by: Michael Coulter
Edited by: Peter Coulson
Ray Donlan
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Roy Egan
City of Industry (1997)
Directed by: John Irvin
Cinematography by: Thomas Burstyn
Edited by: Mark Conte
Himself, Self - Guest
The Daily Show (1996)
Cinematography by: Dave Carroll, Ryan Scafuro, Michael Chase, James P. Brady, James Markham Hall Jr., Peter Zivkovic, Joel Sadler, Matt Sohn
Edited by: Einar Westerlund, Mark Paone, Daric Schlesselman, Randi Snitz, Graham Knox Frazier, Andrew Matheson, David Small, Eric Davies, Nikolai Johnson, Tonya Dreher, Thomas Favilla, Mike Choi, Aurora De Lucia, Amanda Sprecher, Randy Ross, Max Heller, Erin Shannon, Catherine Trasborg, Elyse Kaftan, Jesse Gordon, Woody Richman, Robert York, Eric Kissack, Joseph Vassallo, Matthew Giaquinto, Blake Gingerich, Nick Mougis, Alexis Johnson
Det. Rocco Klein, Rocco Klein
Clockers (1995)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Sam Pollard
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Auggie Wren, Executive Producer
Blue in the Face (1995)
Cinematography by: Adam Holender
Edited by: Christopher Tellefsen
Ray Weiler
Imaginary Crimes (1994)
Directed by: Anthony Drazan
Cinematography by: John J. Campbell
Edited by: Elizabeth Kling
The Wolf
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
John Harris
The Young Americans (1993)
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Alex Mackie
Baines
The Piano (1993)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Victor The Cleaner
Point of No Return (1993)
Directed by: John Badham
Cinematography by: Michael W. Watkins
Edited by: Frank Morriss
LT
Bad Lieutenant (1992)
Directed by: Abel Ferrara
Cinematography by: Ken Kelsch
Edited by: Anthony Redman
Cameras: ARRIFLEX Camera
Co-producer, Mr. White / Larry
Reservoir Dogs (1992)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Hal
Thelma & Louise (1991)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Edited by: Thom Noble
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Det. John Woods
Mortal Thoughts (1991)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Tom Walls
Jake Berman
The Two Jakes (1990)
Directed by: Jack Nicholson
Cinematography by: Vilmos Zsigmond
Edited by: Anne Goursaud
Judas
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX Camera
Ed Lasky
Falling in Love (1984)
Directed by: Ulu Grosbard
Cinematography by: Peter Suschitzky
Edited by: Michael Kahn
Rivas
Exposed (1983)
Directed by: James Toback
Cinematography by: Henri Decaë
Edited by: Robert Lawrence
Cameras: Panavision Cameras
Cat
The Border (1982)
Directed by: Tony Richardson
Cinematography by: Ric Waite
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Inspector Netusil
Bad Timing (1980)
Directed by: Nicolas Roeg
Cinematography by: Anthony B. Richmond
Edited by: Tony Lawson
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Captain Benjamin L. Willard (boat Departure Scene)
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System
Jerry
Blue Collar (1978)
Directed by: Paul Schrader
Cinematography by: Bobby Byrne
Edited by: Tom Rolf
Cameras: Panavision Cameras
Sport
Taxi Driver (1976)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Ben
Alice Doesn't Live Here Anymore (1974)
Directed by: Martin Scorsese
Cinematography by: Kent L. Wakeford
Edited by: Marcia Lucas
Charlie
Mean Streets (1973)
Directed by: Martin Scorsese
Cinematography by: Kent L. Wakeford
Edited by: Sidney Levin
Cameras: ARRIFLEX 35 BL Camera
Editing System: Moviola Editing System
J.R.
I Call First (1967)
Directed by: Martin Scorsese
Edited by: Thelma Schoonmaker
Cameras: Éclair NPR Camera, Mitchell BNC Camera
