Hawk V-Lite Lenses | 64 Titles
The King Tide (2023)
Directed by | Christian Sparkes | Cinematography by | Mike McLaughlin | Editing by | Justin Oakey
Cameras | ARRI ALEXA Mini Camera
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
The Hummingbird Project (2018)
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Nicolas Chaudeurge, Arthur Tarnowski
Cameras | ARRI ALEXA Mini Camera
Lenses | Hawk V-Lite Lenses
Slender Man (2018)
Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York
Cameras | Sony PMW-F55 Camera, Sony α7S II Camera
Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses
Moonlight (2016) 
Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses
Everything Everywhere All at Once (2022)
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers
Cameras | ARRI ALEXA Mini Camera
Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses
Anatomy of a Fall (2023)
Directed by | Justine Triet | Cinematography by | Simon Beaufils | Editing by | Laurent Sénéchal
Cameras | ARRI ALEXA Mini LF Camera
Sløborn (2020)
| Cinematography by | Christian Alvart, Christian Huck | Editing by | Marc Hofmeister, William James, Zoë Dahmen, Robert Sterna
Cameras | ARRI ALEXA Mini Camera
Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses
Resident Evil: Welcome to Raccoon City (2021)
Directed by | Johannes Roberts | Cinematography by | Maxime Alexandre | Editing by | Dev Singh
Lenses | Hawk V-Lite Lenses
Ophelia (2018)
Directed by | Claire McCarthy | Cinematography by | Denson Baker | Editing by | Luke Dunkley
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
Lenses | Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Ava (2017)
Directed by | Léa Mysius | Cinematography by | Paul Guilhaume | Editing by | Pierre Deschamps
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses
Jojo Rabbit (2019)
Directed by | Taika Waititi | Cinematography by | Mihai Malaimare Jr. | Editing by | Tom Eagles, Yana Gorskaya
Cameras | ARRI ALEXA SXT Plus Camera
Lenses | Hawk V-Lite Lenses, Hawk Vantage One Lenses
Narcos (2015)
| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez
The Painted Bird (2019)
Directed by | Václav Marhoul | Cinematography by | Vladimír Smutný | Editing by | Ludek Hudec
Lenses | Hawk V-Lite Lenses
Focus (2015)
Directed by | Glenn Ficarra, John Requa | Cinematography by | Xavier Grobet | Editing by | Jan Kovac
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Before I Fall (2017)
Directed by | Ry Russo-Young | Cinematography by | Michael Fimognari | Editing by | Joe Landauer
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Plus Lenses
The Hollars (2016)
Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons
Cameras | ARRI ALEXA Plus 4:3 Camera
Hands of Stone (2016)
Directed by | Jonathan Jakubowicz | Cinematography by | M.I. Littin-Menz | Editing by | Ethan Maniquis
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Hell or High Water (2016)
Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Studio Camera
Mal de pierres (2016)
Directed by | Nicole Garcia | Cinematography by | Christophe Beaucarne | Editing by | Simon Jacquet
Cameras | Red Epic Dragon Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Eddie the Eagle (2015)
