Murray Franklin
Joker (2019)
| USA, Canada
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Dick Kelly
Dirty Grandpa (2016)
| USA
Directed by: Dan Mazer
Cinematography by: Eric Alan Edwards
Edited by: Anne McCabe
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke S4 Lenses
Ray Arcel
Hands of Stone (2016)
| Panama, USA
Directed by: Jonathan Jakubowicz
Cinematography by: M.I. Littin-Menz
Edited by: Ethan Maniquis
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Rudy
Joy (2015)
| USA
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Ben
The Intern (2015)
| USA
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Benjamin Ford
Killing Season (2013)
| USA, Belgium, Bulgaria
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Fred Blake / Giovanni Manzoni
The Family (2013)
| USA, France
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Paddy Connors
Last Vegas (2013)
| USA
Directed by: Jon Turteltaub
Cinematography by: David Hennings
Edited by: David Rennie
Cameras: ARRI ALEXA Camera
Victor Tellegio
American Hustle (2013)
| USA
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Jonathan Flynn
Being Flynn (2012)
| USA
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Pat Sr.
Silver Linings Playbook (2012)
| USA
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Carl Van Loon
Limitless (2011)
| USA
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Stan Harris (segment "Hospital Story")
New Year's Eve (2011)
| USA
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Robert De Niro
'30 Rock' Operation Righteous Cowboy Lightning (2011)
Directed by: Beth McCarthy-Miller
Edited by: Ken Eluto
Hunter
Killer Elite (2011)
| UK, Australia
Directed by: Gary McKendry
Cinematography by: Simon Duggan
Edited by: John Gilbert
Jack Byrnes, Producer
Little Fockers (2010)
| USA
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Senator McLaughlin
Machete (2010)
| USA
Cinematography by: Jimmy Lindsey
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Jack
Stone (2010)
| USA
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Executive Producer
Public Enemies (2009)
| USA, Japan
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Frank Goode
Everybody's Fine (2009)
| USA
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Himself - Guest
'The Daily Show' Robert De Niro (2008)
Directed by: Chuck O'Neil
Edited by: Mark Paone
Ben, Producer
What Just Happened (2008)
| USA
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Turk
Righteous Kill (2008)
| USA
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Captain Shakespeare
Stardust (2007)
| UK, USA
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Bill Sullivan, Director, Producer
The Good Shepherd (2006)
| USA
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
King
Arthur and the Invisibles (2006)
| France
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Robert De Niro
30 Rock (2006)
| USA
Directed by: Don Scardino, Beth McCarthy-Miller, John Riggi, Michael Engler, Gail Mancuso, Adam Bernstein, Ken Whittingham, Jeff Richmond, Stephen Lee Davis, Scott Ellis, Steve Buscemi, Tricia Brock, Todd Holland, Millicent Shelton, Claire Cowperthwaite, Linda Mendoza, Juan José Campanella, Paul Feig, Dennie Gordon, Richard Shepard, Kevin Rodney Sullivan, Constantine Makris, Robert Carlock, Jamie Sheridan, Michael Slovis
Cinematography by: Matthew Clark, Vanja Cernjul, Peter Reniers, Michael Slovis, Tom Houghton, Michael Trim, Calen Lang, Peter Agliata, William Klayer
Producer
Rent (2005)
| USA
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
David Callaway
Hide and Seek (2005)
| USA, Germany
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Richard Wells
Godsend (2004)
| Canada, USA
Directed by: Nick Hamm
Cinematography by: Kramer Morgenthau
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Producer
Stage Beauty (2004)
| UK, USA, Germany
Directed by: Richard Eyre
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Det. Mitch Preston
Showtime (2002)
| USA, Australia
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Paul Vitti
Analyze That (2002)
| USA
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Producer
About a Boy (2002)
| UK, USA, France, Germany
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Vincent LaMarca
City by the Sea (2002)
| USA
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Cameras: Panavision Cameras
Nick
The Score (2001)
| USA, Germany, Canada
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Detective Eddie Flemming
15 Minutes (2001)
| USA, Germany
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Executive Producer
Holiday Heart (2000)
| USA
Directed by: Robert Townsend
Cinematography by: Jan Kiesser
Edited by: Sabrina Plisco
Cameras: Panavision Cameras
Jack Byrnes, Producer
Meet the Parents (2000)
| USA
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Master Chief Billy Sunday
Men of Honor (2000)
| USA
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Fearless Leader, Producer
The Adventures of Rocky & Bullwinkle (2000)
| USA, Germany, South Korea, India, Canada
Directed by: Des McAnuff
Cinematography by: Thomas E. Ackerman
Edited by: Dennis Virkler
Paul Vitti
Analyze This (1999)
| USA, Australia
Directed by: Harold Ramis
Cinematography by: Stuart Dryburgh
Producer, Walt Koontz
Flawless (1999)
| USA
Directed by: Joel Schumacher
Cinematography by: Declan Quinn
Edited by: Mark Stevens
Prisoner / Lustig
Great Expectations (1998)
| USA
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sam
Ronin (1998)
| UK, France, USA
Directed by: John Frankenheimer
Cinematography by: Robert Fraisse
Edited by: Antony Gibbs
Himself - Narrator
Lenny Bruce: Swear to Tell the Truth (1998)
| USA
Directed by: Robert B. Weide
Cinematography by: Biff Bracht
Louis Gara
Jackie Brown (1997)
| USA
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Moe Tilden
Cop Land (1997)
| USA
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Conrad Brean, Producer
Wag the Dog (1997)
| USA
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dr. Wally, Producer
Marvin's Room (1996)
| USA
Directed by: Jerry Zaks
Cinematography by: Piotr Sobocinski
Edited by: Jim Clark
Himself
Access Hollywood (1996)
| USA
Father Bobby
Sleepers (1996)
| USA
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Himself - Guest, Self - Guest
The Daily Show (1996)
| USA
Cinematography by: Dave Carroll, Ryan Scafuro, Michael Chase, James P. Brady, James Markham Hall Jr., Peter Zivkovic, Joel Sadler, Matt Sohn
Edited by: Einar Westerlund, Mark Paone, Daric Schlesselman, Randi Snitz, Graham Knox Frazier, Andrew Matheson, David Small, Eric Davies, Nikolai Johnson, Tonya Dreher, Thomas Favilla, Mike Choi, Aurora De Lucia, Amanda Sprecher, Randy Ross, Max Heller, Erin Shannon, Catherine Trasborg, Elyse Kaftan, Jesse Gordon, Woody Richman, Robert York, Eric Kissack, Joseph Vassallo, Matthew Giaquinto, Blake Gingerich, Nick Mougis, Alexis Johnson
Sam 'Ace' Rothstein
Casino (1995)
| USA, France
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Associate Producer, Creature / Sharp Featured Man
Frankenstein (1994)
| USA, Japan, UK
Directed by: Kenneth Branagh
Cinematography by: Roger Pratt
Edited by: Andrew Marcus
Wayne 'Mad Dog' Dobie
Mad Dog and Glory (1993)
| USA
Directed by: John McNaughton
Cinematography by: Robby Müller
Dwight
This Boy's Life (1993)
| USA
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Director, Lorenzo, Producer
A Bronx Tale (1993)
| USA
Directed by: Robert De Niro
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Producer
The Night We Never Met (1993)
| USA
Directed by: Warren Leight
Cinematography by: John Thomas
Edited by: Camilla Toniolo
Cameras: Panavision Cameras
Producer
Thunderheart (1992)
| USA
Directed by: Michael Apted
Cinematography by: Roger Deakins
Edited by: Ian Crafford
Cameras: ARRI Cameras
Harry Fabian
Night and the City (1992)
| USA
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
David Merrill
Guilty by Suspicion (1991)
| USA
Directed by: Irwin Winkler
Cinematography by: Michael Ballhaus
Edited by: Priscilla Nedd-Friendly
James Conway
Goodfellas (1990)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Megs
Jacknife (1989)
| USA, Canada
Directed by: David Hugh Jones
Cinematography by: Brian West
Edited by: John Bloom
Cameras: ARRI Cameras
Executive Producer, Ned
We're No Angels (1989)
| USA
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Al Capone
The Untouchables (1987)
| USA
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Louis Cyphre
Angel Heart (1987)
| UK, Canada, USA
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Lenses: Panavision Lenses
Rodrigo Mendoza
The Mission (1986)
| UK, France
Directed by: Roland Joffé
Cinematography by: Chris Menges
Edited by: Jim Clark
Harry Tuttle
Brazil (1985)
| UK, USA
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Julian Doyle
Cameras: J-D-C Camera
Lenses: Kinoptik Lenses, Zeiss Lenses
Frank Raftis
Falling in Love (1984)
| USA
Directed by: Ulu Grosbard
Cinematography by: Peter Suschitzky
Edited by: Michael Kahn
Rupert Pupkin
The King of Comedy (1982)
| USA
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
Jake La Motta
Raging Bull (1980)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Michael
The Deer Hunter (1978)
| USA, UK
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Edited by: Peter Zinner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Jimmy Doyle
New York, New York (1977)
| USA
Directed by: Martin Scorsese
Cinematography by: László Kovács
Cameras: Panavision Cameras
Travis Bickle
Taxi Driver (1976)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Monroe Stahr
The Last Tycoon (1976)
| USA
Directed by: Elia Kazan
Cinematography by: Victor J. Kemper
Edited by: Richard Marks
Vito Corleone
The Godfather: Part II (1974)
| USA
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
Mario
The Gang That Couldn't Shoot Straight (1971)
| USA
Directed by: James Goldstone
Cinematography by: Owen Roizman
Edited by: Edward A. Biery
Cameras: Panavision Cameras
