Edited By
The Fate of the Furious (2017)
| China, USA, Japan
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Editor
The 5th Wave (2016)
| USA, UK
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Editor
Seventh Son (2014)
| USA, UK, Canada, China
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Editor
Need for Speed (2014)
| USA, India
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Edited By
Transformers: Age of Extinction (2014)
| USA, China, Hong Kong
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Editor
Battleship (2012)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Additional Editor
The Avengers (2012)
| USA
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Editor
Thor (2011)
| USA
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Editor
Transformers: Revenge of the Fallen (2009)
| USA
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Editor
Public Enemies (2009)
| USA, Japan
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Edited By
Transformers (2007)
| USA
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Editor
Miami Vice (2006)
| USA, Germany, Paraguay, Uruguay
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Editor
The Island (2005)
| USA
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Editor
Collateral (2004)
| USA
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Editor
The League of Extraordinary Gentlemen (2003)
| USA, Germany, Czech Republic, UK
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Film Editor
Peter Pan (2003)
| UK, Australia, USA, New Zealand
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Editor
xXx (2002)
| USA
Directed by: Rob Cohen
Cinematography by: Dean Semler
Editor
S1m0ne (2002)
| USA
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Editor
The Cell (2000)
| USA, Germany
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Editor
Blade (1998)
| USA
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Editor
Andersonville (1996)
| USA
Directed by: John Frankenheimer
Cinematography by: Ric Waite
Edited by: Paul Rubell
Editor
Stay the Night (1992)
| USA
Directed by: Harry Winer
Cinematography by: Thomas Alger Olgeirsson
Edited by: Paul Rubell
Assistant Editor
The Changeling (1980)
| Canada
Directed by: Peter Medak
Cinematography by: John Coquillon
Edited by: Lilla Pedersen
Cameras: Panavision Cameras
