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David Rosenbloom

25 Titles

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| ShotOnWhat?

Editor

Transcendence (2014)

| UK, China, USA

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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Editor

Out of the Furnace (2013)

| UK, USA

Directed by: Scott Cooper

Cinematography by: Masanobu Takayanagi

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

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Editor

Immortals (2011)

| USA

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

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Edited By

The Rite (2011)

| USA, Hungary, Italy

Directed by: Mikael Håfström

Cinematography by: Ben Davis

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

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Additional Editor

Battle Los Angeles (2011)

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

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Co-producer, Editor

All Good Things (2010)

| USA

Directed by: Andrew Jarecki

Cinematography by: Michael Seresin

Edited by: David Rosenbloom, Shelby Siegel

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Additional Editor

Public Enemies (2009)

| USA, Japan

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

| ShotOnWhat?

Editor, Second Unit Director: Additional Photography

Untraceable (2008)

| USA

Directed by: Gregory Hoblit

Cinematography by: Anastas N. Michos

Edited by: Gregory Plotkin, David Rosenbloom

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Editor

Fracture (2007)

| USA, Germany

Directed by: Gregory Hoblit

Cinematography by: Kramer Morgenthau

Edited by: David Rosenbloom

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Editor

The Break-Up (2006)

| USA

Directed by: Peyton Reed

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental, David Rosenbloom

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Editor

Dreamer: Inspired by a True Story (2005)

| USA

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

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Editor

Friday Night Lights (2004)

| Germany, USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

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Additional Film Editor

The Alamo (2004)

| USA

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| ShotOnWhat?

Editor

The Last Shot (2004)

| USA

Directed by: Jeff Nathanson

Cinematography by: John Lindley

Edited by: David Rosenbloom

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Editor

The Recruit (2003)

| USA

Directed by: Roger Donaldson

Cinematography by: Stuart Dryburgh

Edited by: David Rosenbloom

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Editor, Second Unit Director

Hart's War (2002)

| USA

Directed by: Gregory Hoblit

Cinematography by: Alar Kivilo

Edited by: David Rosenbloom

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Editor

Pay It Forward (2000)

| USA

Directed by: Mimi Leder

Cinematography by: Oliver Stapleton

Edited by: David Rosenbloom

Cameras: Panavision Cameras

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Editor

The Insider (1999)

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: William Goldenberg, David Rosenbloom, Paul Rubell

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses

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Editor

Deep Impact (1998)

| USA

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

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Editor

The Peacemaker (1997)

| USA

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: David Rosenbloom

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Editor

Primal Fear (1996)

| USA

Directed by: Gregory Hoblit

Cinematography by: Michael Chapman

Edited by: David Rosenbloom

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Editor

Moonlight and Valentino (1995)

| UK, USA

Directed by: David Anspaugh

Cinematography by: Julio Macat

Edited by: David Rosenbloom

| ShotOnWhat?

Editor

Blue Chips (1994)

| USA

Directed by: William Friedkin

Cinematography by: Tom Priestley Jr.

Edited by: Robert K. Lambert, David Rosenbloom

| ShotOnWhat?

Editor

Class of '61 (1993)

Television Movie

| USA

Directed by: Gregory Hoblit

Cinematography by: Janusz Kaminski

Edited by: David Rosenbloom

| ShotOnWhat?

Editor

Rudy (1993)

| USA

Directed by: David Anspaugh

Cinematography by: Oliver Wood

Edited by: David Rosenbloom

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