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Avid Editing System | 333 Titles

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Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

Orange Is the New Black (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens

Starring | Taylor Schilling, Danielle Brooks, Taryn Manning, Emma Myles

Cameras | ARRI ALEXA Camera, Panasonic VariCam 35

Lenses | Cooke 5/i Lenses

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Liberty (2018)

Miniseries | 2D | HD Project | Color | 2.0:1 | 58 Minutes

| Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen

Starring | Connie Nielsen, Carsten Bjørnlund, Sofie Gråbøl, Charlie Karumi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cineovision Lenses, Optica Elite 35 Anamorphic 50-160 mm T4.9 Lens

Ava (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Léa Mysius | Cinematography by | Paul Guilhaume | Editing by | Pierre Deschamps

Starring | Noée Abita, Laure Calamy, Juan Cano, Tamara Cano

Cameras | ARRICAM Lite (LT) Camera

Lenses | Hawk V-Lite Lenses

Pirates of the Caribbean: At World’s End (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 169 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Game of Thrones (2011)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 57 Minutes

| Cinematography by | Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson | Editing by | Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles

Starring | Emilia Clarke, Peter Dinklage, Kit Harington, Lena Headey

Cameras | ARRI ALEXA Camera, ARRI ALEXA Mini Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

13 Reasons Why (2017)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9), 2.0:1 | 60 Minutes

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leica Summilux-C Series Lenses

Live Free or Die Hard (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth

Starring | Bruce Willis, Justin Long, Timothy Olyphant, Maggie Q

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Tiempo de lluvia (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 89 Minutes

Directed by | Itandehui Jansen | Cinematography by | Iwao Kawasaki | Editing by | Macarena Sierra

Starring | Harold Torres, Noé Hernández, Ángeles Cruz, Baltimore Beltran

Cameras | Digital Bolex D16

Lenses | Zeiss Lenses

Mad Men (2007)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 47 Minutes

| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty

Starring | Jon Hamm, Elisabeth Moss, Vincent Kartheiser, January Jones

Cameras | ARRI ALEXA Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Al Medina (2015)

Movie | 2K Project | Color | 90 Minutes

Al Medina | ShotOnWhat?

Directed by | Omar Shargawi | Cinematography by | Aske Foss | Editing by | Morten Højbjerg, Thomas Papapetros, Omar Shargawi

Starring | Sara Hjort Ditlevsen, Ashraf Farah, Omar Shargawi

Cameras | ARRI ALEXA Plus Camera, Beaulieu Cameras

Lenses | Canon K35 100 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 55 mm T1.4 Lens, Canon K35 85 mm T1.3 Lens

Vikings (2013)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | P.J. Dillon, Peter Robertson, Owen McPolin, John S. Bartley, Suzie Lavelle | Editing by | Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson

Starring | Katheryn Winnick, Gustaf Skarsgård, Alexander Ludwig, Georgia Hirst

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision Lenses

Outlander (2008)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Howard McCain | Cinematography by | Pierre Gill | Editing by | David Dodson

Starring | Jim Caviezel, Sophia Myles, Ron Perlman, Jack Huston

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Boyhood (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 165 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair

Starring | Ellar Coltrane, Patricia Arquette, Ethan Hawke, Elijah Smith

Cameras | Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Rosewood (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 140 Minutes

Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon

Starring | Jon Voight, Ving Rhames, Don Cheadle, Bruce McGill

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ocean’s Eleven (2001)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

$Ocean\'s Eleven (2001) - Behind the Scenes at ShotOnSet!$

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione

Starring | George Clooney, Brad Pitt, Julia Roberts, Matt Damon

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Face/Off (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 138 Minutes

Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner

Starring | John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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