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Avid Editing System | 388 Titles

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Als Het Leven Soms Anders Is (2024)

Short Film | 2D | 4K Project | Color | 1.50:1 | 22 Minutes

Directed by | Lotte Ruules | Cinematography by | Max van de Pol | Editing by | Keno Aladjuz

Starring | Marie-Claire Molly, Bente van Pruissen, Marije van der Made

Cameras | Sony CineAlta VENICE Camera

What Just Happened (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Barry Levinson | Cinematography by | Stéphane Fontaine | Editing by | Hank Corwin

Starring | Robert De Niro, John Turturro, Stanley Tucci, Sean Penn

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera

Je Bent Al Hier (2024)

Documentary | 2D | 4K Project | Color | 1.66:1 | 32 Minutes

Directed by | Inez Eltink | Cinematography by | Jor Broeder | Editing by | Keno Aladjuz

Starring | Sjoerd-Paul Beenders, Nigel Gerritsen, Dizzy Geurtzen

Cameras | Sony ILME-FX3 Camera

Rups (2024)

Short Film | 2D | 4K Project | Color | 1.50:1 | 23 Minutes

Directed by | Susanne Hagen | Cinematography by | Jesse Post | Editing by | Keno Aladjuz

Starring | Loulou van Stijn, Guusje Vos, Jamie Bouwmeester

Cameras | ARRI ALEXA Mini LF Camera

Maître du monde (2011)

Motion Picture | 2D | HD Project | Color | 72 Minutes

Directed by | Enrico Alexander Giordano | Cinematography by | Daniel Brouwer | Editing by | Enrico Alexander Giordano

Starring | Boris Beynet

Cameras | Panasonic AG-HVX200 Camera

Lenses | Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens

The Killing of a Sacred Deer (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Barry G. Bernson, Herb Caillouet, Bill Camp

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Forrest Gump (1994)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Robin Wright, Gary Sinise, Sally Field

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Tenet (2020)

Motion Picture | 2D | Film Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 150 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | John David Washington, Robert Pattinson, Elizabeth Debicki

Cameras | ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Dante’s Peak (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 108 Minutes

Directed by | Roger Donaldson | Cinematography by | Andrzej Bartkowiak | Editing by | Conrad Buff IV, Tina Hirsch, Howard E. Smith

Starring | Pierce Brosnan, Linda Hamilton, Jamie Renée Smith, Jeremy Foley

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Inception (2010)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

The Dark Knight Rises (2012)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 164 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman

Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Gaming Wall St (2022)

Miniseries | 2D | 4K Project | Color | 2.0:1 | 114 Minutes

Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman

Starring | Kieran Culkin, Ramona Ortega, Harvey Pitt

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | DZOFILMS Lenses, Voigtländer Lenses, Voigtländer Nokton 25 mm f0.95 Lens

FML (2016)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Jason Nash | Cinematography by | Tobias Deml

Starring | Busy Philipps, David Dobrik, Jimmy Tatro, Andy Daly

Cameras | Sony α7R II Camera, Sony α7S II Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Master Series Lenses

Verwaant (2023)

Short Film | 2D | 4K Project | Color | 1.37:1 | 31 Minutes

Directed by | Syb Faes | Cinematography by | Bregje Pontzen | Editing by | Keno Aladjuz

Starring | Mijntje van Dongen, Rene van Kalken, Eric Kuijper

Cameras | Blackmagic Pocket Cinema 4K Camera

Geluid van het Einde (2023)

Short Film | 2D | 2K Project | Color | 1.66:1 | 7 Minutes

Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg

Starring | Ousmane Bangura, Esther van Harten

Cameras | Blackmagic Pocket Cinema 4K Camera

Waiting for Smith’s Trilogy (2024)

Short Film | 2D | HD Project | Color | 1.66:1 | 15 Minutes

Directed by | Sebastiaan de Reuver | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Eveline Besters, Harry Lloyd, Jelle Pennekamp

Cameras | Blackmagic Pocket Cinema 4K Camera

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