Avid Editing System | 283 Titles
Stranger Things (2016)
Country | USA
Type | Television Series
Running Time | 51 Minutes
Capture Resolution | 6144x3160 - (1.94:1) Capture Resolution
| Cinematography by | Tim Ives, Tod Campbell, Lachlan Milne, David Franco | Editing by | Kevin D. Ross, Dean Zimmerman, Nat Fuller, Katheryn Naranjo
Cameras | Red Epic Dragon Camera
Lenses | Leica Lenses
modified:
Better Call Saul (2015)
Country | USA
Type | Television Series
Running Time | 46 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
modified:
Treasures of the Copper Scroll (2007)
Country | USA
Type | Direct to Video, Documentary
Running Time | 50 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring |
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
modified:
Beast (2015)
Country | Australia, Philippines
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 1.85:1
Directed by | Sam McKeith, Tom McKeith | Cinematography by | Michael Steel | Editing by | Paul Murphy
Cameras | ARRI AMIRA Camera
Lenses | Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
modified:
Una Famiglia (2017)
Country | Italy
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Ilaria Fraioli
Cameras | ARRI ALEXA Plus Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens
modified:
Il ragazzo invisibile: Fratelli (2018)
Country | Italy
Type | Motion Picture
Running Time | 100 Minutes
Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione
Cameras | ARRI ALEXA XT Camera
modified:
Postpartum (2016)
Country | USA
Type | Motion Picture, Short Film
Running Time | 24 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1080 - (1.90:1) Capture Resolution
Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang
Cameras | Panasonic VariCam 35
modified:
Parental Guidance (2012)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda
Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
modified:
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Country | China, USA
Type | Motion Picture
Running Time | 96 Minutes
Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt
Cameras | Red Epic Dragon Camera
modified:
Jane Got a Gun (2015)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 2.39:1
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
Rogue One: A Star Wars Story (2016)
Country | USA
Type | Motion Picture
Running Time | 133 Minutes
Aspect Ratio | 2.39:1
Directed by | Gareth Edwards | Cinematography by | Greig Fraser | Editing by | John Gilroy, Colin Goudie, Jabez Olssen
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision APO Panatar Lenses
modified:
Kilo Two Bravo (2014)
Country | UK
Type | Motion Picture
Running Time | 108 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Directed by | Paul Katis | Cinematography by | Chris Goodger | Editing by | Brin
Cameras | ARRI ALEXA XT Camera, Blackmagic Cinema Camera
Lenses | Angenieux Lenses, Red Pro Prime Lenses
modified:
To Here Knows When (2013)
Country | UK
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie
Cameras | Éclair NPR Camera, Red One MX Camera
Lenses | Nikon - Nikkor Lenses
modified:
Where Do We Go From Here? (2015)
Country | UK
Type | Motion Picture
Running Time | 82 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 5120x2134 - (2.40:1) Capture Resolution
Directed by | John McPhail | Cinematography by | Grant McPhee | Editing by | John McPhail
Cameras | Red Epic Camera
Lenses | Red Pro Prime 100 mm T1.8 Lens, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
modified:
Sette opere di misericordia (2011)
Country | Italy, Romania, France
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
modified:
Cinderella (2015)
Country | USA, UK
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.39:1
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
Creed (2015)
Country | USA
Type | Motion Picture
Running Time | 133 Minutes
Aspect Ratio | 2.39:1
Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
modified:
45 Years (2015)
Country | UK
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 1.85:1
Directed by | Andrew Haigh | Cinematography by | Lol Crawley | Editing by | Jonathan Alberts
modified:
Brooklyn (2015)
Country | UK, Canada, Ireland
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 1.85:1
Directed by | John Crowley | Cinematography by | Yves Bélanger | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Camera
modified:
Steve Jobs (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham
Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
modified:
