Avid Editing System | 314 Titles
A Beautiful Mind (2001) 
135 Minutes
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
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Just Like Heaven (2005)
95 Minutes
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Greenmodified:
Better Call Saul (2015)
46 Minutes
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch Cameras | Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
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Stranger Things (2016)
51 Minutes
Capture Resolution | 6144x3160 - (1.94:1) Capture Resolution
| Cinematography by | Tim Ives, Tod Campbell, Lachlan Milne, David Franco | Editing by | Kevin D. Ross, Dean Zimmerman, Nat Fuller, Katheryn Naranjo Lenses | Leica Summilux-C Series Lenses
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The Lord of the Rings: The Fellowship of the Ring (2001)
178 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert Lenses | Zeiss Ultra Prime Lenses
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The Lord of the Rings: The Return of the King (2003)
201 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
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Unbreakable (2000)
106 Minutes
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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Reuniting the Rubins (2010)
97 Minutes
Directed by | Yoav Factor | Cinematography by | Miles Cook | Editing by | Ben King, Anthony Stadler Cameras | ARRICAM Studio (ST) Camera
Lenses | Cooke S4/i Lenses
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The Grand Budapest Hotel (2014)
99 Minutes
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Barney Pilling Cameras | ARRICAM Studio (ST) Camera
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Body of Lies (2008)
128 Minutes
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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Unstoppable (2010)
98 Minutes
Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Enchanted (2007)
107 Minutes
Directed by | Kevin Lima | Cinematography by | Don Burgess | Editing by | Gregory Perler, Stephen A. Rotter Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
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Il ragazzo invisibile: Fratelli (2018)
100 Minutes
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione Cameras | ARRI ALEXA XT Camera
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Live Free or Die Hard (2007)
128 Minutes
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
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Bad Boys II (2003)
147 Minutes
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, Mark Goldblatt, Tom Muldoon Cameras | Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
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The Perfect Host (2010)
93 Minutes
Directed by | Nick Tomnay | Cinematography by | John Brawley | Editing by | Nick Tomnay Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
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Designated Survivor (2016)
60 Minutes
| Cinematography by | Jeffrey C. Mygatt, Michael Storey, Adam Suschitzky, Cort Fey, Colin Hoult, Darran Tiernan, M. David Mullen, David A. Harp, Michael McMurray | Editing by | Damien Smith, Charissa Sanjarernsuithikul, Ned Bastille, Pamela Malouf, David Beatty, John L. Roberts, Michael Schweitzer, James Coblentz, Monty DeGraff, Jennifer Van Goethem, Roy C. Poole, Bryan Darling Cameras | ARRI ALEXA LF
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Natural Born Killers (1994)
118 Minutes
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Nixon (1995)
192 Minutes
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwinmodified:
Bohemian Rhapsody (2018)
134 Minutes
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottmanmodified:
