Matt Damon

| USA

Directed by: Paul Pennolino, David Paul Meyer

Edited by: Thomas Favilla

Producer - Produced By

Manchester by the Sea (2016)

| USA

Directed by: Kenneth Lonergan

Cinematography by: Jody Lee Lipes

Edited by: Jennifer Lame

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Lenses, Canon K35 Prime Lenses

Jason Bourne, Producer

Jason Bourne (2016)

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

| USA, China

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Mark Watney

The Martian (2015)

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

| UK, USA

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Himself

'Years of Living Dangerously' A Dangerous Future (2014)

| USA

Cinematography by: Nick Higgins, Ronan Killeen, David McFarland, Lucian Read, Rick Rowley

Edited by: Alison Amron, Adam Bolt, Paul Frost, Dan Madden, Federico Rosenzvit

Himself

Years of Living Dangerously (2014)

| USA

Directed by: Tom Casciato, Martha Jeffries, Drew Magratten, Ivy Meeropol, Jon Meyersohn, Jonathan Schienberg, Sydney Trattner, David Gelber

Edited by: Paul Frost, Federico Rosenzvit, Adam Bolt, Dan Madden, Alison Amron, M. Brennan, Tal Ben-David, Cindy Lee, Jennifer McGarrity, Jawad Metni, Ken Eluto, Rebecca Laks, David Marcus, Anna Pivarnik

Cameras: Canon EOS-5D Mark III Camera, Canon EOS-C300 Camera

Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens

James Granger

The Monuments Men (2014)

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

| USA, Germany

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Editing System: Avid Editing System

Mann

Interstellar (2014)

| USA, UK, Canada

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Matt Damon

'House of Lies' Damonschildren.org (2013)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tod Feuerman

Max

Elysium (2013)

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Editing System: Avid Editing System

Matt Damon

House of Lies (2012)

| USA

Directed by: Stephen Hopkins, Matthew Carnahan, Daisy von Scherler Mayer, Don Cheadle, Adam Bernstein, John Dahl, Michael Uppendahl, Miguel Arteta, Seith Mann, Beth McCarthy-Miller, Anton Cropper, David Von Ancken, Uta Briesewitz, Michael Lehmann, Victor Nelli Jr., Jessika Borsiczky, Gary B. Goldman, Helen Hunt, Craig Zisk

Cinematography by: Peter Levy, Loren S. Yaconelli

Edited by: Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Producer, Screenplay, Steve Butler

Promised Land (2012)

| USA, United Arab Emirates

Directed by: Gus Van Sant

Cinematography by: Linus Sandgren

Edited by: Billy Rich

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses

David Norris

The Adjustment Bureau (2011)

| USA

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Carol

'30 Rock' Double-Edged Sword (2011)

| USA

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Ken Eluto

Himself - Guest

'The Daily Show' Matt Damon (2011)

Directed by: Chuck O'Neil

Cinematography by: James Markham Hall Jr.

Edited by: Graham Knox Frazier, Mark Paone

Benjamin Mee

We Bought a Zoo (2011)

| USA

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Mitch Emhoff

Contagion (2011)

| USA, United Arab Emirates

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

George Lonegan

Hereafter (2010)

| USA

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Carol

'30 Rock' Live Show (2010)

Directed by: Beth McCarthy-Miller

Cinematography by: Matthew Clark

LaBoeuf

True Grit (2010)

| USA

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Carol

'30 Rock' I Do Do (2010)

| USA

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Meg Reticker

Miller

Green Zone (2010)

| UK, France, Spain, USA

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Ultra Prime Lenses

Himself - Narrator

Inside Job (2010)

Documentary

| USA

Directed by: Charles Ferguson

Cinematography by: Svetlana Cvetko, Kalyanee Mam

Edited by: Chad Beck, Adam Bolt

Cameras: Red One Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses

Carol

'30 Rock' The Fabian Strategy (2010)

Directed by: Beth McCarthy-Miller

Edited by: Ken Eluto

Mark Whitacre

The Informant! (2009)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One Camera

Himself - Guest

'The Daily Show' Matt Damon (2009)

Directed by: Chuck O'Neil

Edited by: Daric Schlesselman

Francois Pienaar

Invictus (2009)

| USA

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Fr. Schwartz

Che: Part Two (2008)

| Spain, France, USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Pablo Zumárraga

Cameras: Red One Camera

Linus Caldwell / 'Lenny Pepperidge'

Ocean's Thirteen (2007)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Life Magazine Reporter

Youth Without Youth (2007)

| USA, Romania, France, Italy, Germany

Directed by: Francis Ford Coppola

Cinematography by: Mihai Malaimare Jr.

Edited by: Walter Murch

Cameras: Sony HDW-F900 Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Jason Bourne

The Bourne Ultimatum (2007)

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

| USA, Germany, France, Spain

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Himself - Guest

'The Daily Show' Matt Damon (2007)

Directed by: Chuck O'Neil

Edward Wilson

The Good Shepherd (2006)

| USA

Directed by: Robert De Niro

Cinematography by: Robert Richardson

Edited by: Tariq Anwar

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Lightworks Editing System

Colin Sullivan

The Departed (2006)

| USA

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Lightworks Editing System

Bryan Woodman

Syriana (2005)

| USA, United Arab Emirates

Directed by: Stephen Gaghan

Cinematography by: Robert Elswit

Edited by: Tim Squyres

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Wilhelm Grimm

The Brothers Grimm (2005)

| USA, Czech Republic, UK

Directed by: Terry Gilliam

Cinematography by: Newton Thomas Sigel

Edited by: Lesley Walker

Al Shepard

Magnificent Desolation: Walking on the Moon 3D (2005)

| USA

Directed by: Mark Cowen

Cinematography by: Sean MacLeod Phillips

Edited by: Billy Schinski

Linus Caldwell

Ocean's Twelve (2004)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Jason Bourne

The Bourne Supremacy (2004)

| USA, Germany

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Editor, Gerry, Written By

Gerry (2002)

| USA, Argentina, Jordan

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Casey Affleck, Matt Damon, Gus Van Sant

Producer

Stolen Summer (2002)

| USA

Directed by: Pete Jones

Cinematography by: Peter Biagi

Edited by: Gregg Featherman

Bourne

The Bourne Identity (2002)

| USA, Germany, Czech Republic

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Spirit

Spirit: Stallion of the Cimarron (2002)

| USA

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Luke Trimble

The Majestic (2001)

| USA

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Jim Page

Matt Damon / Will Hunting

Jay and Silent Bob Strike Back (2001)

| USA

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Linus Caldwell

Ocean's Eleven (2001)

| USA

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

John Grady Cole

All the Pretty Horses (2000)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Steven Sanderson

Finding Forrester (2000)

| USA

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Valdís Óskarsdóttir

Rannulph Junuh

The Legend of Bagger Vance (2000)

| USA

Directed by: Robert Redford

Cinematography by: Michael Ballhaus

Edited by: Hank Corwin

Tom Ripley

The Talented Mr. Ripley (1999)

| USA

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Loki

Dogma (1999)

| USA

Directed by: Kevin Smith

Cinematography by: Robert D. Yeoman

Edited by: Scott Mosier, Kevin Smith

Mike McDermott

Rounders (1998)

| USA

Directed by: John Dahl

Cinematography by: Jean-Yves Escoffier

Edited by: Scott Chestnut

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Private Ryan

Saving Private Ryan (1998)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Shawn Oran - Executive #2

Chasing Amy (1997)

| USA

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Scott Mosier, Kevin Smith

Cameras: ARRI Cameras, Kinarri 16 Camera

Lenses: ARRI Lenses

Editing System: Avid Editing System

Will, Written By

Good Will Hunting (1997)

| USA

Directed by: Gus Van Sant

Cinematography by: Jean-Yves Escoffier

Edited by: Pietro Scalia

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Rudy Baylor

The Rainmaker (1997)

| USA, Germany

Directed by: Francis Ford Coppola

Cinematography by: John Toll

Edited by: Melissa Kent, Barry Malkin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Himself

Access Hollywood (1996)

| USA

Directed by: Neill Harper, Richard Plotkin, Earnest Winborne, Robert Cedric Bowden, Kim Anastasia, Christopher A. Berry, A. Berry, Shannon Fitzgerald

Cinematography by: Dieter Depypere, Shaheen Seth, Robert Cedric Bowden

Edited by: Pascal Boidart, George D. Brown III, Craig Casey, Nick Friedman, Brian Gallotto, Mark Grizzle, Summer Huber, Juan Jones, Doug Marconet, Kevin McCormick, Richard Arsenault, Chad Bergacs, TaJuan Hayes, Mark S. Andrew, Pete Hentrich, Doug Imai

Ilario

Courage Under Fire (1996)

| USA

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Himself - Guest, Self - Guest

The Daily Show (1996)

| USA

Directed by: Chuck O'Neil, Scott Preston, Paul Pennolino, Andy Barsh, David Paul Meyer

Cinematography by: Dave Carroll, Ryan Scafuro, Michael Chase, James P. Brady, James Markham Hall Jr., Peter Zivkovic, Joel Sadler, Matt Sohn

Cotton Calloway

The Good Old Boys (1995)

Television Movie

| USA

Directed by: Tommy Lee Jones

Cinematography by: Alan Caso

Edited by: Kimberly Ray

Lt. Britton Davis

Geronimo: An American Legend (1993)

| USA

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Baseball Fan At Fenway Park

Field of Dreams (1989)

| USA

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Ian Crafford

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Steamer

Mystic Pizza (1988)

| USA

Directed by: Donald Petrie

Cinematography by: Tim Suhrstedt

Edited by: Don Brochu, Marion Rothman

Extra

The Good Mother (1988)