Angenieux Optimo Zoom Lenses | 618 Titles
Hell or High Water (2016)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Starring ~ Dale Dickey,
Ben Foster,
Chris Pine
Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Studio Camera
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We Own the Night (2007)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 1.85:1
Starring ~ Joaquin Phoenix,
Mark Wahlberg,
Eva Mendes
Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
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Polseres vermelles (2011)
Country | Spain
Type | Television Series
Starring ~ Àlex Monner,
Joana Vilapuig,
Igor Szpakowski
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 30-80mm T2.8 Lens, Arri Macro 60mm T3.0 Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens, Zeiss Standard Prime MKII 28 mm T2.1 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Standard Prime MKII 40 mm T2.1 Lens, Zeiss Standard Prime MKII 50 mm T2.1 Lens, Zeiss Standard Prime MKII 85 mm T2.1 Lens
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The Bookshop (2017)
Country | Germany, UK, Spain
Type | Motion Picture
Starring ~ Emily Mortimer,
Patricia Clarkson,
Bill Nighy
Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu
Cameras | ARRI ALEXA XT Plus Camera
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Fargo (2014)
Country | USA
Type | Television Series
Running Time | 53 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Billy Bob Thornton,
Martin Freeman,
Allison Tolman
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Sleepy Hollow (2013)
Country | USA
Type | Television Series
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Tom Mison,
Nicole Beharie,
Lyndie Greenwood
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
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Allegiant (2016)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Starring ~ Shailene Woodley,
Theo James,
Jeff Daniels
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leica Summilux-C Series Lenses
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The Chef’s Wife (2014)
Country | France
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Starring ~ Karin Viard,
Emmanuelle Devos,
Roschdy Zem
Directed by | Anne Le Ny | Cinematography by | Jérôme Alméras | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses
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Take Shelter (2011)
Country | USA
Type | Motion Picture
Running Time | 121 Minutes
Starring ~ Michael Shannon,
Jessica Chastain,
Shea Whigham
Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Parke Gregg
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Scandal (2012)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Kerry Washington,
Darby Stanchfield,
Katie Lowes
Cameras | ARRI ALEXA Camera, Digital Bolex D16
Lenses | Angenieux Optimo Zoom Lenses
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London Has Fallen (2016)
Country | UK, USA, Bulgaria
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 2.39:1
Starring ~ Gerard Butler,
Aaron Eckhart,
Morgan Freeman
Directed by | Babak Najafi | Cinematography by | Ed Wild | Editing by | Michael J. Duthie, Paul Martin SmithCamera Operator | Stuart Howell
Cameras | Red Epic Dragon Camera
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Martha Marcy May Marlene (2011)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Starring ~ Elizabeth Olsen,
Sarah Paulson,
John Hawkes
Directed by | Sean Durkin | Cinematography by | Jody Lee Lipes | Editing by | Zachary Stuart-Pontier
Cameras | ARRICAM Lite (LT) Camera
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Win Win (2011)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Starring ~ Paul Giamatti,
Amy Ryan,
Jeffrey Tambor
Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle
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House of Lies (2012)
Country | USA
Type | Television Series
Running Time | 28 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Don Cheadle,
Kristen Bell,
Ben Schwartz
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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The Legend of Tarzan (2016)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Starring ~ Margot Robbie,
Alexander Skarsgård,
Ella Purnell
Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark DayCamera Operator | Graham Hall
Cameras | Red Epic Dragon Camera
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Abduction (2011)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Starring ~ Taylor Lautner,
Lily Collins,
Alfred Molina
Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
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Capsule (2015)
Country | UK
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 5120x2134 - (2.40:1) Capture Resolution
Starring ~ Edmund Kingsley,
Lisa Greenwood,
David Wayman
Directed by | Andrew Martin | Cinematography by | Felix Forrest | Editing by | Jan Hillman
Lenses | Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke miniS4/i 100 mm T2.8 Lens, Cooke miniS4/i 18 mm T2.8 Lens, Cooke miniS4/i 25 mm T2.8 Lens, Cooke miniS4/i 32 mm T2.8 Lens, Cooke miniS4/i 50 mm T2.8 Lens, Cooke miniS4/i 75 mm T2.8 Lens, Cooke miniS4/i Lenses, Red Pro Zoom 17-50 mm T2.9 Lens, Red Pro Zoom Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Tokina Lenses
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Jason Bourne (2016)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution, 6144x3160 - (1.94:1) Capture Resolution
Starring ~ Matt Damon,
Tommy Lee Jones,
Alicia Vikander
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher RouseCamera Operator | Christopher TJ McGuire
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
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The Road (2009)
Country | USA
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.35:1
Starring ~ Viggo Mortensen,
Charlize Theron,
Kodi Smit-McPhee
Directed by | John Hillcoat | Cinematography by | Javier Aguirresarobe | Editing by | Jon Gregory
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Furious 7 (2015)
Country | USA, Japan
Type | Motion Picture
Running Time | 137 Minutes
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Starring ~ Vin Diesel,
Paul Walker,
Dwayne Johnson
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
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