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ARRI ALEXA M Camera | 26 Titles

ARRI ALEXA M Camera 3.00/5 2 Votes

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John Wick (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

Hördur – Zwischen den Welten (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Ekrem Ergün | Cinematography by | Eric Ferranti | Editing by | Sabine Brose

Starring | Almila Bagriacik, Hilmi Sözer, Felicitas Woll, Noë Chalkidis

Cameras | ARRI ALEXA M Camera

Lenses | Cooke S4 Lenses

Krigen (2015)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Tobias Lindholm | Cinematography by | Magnus Nordenhof Jønck | Editing by | Adam Nielsen

Starring | Pilou Asbæk, Tuva Novotny, Søren Malling, Charlotte Munck

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Zoolander 2 (2016)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Zoolander 2 | ShotOnWhat?

Directed by | Ben Stiller | Cinematography by | Dan Mindel | Editing by | Greg Hayden

Starring | Ben Stiller, Owen Wilson, Penélope Cruz, Will Ferrell

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Les vacances du petit Nicolas (2014)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Laurent Tirard | Cinematography by | Denis Rouden | Editing by | Valérie Deseine

Starring | Valérie Lemercier, Kad Merad, Dominique Lavanant, Bouli Lanners

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Beyond the Lights (2014)

Motion Picture | 2D | Color | 116 Minutes

Directed by | Gina Prince-Bythewood | Cinematography by | Tami Reiker | Editing by | Terilyn A. Shropshire

Starring | Gugu Mbatha-Raw, Nate Parker, Minnie Driver, Danny Glover

Cameras | ARRI ALEXA M Camera

Deux jours, une nuit (2014)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo

Starring | Marion Cotillard, Fabrizio Rongione, Catherine Salée, Baptiste Sornin

Cameras | ARRI ALEXA M Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Standard Speed Prime Lenses

A Most Wanted Man (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson

Starring | Philip Seymour Hoffman, Rachel McAdams, Daniel Brühl, Robin Wright

Cameras | ARRI ALEXA M Camera

Lenses | Zeiss Super Speed Lenses

The Drop (2014)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Christopher Tellefsen

Starring | Tom Hardy, Noomi Rapace, James Gandolfini, Matthias Schoenaerts

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Schutzengel (2012)

Motion Picture | 2D | Color | 130 Minutes

Directed by | Til Schweiger | Cinematography by | Adrian Cranage | Editing by | Constantin von Seld

Starring | Numan Acar, Volker Albers, Loyd Bateman, Gode Benedix

Cameras | ARRI ALEXA Camera, ARRI ALEXA M Camera, Canon EOS 600D Camera, Phantom HD Gold Camera

Lenses | Zeiss Master Prime Lenses

Divergent (2014)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Neil Burger | Cinematography by | Alwin H. Küchler | Editing by | Richard Francis-Bruce, Nancy Richardson

Starring | Shailene Woodley, Theo James, Kate Winslet, Jai Courtney

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Her (2013)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Spike Jonze | Cinematography by | Hoyte Van Hoytema | Editing by | Jeff Buchanan, Eric Zumbrunnen

Starring | Joaquin Phoenix, Amy Adams, Scarlett Johansson, Rooney Mara

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

Nebraska (2013)

Motion Picture | 2D | Black & White | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | Bruce Dern, Will Forte, June Squibb, Bob Odenkirk

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses

Tian zhu ding (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Zhangke Jia | Cinematography by | Nelson Lik-wai Yu | Editing by | Matthieu Laclau, Xudong Lin

Starring | Wu Jiang, Baoqiang Wang, Tao Zhao, Lanshan Luo

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Anamorphic 50 mm T1.9 Lens

The Following (2013)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | David S. Tuttman, William Klayer, Ramsey Nickell | Editing by | Charissa Sanjarernsuithikul, Dexter N. Adriano, Rob Seidenglanz, Matthew Colonna, Todd Desrosiers, Devon Greene, Rosanne Tan, Peter B. Ellis, Mark Manos, Viet Nguyen, Joshua Butler, Tim Tommasino

Starring | Kevin Bacon, James Purefoy, Shawn Ashmore, Valorie Curry

Cameras | ARRI ALEXA Camera, ARRI ALEXA M Camera, Cineflex Elite

Lenses | Canon CN-E 30-300 mm T2.95 Lens

X-Men: Days of Future Past (2014)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman

Starring | Patrick Stewart, Ian McKellen, Hugh Jackman, James McAvoy

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

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