Panavision Compact Zoom Lenses | 23 Titles
The Matrix Resurrections (2021)
 Directed by | Lana Wachowski | Cinematography by | Daniele Massaccesi, John Toll | Editing by | Joseph Jett Sally 
 
  Cameras | Red Komodo Camera 
  Lenses | Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses 
Girls Trip (2017)
 Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh 
 
  Cameras | Sony PMW-F55 Camera 
 The Accountant (2016)
Alien: Covenant (2017)
 Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia  
 
  Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses 
The Post (2017)
 Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn  
 
  Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses 
The Greatest Showman (2017)
 Directed by | Michael Gracey | Cinematography by | Seamus McGarvey | Editing by | Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser 
 
  Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera 
  Lenses | Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses 
Beyond the Black Rainbow (2010)
 Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard 
 
  Cameras | Panavision Panaflex Gold II Camera 
  Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses 
Furious 7 (2015)
 Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner 
 
  Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera 
  Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses 
Pitch Perfect 2 (2015)
 Directed by | Elizabeth Banks | Cinematography by | Jim Denault | Editing by | Craig Alpert 
 
  Cameras | ARRI ALEXA Plus Camera 
 Godzilla (2014)
 Directed by | Gareth Edwards | Cinematography by | Seamus McGarvey | Editing by | Bob Ducsay 
 
  Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera 
  Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses 
Nebraska (2013)
 Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent 
 
  Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera 
  Lenses | Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses 
Treme (2010)
  | Cinematography by | Ivan Strasburg, Irek Hartowicz, Tim Ives, Lisa Rinzler | Editing by | Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow  
 
  Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses 
The Bourne Legacy (2012)
 Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy 
 
  Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera 
  Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses 
Robin Hood (2010)
 Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses 
The Town (2010)
 Directed by | Ben Affleck | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor 
 
  Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera 
 The Iron Lady (2011)
 Directed by | Phyllida Lloyd | Cinematography by | Elliot Davis | Editing by | Justine Wright  
 
  Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses 
Battle Los Angeles (2011)
 Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner 
 
  Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera 
  Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses 
Prince of Persia: The Sands of Time (2010)
 Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh 
 
  Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera 
 Wrath of the Titans (2012)
Pearl Harbor (2001)
 Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum 
 
  Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera 
  Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses 
 













































































