Canon EOS-5D Mark II Camera | 84 Titles
Wilfred (2011)
| Cinematography by | Bradford Lipson, Tom Magill, Kurt Jones, Blake T. Evans | Editing by | Richie Edelson, Grady Cooper, Christian Hoffman, Tod Modisett, Ivan Victor, Daniel Raj Koobir, Claire Scanlon, Tyler Earring, Robert Bramwell
Devil’s Due (2014)
Directed by | Matt Bettinelli-Olpin, Tyler Gillett | Cinematography by | Justin Martinez | Editing by | Rod Dean
Bright Red (2014)
Directed by | David Barros | Cinematography by | David Barros | Editing by | Francisco Wanzeller
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens
Project X (2012)
Directed by | Nima Nourizadeh | Cinematography by | Ken Seng | Editing by | Jeff Groth
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses | Canon Lenses
Pipe Dreams: Six of Them (2016)
Directed by | Kain Baigent | Editing by | David Baldini
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero Camera, GoPro HD Hero2 Camera, Panasonic AG-HVX200 Camera
The Tsunami and the Cherry Blossom (2011)
Directed by | Lucy Walker | Cinematography by | Aaron Phillips | Editing by | Aki Mizutani
Cameras | Canon EOS-5D Mark II Camera
Time to Fall in Love (2014)
Directed by | Kourosh Parsi | Cinematography by | Kourosh Parsi | Editing by | Kourosh Parsi
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Lenses
The Man from U.N.C.L.E. (2015)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
La casa muda (2010)
Directed by | Gustavo Hernández | Cinematography by | Pedro Luque | Editing by | Gustavo Hernández
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Nymphomaniac: Vol. II (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Lenses | Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Dirty Wars (2013)
Directed by | Rick Rowley | Cinematography by | Rick Rowley | Editing by | David Riker, Rick Rowley
Cameras | Canon EOS-5D Mark II Camera, Panasonic Cameras
600 kilos d’or pur (2010)
Collision (2013)
Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Leica Summilux-C Series Lenses, Zeiss Compact Prime Lenses
Nymphomaniac: Vol. I (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Day of the Falcon (2011)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Hervé Schneid
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Stranger Within (2013)
Directed by | Adam Neutzsky-Wulff | Cinematography by | Michael Sauer Christensen | Editing by | Niels Ostenfeld
Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Catena (2011)
Directed by | Falko Jakobs, Lars Ostermann | Cinematography by | Falko Jakobs | Editing by | Falko Jakobs
Much Ado About Nothing (2012)
Hot Wings (2013)
Directed by | Mitch Panayis | Cinematography by | Darragh Alder, Roter Su | Editing by | Darragh Alder
Lenses | Red Pro Zoom 17-50 mm T2.9 Lens
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera