Red One Camera | 131 Titles
Red Digital Cinema - Red One Camera
The Perfect Host (2010)
Country | USA
Type | Motion Picture
Running Time | 93 Minutes
Aspect Ratio | 1.85:1
Directed by | Nick Tomnay | Cinematography by | John Brawley | Editing by | Nick Tomnay Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
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Gamer (2009)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 1.85:1
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Cat and Mouse (2015)
Country | Netherlands, Belgium
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4480x1920 - (2.33:1) Capture Resolution
Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek Cameras | Red One Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
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Viy (2014)
Country | Russia, Ukraine, Czech Republic
Type | Motion Picture
Running Time | 127 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 1440x1080 - (1.33:1) Capture Resolution
Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenovmodified:
God of Love (2010)
Country | USA
Type | Short Film
Running Time | 18 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Luke Matheny | Cinematography by | Bobby Webster | Editing by | Levi Abrino Cameras | Red One Camera
Lenses | Zeiss Super Speed Lenses
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Crawlspace (2012)
Country | Australia
Type | Motion Picture
Running Time | 86 Minutes
Directed by | Justin Dix | Cinematography by | Simon Ozolins | Editing by | Dave Redman Cameras | Red One Camera
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Miss Tacuarembó (2010)
Country | Uruguay, Argentina, Spain
Type | Motion Picture
Running Time | 92 Minutes
Capture Resolution | 4096x2048 - (2.0:1) Capture Resolution
Directed by | Martín Sastre | Cinematography by | Pedro Luque | Editing by | Sebastián Dubé Cameras | Red One Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses
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The Good Son: The Life of Ray Boom Boom Mancini (2013)
Country | Canada
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Jesse James Miller | Cinematography by | Ken Johns, Ian Kerr | Editing by | Charlie Renfrew Cameras | Red One Camera
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Mai wei (2011)
Country | South Korea
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.39:1
Directed by | Je-kyu Kang | Cinematography by | Mo-gae Lee | Editing by | Gok-ji Park Cameras | Red One Camera
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Sinsegye (2013)
Country | South Korea
Type | Motion Picture
Running Time | 134 Minutes
Aspect Ratio | 2.39:1
Directed by | Hoon-jung Park | Cinematography by | Chung-hoon Chung, Eok Yu | Editing by | Sae-kyoung Moon Cameras | Red One Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
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In Darkness (2011)
Country | Poland, Germany, Canada
Type | Motion Picture
Running Time | 145 Minutes
Directed by | Agnieszka Holland | Cinematography by | Jolanta Dylewska | Editing by | Michal Czarnecki Cameras | Red One Camera
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Mensch (2009)
Country | France
Type | Motion Picture
Running Time | 87 Minutes
Directed by | Steve Suissa | Cinematography by | Jérôme Alméras | Editing by | Monica Coleman Cameras | Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Four Assassins (2011)
Country | Hong Kong, USA
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 2.35:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Stanley J. Orzel | Cinematography by | Wah-Chuen Lam | Editing by | Darren Richter Cameras | Red One Camera
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Don-eui mat (2012)
Country | South Korea
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | Sang-soo Im | Cinematography by | Woo-hyung Kim | Editing by | Eun Soo Lee Cameras | Red One Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens
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Stranger Within (2013)
Country | Denmark
Type | Direct to Video
Running Time | 90 Minutes
Aspect Ratio | 2.35:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution, 4096x2048 - (2.0:1) Capture Resolution
Directed by | Adam Neutzsky-Wulff | Cinematography by | Michael Sauer Christensen | Editing by | Niels Ostenfeld Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Ultra Prime Lenses
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Big Sur (2013)
Country | USA
Type | Motion Picture
Running Time | 81 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Geraud Brisson, Robert Frazen Cameras | Red Epic Camera, Red One Camera
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Uma Família Açoreana (2013)
Country | Portugal
Type | Miniseries
| Cinematography by | Miguel Sales Lopes | Editing by | Pedro Louro Cameras | Red Epic Camera, Red One Camera
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Hot Wings (2013)
Country | UK
Type | Motion Picture
Running Time | 90 Minutes
Directed by | Mitch Panayis | Cinematography by | Darragh Alder, Roter Su | Editing by | Darragh Alder Lenses | Red Pro Zoom 17-50 mm T2.9 Lens
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Where the Trail Ends (2012)
Country | Argentina, Canada, China, Nepal, USA
Type | Motion Picture
Running Time | 81 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Jeremy Grant | Cinematography by | Brad McGregor | Editing by | Andrew Boucher, Jeremy Grantmodified:
Reveròn (2011)
Country | Venezuela
Type | Motion Picture
Running Time | 112 Minutes
Directed by | Diego Rísquez | Cinematography by | Cezary Jaworski | Editing by | Leonardo Henríquez Cameras | Red One Camera
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