HD Project | 88 Titles
Empire (2015)
Country | USA
Type | Television Series
Running Time | 42 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Paul M. Sommers, Joe 'Jody' Williams, Sidney Sidell, Andrew Dunn | Editing by | Ishai Setton, Eli Nilsen, Raúl Dávalos, Zack Arnold, Joe Leonard, Lauren A. Schaffer, Stefanie Visser, Evonne Moritz, James Stanton, Matt Barber, David Greenspan, Sharidan Williams-Sotelo
Cameras | ARRI ALEXA Camera, Digital Bolex D16
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Under the Bed (2017)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Directed by | Daniel Myrick | Cinematography by | Stephanie Martin | Editing by | Daniel Myrick, Byron Wong
Cameras | Blackmagic Pocket Cinema Camera
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Red Riding Hood (2006)
Country | USA
Type | Motion Picture
Running Time | 82 Minutes
Directed by | Randal Kleiser | Cinematography by | David Stump | Editing by | Harry Hitner
Cameras | Thomson Viper Camera
Lenses | Canon Lenses
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Tailgate (2015)
Country | Australia
Type | Motion Picture
Running Time | 83 Minutes
Aspect Ratio | 2.39:1
Directed by | Jai Hogg | Cinematography by | Mark Broadbent | Editing by | Joe Lancaster
Lenses | Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 28mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
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Genesis: Live at Wembley Stadium (1988)
Country | UK
Type | Direct to Video
Running Time | 120 Minutes
Directed by | James Yukich | Editing by | Jerry Behrensmodified:
Rocky Balboa (2006)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses | Zeiss Master Prime Lenses
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CSI: Miami (2002)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr. | Editing by | Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Lost Girl (2010)
Country | Canada
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | David Greene, Craig Wright, Joachim Martin, Anton Van Rooyen | Editing by | Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin
Cameras | Panavision Genesis Camera
Lenses | Panavision Lenses
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Royal Pains (2009)
Country | USA
Type | Television Series
Running Time | 42 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary | Editing by | Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Super Power Beat Down (2012)
Country | USA
Type | Television Series, Web Series
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy
Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera
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The Flash (2014)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard | Editing by | Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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Treasures of the Copper Scroll (2007)
Country | USA
Type | Direct to Video, Documentary
Running Time | 50 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring |
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
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El Último Suspiro (2017)
Country | Spain
Type | Motion Picture, Short Film
Running Time | 5 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo
Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leica Lenses
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Three Night Stand (2013)
Country | Canada
Type | Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis
Cameras | ARRI ALEXA FR Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
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The White Princess (2017)
Country | UK, USA
Type | Miniseries, Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Chris Seager | Editing by | St. John O'Rorke, Anne Sopel, Jamie Trevill
Cameras | ARRI ALEXA Plus Camera
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Più accecante della notte (2016)
Country | Italy
Type | Motion Picture, Short Film
Running Time | 20 Minutes
Aspect Ratio | 2.35:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Diego Bonuccelli | Cinematography by | Diego Bonuccelli, Katia Cirrincione | Editing by | Diego Bonuccelli
Cameras | Canon Cameras, Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, GoPro HERO4 Black
Lenses | Canon EF Series Lenses, Canon Lenses
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Pipe Dreams: Six of Them (2016)
Country | Australia
Type | Documentary, Motion Picture
Running Time | 70 Minutes
Aspect Ratio | 1.33:1 (4x3)
Capture Resolution | 1440x1080 - (1.33:1) Capture Resolution
Directed by | Kain Baigent | Editing by | David Baldini
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero Camera, GoPro HD Hero2 Camera, Panasonic AG-HVX200 Camera
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Legends of the Hidden Temple: The Movie (2016)
Country | USA
Type | Motion Picture, Television Movie
Running Time | 65 Minutes
Directed by | Joe Menendez | Cinematography by | Tom Harting | Editing by | Damon Fecht
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Lenses | Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens
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Rules of Engagement (2007)
Country | USA
Type | Television Series
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Wayne Kennan | Editing by | Michael Karlich
Cameras | Sony HDW-F900 Camera
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The Kennedys (2011)
Country | Canada, USA
Type | Miniseries
Running Time | 346 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | David Moxness | Editing by | David B. Thompson, Don Cassidy
Cameras | Sony CineAlta F35 Camera
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