Sony Cameras | 322 Titles
The Flash (2014)
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Grant Gustin,
Candice Patton,
Danielle Panabaker
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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Super Power Beat Down (2012)
Type | Web Series
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Marisha Ray,
Damian Beurer,
Aaron Schoenke
Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera
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Vidocq (2001)
Country | France
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 1.85:1
Starring ~ Gérard Depardieu,
Guillaume Canet,
Inés Sastre
Directed by | Pitof | Cinematography by | Jean-Pierre Sauvaire, Jean-Claude Thibaut | Editing by | Thierry Hoss
Cameras | Sony Cameras, Sony HDW-F900 Camera
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The Dark Horse (2014)
Country | New Zealand
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.39:1
Starring ~ Cliff Curtis,
James Rolleston,
Kirk Torrance
Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts
Cameras | Sony CineAlta F65 Camera
Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses
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Death Note: The Last Name (2006)
Country | Japan, USA
Type | Motion Picture
Running Time | 141 Minutes
Aspect Ratio | 1.85:1
Starring ~ Tatsuya Fujiwara,
Takeshi Kaga,
Shidô Nakamura
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
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Mike & Molly (2016)
Country | USA
Type | Television Series
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Billy Gardell,
Melissa McCarthy,
Reno Wilson
Cameras | Sony CineAlta F23 Camera, Sony HDW-F900 Camera
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Army Wives (2013)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Starring ~ Brian McNamara,
Wendy Davis,
Catherine Bell
Cameras | Sony PMW-F3 Camera
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Prázdno (2016)
Type | Short Film
Running Time | 9 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Starring ~ Christiano Donati,
Marie-Luisa Purkrábková
Directed by | Jakub Havlík | Cinematography by | Jan Výbora | Editing by | Jaroslav Svoboda
Cameras | Sony α7S II Camera
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Tristram Shandy: A Cock and Bull Story (2005)
Country | UK
Type | Motion Picture
Running Time | 94 Minutes
Starring ~ Steve Coogan,
Jeremy Northam,
Rob Brydon
Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Peter Christelis
Cameras | Sony HDC-750 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
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Red Son (2016)
Type | Short Film
Aspect Ratio | 2.39:1
Starring ~ Julián Valcárcel,
Diego Mout,
Alberto Tiérrez
Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Lenses
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Friends with Benefits (2011)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Starring ~ Mila Kunis,
Justin Timberlake,
Patricia Clarkson
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
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Here Comes the Boom (2012)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 1.85:1
Starring ~ Kevin James,
Salma Hayek,
Henry Winkler
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
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Avatar (2009)
Country | USA, UK
Type | Motion Picture
Running Time | 162 Minutes
Aspect Ratio | 1.78:1 (16x9), 2.39:1
Starring ~ Sam Worthington,
Zoe Saldana,
Sigourney Weaver
Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin
Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses
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The Darkest Hour (2011)
Country | USA
Type | Motion Picture
Running Time | 89 Minutes
Aspect Ratio | 2.39:1
Starring ~ Emile Hirsch,
Olivia Thirlby,
Max Minghella
Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White
Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera
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Vamps (2012)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Alicia Silverstone,
Krysten Ritter,
Larry Wilmore
Directed by | Amy Heckerling | Cinematography by | Tim Suhrstedt | Editing by | Debra Chiate
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Royal Pains (2016)
Country | USA
Type | Television Series
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Mark Feuerstein,
Paulo Costanzo,
Reshma Shetty
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Sullivan & Son (2014)
Country | USA
Type | Television Series
Running Time | 30 Minutes
Starring ~ Steve Byrne,
Brian Doyle-Murray,
Christine Ebersole
Cameras | Sony CineAlta F23 Camera
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Winners & Losers (2011)
Country | Australia
Type | Television Series
Starring ~ Melissa Bergland,
Virginia Gay,
Melanie Vallejo
Cameras | Sony CineAlta F23 Camera
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Hawthorne (2011)
Country | USA
Type | Television Series
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Jada Pinkett Smith,
Suleka Mathew,
Hannah Hodson
Cameras | ARRIFLEX D-21 Camera, Sony CineAlta F35 Camera
Lenses | ARRI Lenses, Panavision Lenses
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Rules of Engagement (2013)
Country | USA
Type | Television Series
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Patrick Warburton,
Megyn Price,
Oliver Hudson
Cameras | Sony HDW-F900 Camera
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