Sony Cameras | 324 Titles
Gortimer Gibbon’s Life on Normal Street (2014)
Country | USA
Type | Television Series
Running Time | 23 Minutes
| Cinematography by | Eduardo Enrique Mayén, Francisco Bulgarelli | Editing by | Cheryl Campsmith, Marcelo Sansevieri, Kevin Gasca
Cameras | Sony PMW-F55 Camera
Lenses | Cooke S4 Lenses
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No Good Deed (2014)
Country | USA
Type | Motion Picture
Running Time | 84 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page
Cameras | Sony CineAlta F65 Camera
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Think Like a Man Too (2014)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Panavision Super Speed Lenses
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Fuchi ni tatsu (2016)
Country | Japan, France
Type | Motion Picture
Running Time | 120 Minutes
Directed by | Kôji Fukada | Cinematography by | Ken'ichi Negishi | Editing by | Kôji Fukada, Julia Gregory
Cameras | Sony PMW-F55 Camera
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The Box (2018)
Country | Australia
Type | Motion Picture, Short Film
Running Time | 56 Minutes
Aspect Ratio | 2.35:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart
Cameras | Canon EOS-7D Camera, Sony α7S Camera
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Barbershop: The Next Cut (2016)
Country | USA
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 1.85:1
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh
Cameras | Sony PMW-F55 Camera
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Sicarivs: the Night and the Silence (2015)
Country | Spain
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 2.39:1
Directed by | Javier Muñoz | Cinematography by | Javier Cerdá | Editing by | Paco Díaz
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Super Speeds Mk III Lenses
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Route 30 Three! (2014)
Country | USA
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Sony PMW-F3 Camera
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Buena Vista Social Club (1999)
Country | Germany, USA, UK, France, Cuba
Type | Documentary, Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 1.85:1
Directed by | Wim Wenders | Cinematography by | Jörg Widmer | Editing by | Brian Johnson
Cameras | Sony Betacam (Unknown) Camera
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The Wedding Ringer (2015)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
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Once (2007)
Country | Ireland
Type | Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.85:1
Directed by | John Carney | Cinematography by | Tim Fleming | Editing by | Paul Mullen
Cameras | Sony HVR-Z1E Camera
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No End in Sight (2007)
Country | USA
Type | Documentary, Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Charles Ferguson | Cinematography by | Antonio Rossi | Editing by | Chad Beck, Cindy Lee
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Vinyl (2016)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Reed Morano, David Franco, Rodrigo Prieto | Editing by | Tim Streeto, Kate Sanford, David Tedeschi, Perri B. Frank, Eric Lorenz
Cameras | Sony PMW-F55 Camera
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Ted 2 (2015)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Sony CineAlta F65 Camera
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Furious 7 (2015)
Country | USA, China, Japan, Canada, United Arab Emirates
Type | Motion Picture
Running Time | 137 Minutes
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
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Better Call Saul (2015)
Country | USA
Type | Television Series
Running Time | 46 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Joey Reinisch
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens
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Il supplente (2007)
Country | Italy
Type | Motion Picture, Short Film
Running Time | 17 Minutes
Aspect Ratio | 2.39:1
Directed by | Andrea Jublin | Cinematography by | Daniele Massaccesi | Editing by | Pierpaolo Adami
Cameras | Sony HDW-F900 Camera
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Tophy (2015)
Country | USA
Type | Motion Picture
Running Time | 91 Minutes
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Kourosh Parsi | Cinematography by | Alex Grene | Editing by | Kourosh Parsi
Cameras | Sony NEX-FS700 Camera
Lenses | Canon EF Series Lenses
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Living After Midnight (2016)
Country | USA
Type | Motion Picture
Running Time | 64 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Tyler W. Moore | Cinematography by | Izzy Dulay | Editing by | Tyler W. Moore
Lenses | Canon EF Series Lenses, Sony Lenses
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Tears of Steel (2012)
Country | Netherlands
Type | Motion Picture, Short Film
Running Time | 12 Minutes
Aspect Ratio | 2.39:1
Directed by | Ian Hubert | Cinematography by | Joris Kerbosch
Cameras | Sony CineAlta F65 Camera
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