Sony Cameras | 442 Titles
Als Het Leven Soms Anders Is (2024)
Directed by | Lotte Ruules | Cinematography by | Max van de Pol | Editing by | Keno Aladjuz
Cameras | Sony CineAlta VENICE Camera
The Office (2005)
| Cinematography by | Matt Sohn, Randall Einhorn, Sarah Levy, Peter Smokler | Editing by | David Rogers, Claire Scanlon, Dean Holland, Rob Burnett, Stuart Bass, Rick Weis, Michael Zurer, Gary Levy, Josh Belson, Colin Johnson, Curtis Thurber, Kathryn Himoff, Richie Edelson, Grady Cooper
Cameras | Sony HDW-F900 Camera, Sony HDW-F900R Camera
Sharp Instinct: Volume II ()
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 398
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 402
Error: Query failed - You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax to use near 'ORDER BY `post_id` DESC LIMIT 0,7' at line 1
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 410
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 413
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 559
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 560
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 587
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 616
Warning: Trying to access array offset on value of type null in /srv/users/sow/apps/sow/public/c/wp-content/themes/shotonwhat/archive.php on line 653
Cameras | Panasonic Cameras, Sony Cameras
Je Bent Al Hier (2024)
Directed by | Inez Eltink | Cinematography by | Jor Broeder | Editing by | Keno Aladjuz
Cameras | Sony ILME-FX3 Camera
Venus Effect (2024)
Directed by | Andrew Burn | Cinematography by | Andrew Burn
Cameras | Sony Cameras, Sony ILME-FX3 Camera
Lenses | Sony G Master Series Lenses
Guldjakken – fra Struer til Hall of Fame (2018)
Directed by | Jesper Elming | Cinematography by | Claus Frederiksen
Cameras | Sony PXW-FS7 Camera
Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85 mm T1.5 Lens, Sony G 18–110mm f4.0 Lens
Californication (2007)
| Cinematography by | Michael Weaver, Tim Bellen, Andy Graham, Peter Levy | Editing by | Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Mission: Impossible – Dead Reckoning Part One (2023)
Directed by | Christopher McQuarrie | Cinematography by | Fraser Taggart | Editing by | Eddie Hamilton
Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses
Severance (2006)
Directed by | Christopher Smith | Cinematography by | Ed Wild | Editing by | Stuart Gazzard
Cameras | Sony HDW-F900 Camera
Lost Gold of WW2 (2019)
| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios
Hacking the Wild (2017)
Editing by | Andrew Kimble
Cameras | Sony PXW-FS7 Camera, Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Killers of the Flower Moon (2023)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
A:D (2005)
Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef
Cameras | Sony DCR-VX2000 Camera
Lenses | Sony Lenses
Scan Ahead (2024)
Directed by | Joe Stebbens | Cinematography by | Rafe Moate | Editing by | Rafe Moate, Joe Stebbens
Cameras | Canon EOS-C100 Camera, Sony NEX-FS700 Camera
Lenses | Sigma Lenses, Zeiss Lenses
Roses. Film-Cabaret (2021)
Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin
Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens
FML (2016)
Directed by | Jason Nash | Cinematography by | Tobias Deml
Cameras | Sony α7R II Camera, Sony α7S II Camera
The Zone of Interest (2023)
Directed by | Jonathan Glazer | Cinematography by | Lukasz Zal | Editing by | Paul Watts
Cameras | Sony CineAlta VENICE Camera
Lenses | Leitz M 0.8 Series Lenses
Natural Vice (2018)
Directed by | Izzy Traub | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr.
Cameras | Sony PXW-FS7 Camera
Lenses | Canon Lenses
The Legend of the White Ibex (2019)
Directed by | Markus Otz | Cinematography by | Kurt Amzos
Cameras | Sony PXW-FS5 Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Sony Lenses
The Celebration (1998)
Directed by | Thomas Vinterberg | Cinematography by | Anthony Dod Mantle | Editing by | Valdís Óskarsdóttir
Cameras | Sony DCR-PC3 Camera
