Sony NEX-FS700 Camera | 7 Titles
Missed Connection (2017)
Directed by | Paul Abbaszadeh, Tyler Norman | Cinematography by | Paul Abbaszadeh | Editing by | Paul Abbaszadeh
Cameras | Sony NEX-FS700 Camera
Lenses | Nikon - Nikkor Lenses, Samyang Lenses
Super Power Beat Down (2012)
| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy
Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera
Tophy (2015)
Directed by | Kourosh Parsi | Cinematography by | Alex Grene | Editing by | Kourosh Parsi
Cameras | Sony NEX-FS700 Camera
Lenses | Canon EF Series Lenses
Living After Midnight (2016)
Directed by | Tyler W. Moore | Cinematography by | Izzy Dulay | Editing by | Tyler W. Moore
Lenses | Canon EF Series Lenses, Sony Lenses
Violent (2014)
Directed by | Andrew Huculiak | Cinematography by | Joseph Schweers | Editing by | Joseph Schweers
Cameras | Sony NEX-FS700 Camera
Blockbuster: Das Leben ist ein Film (2015)
Directed by | Vlado Priborsky | Cinematography by | Costa Konstantinou, Edgar Pfandler, Daniel Steiner | Editing by | Markus Hautz
Cameras | Sony NEX-FS100 Camera, Sony NEX-FS700 Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon FD 100 mm f2.8 SSC Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
God Loves Uganda (2013)
Directed by | Roger Ross Williams | Cinematography by | Jake Clennell, Derek Wiesehahn | Editing by | Benjamin Gray, Richard Hankin
Cameras | Canon EOS-5D Mark II Camera, Sony NEX-FS700 Camera
