Short Film | 302 Titles
Als Het Leven Soms Anders Is (2024)
Directed by | Lotte Ruules | Cinematography by | Max van de Pol | Editing by | Keno Aladjuz
Cameras | Sony CineAlta VENICE Camera
Gold Star (2020)
Directed by | Amin Pourbarghi | Cinematography by | Costa Konstantinou | Editing by | Gusti Wiblinger
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon EF Series Lenses, Canon FD Series Lenses
Lefka Hristougenna 1948 (2023)
Directed by | Antonios Vallindras | Cinematography by | Mihalis Gkatzogias | Editing by | Vasia Ntoulia
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
Rups (2024)
Directed by | Susanne Hagen | Cinematography by | Jesse Post | Editing by | Keno Aladjuz
Cameras | ARRI ALEXA Mini LF Camera
The Feather (2024)
Directed by | James Newhook | Cinematography by | James Newhook | Editing by | James Newhook
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Canon EF Series Lenses
Zen Fist (2024)
Directed by | Taiyo Kanto | Cinematography by | Taiyo Kanto | Editing by | Taiyo Kanto
Cameras | Blackmagic URSA Mini Pro Camera
Ofelia (2024)
Directed by | Facundo Bartucci | Cinematography by | Facundo Mugica | Editing by | Tomás Belottini
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Sigma 18-35mm f1.8 DC HSM Lens
A:D (2005)
Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef
Cameras | Sony DCR-VX2000 Camera
Lenses | Sony Lenses
The Pills (2021)
Directed by | Alexander Popov | Cinematography by | Olga Mitiguz, Alexander Popov | Editing by | Alexander Popov
Cameras | Red Komodo Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens
Scan Ahead (2024)
Directed by | Joe Stebbens | Cinematography by | Rafe Moate | Editing by | Rafe Moate, Joe Stebbens
Cameras | Canon EOS-C100 Camera, Sony NEX-FS700 Camera
Lenses | Sigma Lenses, Zeiss Lenses
Verwaant (2023)
Directed by | Syb Faes | Cinematography by | Bregje Pontzen | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema 4K Camera
Geluid van het Einde (2023)
Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg
Cameras | Blackmagic Pocket Cinema 4K Camera
Waiting for Smith’s Trilogy (2024)
Directed by | Sebastiaan de Reuver | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema 4K Camera
The Legend of the White Ibex (2019)
Directed by | Markus Otz | Cinematography by | Kurt Amzos
Cameras | Sony PXW-FS5 Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Sony Lenses
Instorten (2022)
Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg
Cameras | Blackmagic Pocket Cinema 4K Camera
Van Hitcom Naar Shitcom (En Weer Terug) (2024)
Directed by | Charmeno Kraladis | Cinematography by | Tijmen Kroonenberg | Editing by | Keno Aladjuz
Cameras | Panasonic Lumix DMC-GH5s Camera
Control Delete (2024)
Directed by | Kris van Melle | Cinematography by | Britt Adriaansen | Editing by | Keno Aladjuz
Cameras | Blackmagic URSA Camera
Post Mortem (2022)
Directed by | Luca Larsen | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Zeiss Compact Prime CP.2 Lenses
Meet Natasha (2022)
Directed by | Antonio Oliveros-Nikol | Cinematography by | Benjamin Steeper | Editing by | Antonio Oliveros-Nikol
Cameras | Blackmagic Pocket Cinema 4K Camera
Lenses | Meike Lenses