Short Film | 227 Titles
Green Planet (2003)
13 Minutes
Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman Cameras | Canon Scoopic 16 / 16M Camera
modified:
Spud (2009)
27 Minutes
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution, 1920x1080 - (1.78:1) Capture Resolution
Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera
Lenses | Fujinon Lenses
modified:
Missed Connection (2017)
12 Minutes
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Paul Abbaszadeh, Tyler Norman | Cinematography by | Paul Abbaszadeh | Editing by | Paul Abbaszadeh Cameras | Sony NEX-FS700 Camera
Lenses | Nikon - Nikkor Lenses, Samyang Lenses
modified:
A Good Reason (2018)
6 Minutes
Directed by | August Holt Markwardt | Cinematography by | David J. Schweitzer | Editing by | August Holt Markwardt Cameras | Aaton Penelope Camera
Lenses | Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
modified:
Detainment (2018)
30 Minutes
Directed by | Vincent Lambe | Cinematography by | Patrick Jordan | Editing by | Vincent Lambemodified:
Bao (2018)
8 Minutes
Directed by | Domee Shi | Cinematography by | Patrick Lin, Ian Megibben | Editing by | Katherine Ringgoldmodified:
Animal Behaviour (2018)
Fauve (2018)
17 Minutes
Directed by | Jeremy Comte | Cinematography by | Olivier Gossot | Editing by | Jeremy Comtemodified:
Black Sheep (2018)
26 Minutes
Directed by | Ed Perkins | Cinematography by | Michael Paleodimos | Editing by | Ed Perkins Lenses | Hawk V-Plus Lenses
modified:
End Game (2018)
40 Minutes
Directed by | Rob Epstein, Jeffrey Friedman | Cinematography by | Rob Epstein, Rebekah Fergusson | Editing by | Rob Epstein, Jeffrey Friedmanmodified:
Ties (2018)
13 Minutes
Directed by | Laura Stabilini | Cinematography by | Paul Cameron | Editing by | Pieter Viljoenmodified:
Bright Red (2014)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | David Barros | Cinematography by | David Barros | Editing by | Francisco Wanzeller Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens
modified:
Missing Girl (2017)
8 Minutes
Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Sigma Lenses
modified:
Trick Shot (2015)
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Evan Kaufmann | Cinematography by | Gale Tattersall | Editing by | Zach Prichard Cameras | Canon EOS-C300 Mark II Camera
modified:
Katedra (2002)
El Último Suspiro (2017)
5 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leica Lenses
modified:
Più accecante della notte (2016)
20 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Diego Bonuccelli | Cinematography by | Diego Bonuccelli, Katia Cirrincione | Editing by | Diego Bonuccelli Cameras | Canon Cameras, Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, GoPro HERO4 Black
Lenses | Canon EF Series Lenses, Canon Lenses
modified:
Postpartum (2016)
24 Minutes
Capture Resolution | 2048x1080 - (1.90:1) Capture Resolution
Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang Cameras | Panasonic VariCam 35
modified:
Prázdno (2016)
9 Minutes
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Jakub Havlík | Cinematography by | Jan Výbora | Editing by | Jaroslav Svoboda Cameras | Sony α7S II Camera
modified:
