2.39:1 | 1185 Titles
Guardians of the Galaxy (2014)
Country | USA
Type | Motion Picture
Running Time | 121 Minutes
Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood
Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens
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The Game (1997)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood
Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens
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The Intruder (2019)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Directed by | Deon Taylor | Cinematography by | Daniel Pearl | Editing by | Melissa Kent
Cameras | ARRI ALEXA Mini Camera
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Crown Vic (2019)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
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Key of Brown (2013)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion
Cameras | Sony PMW-F3 Camera
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Death Note (2017)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi
Cameras | Panasonic VariCam 35, Panasonic VariCam Camera
Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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Dragged Across Concrete (2018)
Country | Canada, USA
Type | Motion Picture
Running Time | 159 Minutes
Aspect Ratio | 2.39:1
Directed by | S. Craig Zahler | Cinematography by | Benji Bakshi | Editing by | Greg D'Auria
Cameras | Red Weapon 8K
Lenses | Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 28mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens
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The Neon Demon (2016)
Country | Denmark, France, USA, UK
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman
Lenses | Cooke Lenses, Cooke Xtal Express Lenses
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Good Time (2017)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
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Revelator (2017)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken
Cameras | Blackmagic URSA Camera
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A Different Set of Cards (2016)
Country | Germany
Type | Motion Picture
Running Time | 73 Minutes
Aspect Ratio | 2.39:1
Directed by | Falko Jakobs | Cinematography by | Falko Jakobs, Raoul Schmitz | Editing by | Falko Jakobs
Cameras | Canon EOS-C100 Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens
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Get Out (2017)
Country | USA, Japan
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Directed by | Jordan Peele | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Zoom Lenses
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The Precipice Game (2016)
Country | China
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Directed by | Zao Wang | Cinematography by | Joewi Verhoeven | Editing by | Hua Tang, Jolin Zhu
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera
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Una Famiglia (2017)
Country | Italy
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Ilaria Fraioli
Cameras | ARRI ALEXA Plus Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens
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Billy’s Hollywood Screen Kiss (1998)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt
Cameras | Panavision Silent Reflex PSR Camera
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Roshtalivik (2016)
Country | USA
Type | Motion Picture
Running Time | 72 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Nicholas J. Moore | Cinematography by | Nicholas J. Moore | Editing by | Nicholas J. Moore
Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera
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Collateral Beauty (2016)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Directed by | David Frankel | Cinematography by | Maryse Alberti | Editing by | Andrew Marcus
Cameras | ARRI ALEXA XT Plus Camera
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Fantastic Beasts and Where to Find Them (2016)
Country | UK, USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Arrival (2016)
Country | USA, Canada, India
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
Lenses | Kowa Cine Prominar Lenses, Zeiss Lenses
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Postpartum (2016)
Country | USA
Type | Motion Picture, Short Film
Running Time | 24 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1080 - (1.90:1) Capture Resolution
Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang
Cameras | Panasonic VariCam 35
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