2.39:1 | 1141 Titles
The Chorus (2004)
Country | France, Switzerland, Germany
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Starring ~ Gérard Jugnot,
François Berléand,
Jean-Baptiste Maunier
Directed by | Christophe Barratier | Cinematography by | Jean-Jacques Bouhon, Dominique Gentil, Carlo Varini | Editing by | Yves Deschamps
Lenses | Hawk Anamorphic Lenses
modified:
Samsara (2001)
Country | India, Germany, France, Italy, Switzerland
Type | Motion Picture
Aspect Ratio | 2.39:1
Starring ~ Shawn Ku,
Christy Chung,
Neelesha Barthel
Directed by | Pan Nalin | Cinematography by | Christo Bakalov, Rali Raltschev | Editing by | Isabel Meier
Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera
Lenses | Schneider Variogon Lenses
modified:
Don’t Breathe (2016)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Starring ~ Stephen Lang,
Jane Levy,
Dylan Minnette
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould
Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
modified:
Red Son (2016)
Type | Short Film
Aspect Ratio | 2.39:1
Starring ~ Julián Valcárcel,
Diego Mout,
Alberto Tiérrez
Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Lenses
modified:
Transformers (2007)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Starring ~ Shia LaBeouf,
Megan Fox,
Josh Duhamel
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Angenieux HR Zoom Lenses, Cooke Lenses, Cooke Varotal Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
modified:
This Means War (2012)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Starring ~ Reese Witherspoon,
Chris Pine,
Tom Hardy
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Nicolas De Toth
Cameras | Panavision Panaflex Millennium XL Camera
modified:
Morning Glory (2010)
Country | USA
Type | Motion Picture
Aspect Ratio | 2.39:1
Starring ~ Rachel McAdams,
Harrison Ford,
Diane Keaton
Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg
Cameras | Panavision Panaflex Millennium Camera
modified:
Unbreakable (2000)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Starring ~ Bruce Willis,
Samuel L. Jackson,
Robin Wright
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
Friends with Benefits (2011)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Starring ~ Mila Kunis,
Justin Timberlake,
Patricia Clarkson
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Pete’s Dragon (2016)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Starring ~ Bryce Dallas Howard,
Robert Redford,
Oakes Fegley
Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke Anamorphic/i Lenses
modified:
Complete Unknown (2016)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Starring ~ Rachel Weisz,
Michael Shannon,
Kathy Bates
Directed by | Joshua Marston | Cinematography by | Christos Voudouris | Editing by | Malcolm Jamiesonmodified:
Hell or High Water (2016)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Starring ~ Dale Dickey,
Ben Foster,
Chris Pine
Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Studio Camera
modified:
Edge of Winter (2016)
Country | Canada, USA
Type | Motion Picture
Running Time | 89 Minutes
Aspect Ratio | 2.39:1
Starring ~ Shaun Benson,
Shiloh Fernandez,
Patrick Garrow
Directed by | Rob Connolly | Cinematography by | Norm Li | Editing by | Greg Ng
Cameras | Red Epic Dragon Camera
modified:
Avatar (2009)
Country | USA, UK
Type | Motion Picture
Running Time | 162 Minutes
Aspect Ratio | 1.78:1 (16x9), 2.39:1
Starring ~ Sam Worthington,
Zoe Saldana,
Sigourney Weaver
Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin
Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses
modified:
Hot Fuzz (2007)
Country | UK, France, USA
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 2.39:1
Starring ~ Simon Pegg,
Nick Frost,
Martin Freeman
Directed by | Edgar Wright | Cinematography by | Jess Hall | Editing by | Chris Dickens
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
modified:
Mother (2009)
Country | South Korea
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.39:1
Starring ~ Hye-ja Kim,
Bin Won,
Ku Jin
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Sae-kyoung Moon
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
modified:
The Darkest Hour (2011)
Country | USA
Type | Motion Picture
Running Time | 89 Minutes
Aspect Ratio | 2.39:1
Starring ~ Emile Hirsch,
Olivia Thirlby,
Max Minghella
Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White
Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera
modified:
Red Riding Hood (2011)
Country | USA, Canada
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Starring ~ Amanda Seyfried,
Lukas Haas,
Gary Oldman
Directed by | Catherine Hardwicke | Cinematography by | Mandy Walker | Editing by | Nancy Richardson, Julia Wong
modified:
The Horsemen (1971)
Country | USA
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Starring ~ Omar Sharif,
Leigh Taylor-Young,
Jack Palance
Directed by | John Frankenheimer | Cinematography by | Claude Renoir, James Wong Howe | Editing by | Harold F. Kress
modified:
X-Men: Apocalypse (2016)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Starring ~ James McAvoy,
Michael Fassbender,
Jennifer Lawrence
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses
modified:
Loading ...
