2.39:1 | 1217 Titles
Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
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Blade Runner (1982)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings
Cameras | Panavision Panaflex Gold Camera
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Live by Night (2016)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | Ben Affleck | Cinematography by | Robert Richardson | Editing by | William Goldenberg
Cameras | ARRI ALEXA 65 Camera
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Andhadhun (2018)
Country | India
Type | Movie
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sriram Raghavan | Cinematography by | K.U. Mohanan | Editing by | Pooja Ladha Surti
Cameras | ARRI ALEXA Camera
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Gomorrah (2008)
Country | Italy
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.39:1
Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
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The People vs. Larry Flynt (1996)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Hotel Mumbai (2018)
Country | India, Australia, USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x854 - (2.40:1) Capture Resolution
Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
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Pulp Fiction (1994)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.39:1
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
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Mary Poppins Returns (2018)
Country | USA, UK
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
modified:
Starlet (2012)
Country | USA, UK
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.39:1
Directed by | Sean Baker | Cinematography by | Radium Cheung | Editing by | Sean Baker
Cameras | Sony PMW-F3 Camera
modified:
Beyond the Black Rainbow (2010)
Country | Canada
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.39:1
Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
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Black Panther (2018)
Country | USA
Type | Motion Picture
Running Time | 134 Minutes
Capture Resolution | 1024x540 - (1.90:1) Capture Resolution, 4448 x 1856 - (2.39:1) Capture Resolution
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens
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Munich (2005)
Country | France, Canada, USA
Type | Motion Picture
Running Time | 164 Minutes
Aspect Ratio | 2.39:1
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Lenses
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Atomic Blonde (2017)
Country | Germany, Sweden, USA, Hungary
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses | Hawk V-Lite Vintage´74 Lens
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The Curious Case of Benjamin Button (2008)
Country | USA
Type | Motion Picture
Running Time | 166 Minutes
Aspect Ratio | 2.39:1
Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall
Lenses | Zeiss DigiPrime Lenses
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War for the Planet of the Apes (2017)
Country | USA, Canada, New Zealand
Type | Motion Picture
Running Time | 140 Minutes
Aspect Ratio | 2.39:1
Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas
Cameras | ARRI ALEXA 65 Camera
modified:
The Girl in the Spider’s Web (2018)
Country | Germany, Sweden, USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 3840 x 2160 (1.78:1) - Capture Resolution, 6560 x 3100 - (2.12:1) Capture Resolution
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegel
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The Radicalization of Jeff Boyd (2017)
Country | Switzerland
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder
Cameras | Blackmagic Pocket Cinema Camera
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The Expendables (2010)
Country | USA, Bulgaria
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.39:1
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
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End of Days (1999)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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