2.39:1 | 1301 Titles
Incredibles 2 (2018)
Directed by | Brad Bird | Cinematography by | Mahyar Abousaeedi, Erik Smitt | Editing by | Stephen Schaffer
The Aeronauts (2019)
Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley
Cameras | Red Monstro 8K Camera
Seberg (2019)
21 Bridges (2019)
Killers Anonymous (2019)
The Yaku and the Undefeated (2017)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Design Cameras
Cats (2019)
Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver
Cameras | ARRI ALEXA 65 Camera
1917 (2019)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith
Cameras | ARRI ALEXA Mini LF
Blade Runner 2049 (2017)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
A Good Reason (2018)
Directed by | August Holt Markwardt | Cinematography by | David J. Schweitzer | Editing by | August Holt Markwardt
Cameras | Aaton Penelope Camera
Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
Skin: The Movie (2018)
Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe
Cameras | Sony PXW-FS7 Camera
Beyond the Night (2018)
Directed by | Jason Noto | Cinematography by | Daniel Sharnoff | Editing by | Kathryn J. Schubert
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA SXT Plus
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens
The Highwaymen (2019)
Downton Abbey (2019)
Directed by | Michael Engler | Cinematography by | Ben Smithard | Editing by | Mark Day
Cameras | Sony Cameras, Sony CineAlta VENICE Camera
Lenses | Zeiss Supreme Prime 100mm T1.5 Lens, Zeiss Supreme Prime 21mm T1.5 Lens, Zeiss Supreme Prime 25mm T1.5 Lens, Zeiss Supreme Prime 29mm T1.5 Lens, Zeiss Supreme Prime 35mm T1.5 Lens, Zeiss Supreme Prime 50mm T1.5 Lens, Zeiss Supreme Prime 65mm T1.5 Lens, Zeiss Supreme Prime 85mm T1.5 Lens
Pirates of the Caribbean: At World’s End (2007)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Live Free or Die Hard (2007)
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Hangnail (2011)
Tiempo de lluvia (2018)
Directed by | Itandehui Jansen | Cinematography by | Iwao Kawasaki | Editing by | Macarena Sierra
Cameras | Digital Bolex D16
Lenses | Zeiss Lenses
Horsehead (2014)
Directed by | Romain Basset | Cinematography by | Vincent Vieillard-Baron | Editing by | Sébastien de Sainte Croix, Frédéric Pons
Cameras | Red One MX Camera