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Distributed Aspect Ratio » 2.39:1

2.39:1 | 1301 Titles

2.39:1 4.00/5 2 Votes

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Incredibles 2 (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Brad Bird | Cinematography by | Mahyar Abousaeedi, Erik Smitt | Editing by | Stephen Schaffer

Starring | Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner

The Aeronauts (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley

Starring | Felicity Jones, Eddie Redmayne, Himesh Patel, Vincent Perez

Cameras | Red Monstro 8K Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

21 Bridges (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Brian Kirk | Cinematography by | Paul Cameron | Editing by | Tim Murrell

Starring | Chadwick Boseman, Sienna Miller, J.K. Simmons, Stephan James

Cameras | ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

The Yaku and the Undefeated (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 86 Minutes

Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion

Starring | Struggle E. Stylez, Sofia Salgado, Wesley Renard, Robyn Elise

Cameras | Blackmagic Design Cameras

Lenses | Samyang Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

A Good Reason (2018)

Short Film | 2D | 2K Project | Color | 2.39:1 | 6 Minutes

Directed by | August Holt Markwardt | Cinematography by | David J. Schweitzer | Editing by | August Holt Markwardt

Starring | Scot Scurlock, Daniel Grochowski, Andre L. Burch, Nando Palacios

Cameras | Aaton Penelope Camera

Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Monstrosity (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 62 Minutes

Directed by | Josef Lichtenberger | Cinematography by | Josef Lichtenberger

Starring | Mathias Baldauf, Andreas Baumgartner, Stefan Baumgartner, Thomas Friedl

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

Beyond the Night (2018)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Jason Noto | Cinematography by | Daniel Sharnoff | Editing by | Kathryn J. Schubert

Starring | Tammy Blanchard, Zane Holtz, Azhy Robertson, Caitlin Mehner

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA SXT Plus

Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens

The Highwaymen (2019)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

The Highwaymen | ShotOnWhat?

Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Robert Frazen

Starring | Kevin Costner, Woody Harrelson, Kathy Bates, John Carroll Lynch

Cameras | Panavision Millennium DXL2 Camera, Red Monstro 8K Camera

Downton Abbey (2019)

Movie | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Michael Engler | Cinematography by | Ben Smithard | Editing by | Mark Day

Starring | Michelle Dockery, Matthew Goode, Tuppence Middleton, Geraldine James

Cameras | Sony Cameras, Sony CineAlta VENICE Camera

Lenses | Zeiss Supreme Prime 100mm T1.5 Lens, Zeiss Supreme Prime 21mm T1.5 Lens, Zeiss Supreme Prime 25mm T1.5 Lens, Zeiss Supreme Prime 29mm T1.5 Lens, Zeiss Supreme Prime 35mm T1.5 Lens, Zeiss Supreme Prime 50mm T1.5 Lens, Zeiss Supreme Prime 65mm T1.5 Lens, Zeiss Supreme Prime 85mm T1.5 Lens

Pirates of the Caribbean: At World’s End (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 169 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Live Free or Die Hard (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth

Starring | Bruce Willis, Justin Long, Timothy Olyphant, Maggie Q

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Hangnail (2011)

Short Film | 2D | Film Project | Color | 2.39:1 | 12 Minutes

Directed by | Cavan Campbell | Cinematography by | Daniel Grant | Editing by | Baun Mah

Starring | Tasha Lawrence, Dylan Smith

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Lenses

Tiempo de lluvia (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 89 Minutes

Directed by | Itandehui Jansen | Cinematography by | Iwao Kawasaki | Editing by | Macarena Sierra

Starring | Harold Torres, Noé Hernández, Ángeles Cruz, Baltimore Beltran

Cameras | Digital Bolex D16

Lenses | Zeiss Lenses

Horsehead (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 89 Minutes

Directed by | Romain Basset | Cinematography by | Vincent Vieillard-Baron | Editing by | Sébastien de Sainte Croix, Frédéric Pons

Starring | Lilly-Fleur Pointeaux, Catriona MacColl, Murray Head, Gala Besson

Cameras | Red One MX Camera

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