Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 3.44/5 9 Votes

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John Wick: Chapter 4 (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff

Starring | Keanu Reeves, Laurence Fishburne, George Georgiou

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

John Wick: Chapter 3 – Parabellum (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Halle Berry, Ian McShane

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

John Wick: Chapter 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Riccardo Scamarcio, Ian McShane

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

John Wick (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Memento (2000)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn

Starring | Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Boone Junior

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Gyani Maiya (2019)

Documentary | 2D | 2K Project | Color | 2.39:1 | 25 Minutes

Directed by | Subhashish Panigrahi | Cinematography by | Subhashish Panigrahi | Editing by | Subhashish Panigrahi

Starring | Gyani Maiya Sen Kusunda, Uday Raj Aaley

Cameras | Canon Cameras, Nikon Cameras

Lenses | Canon EF-S 18-55mm f4 Lens, Nikon - Nikkor Lenses

Waking Ned Devine (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 91 Minutes

Directed by | Kirk Jones | Cinematography by | Henry Braham | Editing by | Alan Strachan

Starring | Ian Bannen, David Kelly, Fionnula Flanagan, Susan Lynch

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Anamorphic Lenses

Victor Victoria (1982)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 134 Minutes

Directed by | Blake Edwards | Cinematography by | Dick Bush | Editing by | Ralph E. Winters

Starring | Julie Andrews, James Garner, Robert Preston, Lesley Ann Warren

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Lenses

Other Halves (2015)

Direct to Video | 2D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Matthew T. Price | Cinematography by | Tobias Deml | Editing by | Don Stroud

Starring | Lauren Lakis, Mercedes Manning, Lianna Liew, Melanie Friedrich

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Samyang Lenses

The Batman (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 176 Minutes

Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | William Hoy, Tyler Nelson

Starring | Robert Pattinson, Zoë Kravitz, Jeffrey Wright

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Natural Vice (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 81 Minutes

Directed by | Izzy Traub | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr.

Starring | Brent Harvey, Jovanna Nicole, Allen Theosky Rowe, Aria Emory

Cameras | Sony PXW-FS7 Camera

Lenses | Canon Lenses

The Abyss (1989)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Starring | Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester

Cameras | ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Monster Party (2018)

Motion Picture | 2D | 6K Project | Color | 2.39:1 | 89 Minutes

Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr., Joe Rosenbloom

Starring | Sam Strike, Virginia Gardner, Brandon Micheal Hall, Kian Lawley

Cameras | Red Epic Helium Camera

Lenses | Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Showgirls (1995)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 128 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Mark Helfrich

Starring | Elizabeth Berkley, Kyle MacLachlan, Gina Gershon, Glenn Plummer

Cameras | ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera

The Kid Detective (2020)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Evan Morgan | Cinematography by | Mike McLaughlin | Editing by | Curt Lobb

Starring | Kaitlyn Chalmers-Rizzato, Adam Brody, Kaleb Horn

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens

Avengers: Endgame (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 181 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo

Cameras | ALEXA IMAX Camera

Lenses | Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Control Delete (2024)

Short Film | 2D | 4K Project | Color | 2.39:1 |

Directed by | Kris van Melle | Cinematography by | Britt Adriaansen | Editing by | Keno Aladjuz

Starring | Hidde de Visser, Maud Dekkers, Hans Muller

Cameras | Blackmagic URSA Camera

Star Wars: Episode VI – Return of the Jedi (1983)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 131 Minutes

Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Cinema Bandi (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Praveen Kandregula | Cinematography by | Apoorva Shaligram, Sagar Yvv | Editing by | Ravi Teja Girijala, Dharmendra Kakarala

Cameras | Red Gemini Camera

Lenses | Zeiss Lenses

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