Panavision Panaflex Gold II Camera | 120 Titles
Introduced: 1976
Unbreakable (2000)
106 Minutes
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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Bad Boys II (2003)
147 Minutes
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, Mark Goldblatt, Tom Muldoon Cameras | Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
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Nixon (1995)
192 Minutes
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwinmodified:
Beyond the Black Rainbow (2010)
110 Minutes
Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
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Buffy the Vampire Slayer (1997)
44 Minutes
| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern Lenses | Panavision Lenses
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Bad Boys (1995)
119 Minutes
Directed by | Michael Bay | Cinematography by | Howard Atherton | Editing by | Christian Wagnermodified:
The Rock (1996)
136 Minutes
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
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CSI: Crime Scene Investigation (2000)
60 Minutes
| Cinematography by | Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona | Editing by | John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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Gladiator (2000) 
155 Minutes
Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens
modified:
The Game (1997)
129 Minutes
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens
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Two and a Half Men (2003)
22 Minutes
| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Lenses
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Trust (2010)
106 Minutes
Directed by | David Schwimmer | Cinematography by | Andrzej Sekula | Editing by | Douglas Crisemodified:
West Bank Story (2005)
21 Minutes
Directed by | Ari Sandel | Cinematography by | Gavin Kelly | Editing by | Avi Youabian Cameras | Panavision Panaflex Gold II Camera
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Drive Thru (2007)
83 Minutes
Directed by | Brendan Cowles, Shane Kuhn | Cinematography by | Vincent E. Toto | Editing by | Daniel R. Padgett Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens
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Kai Rabe gegen die Vatikankiller (1998)
92 Minutes
Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
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Now You See Me (2013)
115 Minutes
Directed by | Louis Leterrier | Cinematography by | Mitchell Amundsen, Larry Fong | Editing by | Robert Leighton, Vincent Tabaillonmodified:
Angel (1999)
44 Minutes
| Cinematography by | Ross Berryman, Herbert Davis | Editing by | Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Lenses
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Firefly (2002)
44 Minutes
| Cinematography by | David Boyd | Editing by | Sunny Hodge, Lisa Lassek, John Peter Bernardo Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Super Speed Lenses
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Playing for Keeps (2012)
105 Minutes
Directed by | Gabriele Muccino | Cinematography by | Peter Menzies Jr. | Editing by | Padraic McKinley Lenses | Panavision Primo Anamorphic Lenses
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Seven Psychopaths (2012)
110 Minutes
Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Lisa Gunning Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
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