Panavision Panaflex Gold II Camera | 136 Titles
Introduced: 1976
CSI: Crime Scene Investigation (2000)
| Cinematography by | Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona | Editing by | John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Dante’s Peak (1997)
Directed by | Roger Donaldson | Cinematography by | Andrzej Bartkowiak | Editing by | Conrad Buff IV, Tina Hirsch, Howard E. Smith
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
The Dark Knight Rises (2012)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Memento (2000)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn
Cameras | Panavision Panaflex Gold II Camera
Waking Ned Devine (1998)
Directed by | Kirk Jones | Cinematography by | Henry Braham | Editing by | Alan Strachan
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
Twin Peaks (1990)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Lenses | Panavision Lenses
GoldenEye (1995)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Tomorrow Never Dies (1997)
Directed by | Roger Spottiswoode | Cinematography by | Robert Elswit | Editing by | Michel Arcand, Dominique Fortin
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Licence to Kill (1989)
Directed by | John Glen | Cinematography by | Alec Mills | Editing by | John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Buffy the Vampire Slayer (1997)
| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses | Panavision Lenses
Legends of the Fall (1994)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Gold II Camera
Lenses | Canon Lenses, Panavision Lenses
Glory (1989)
Directed by | Edward Zwick | Cinematography by | Freddie Francis | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Gold II Camera
The Cat in the Hat (2003)
The Passion of the Christ (2004)
Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Unbreakable (2000)
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Italian Job (2003)
Directed by | F. Gary Gray | Cinematography by | Wally Pfister | Editing by | Richard Francis-Bruce, Christopher Rouse
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Requiem for a Dream (2000)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz
Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Oscar and Lucinda (1997)
Directed by | Gillian Armstrong | Cinematography by | Geoffrey Simpson | Editing by | Nicholas Beauman
Cameras | Panavision Panaflex Gold II Camera
What Dreams May Come (1998)
Directed by | Vincent Ward | Cinematography by | Eduardo Serra | Editing by | David Brenner, Maysie Hoy
Primal Fear (1996)
Directed by | Gregory Hoblit | Cinematography by | Michael Chapman | Editing by | David Rosenbloom
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Ultra Speed MKII Lenses
