Panavision Panaflex Gold II Camera | 118 Titles
Introduced: 1976
Beyond the Black Rainbow (2010)
Country | Canada
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.39:1
Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
modified:
Buffy the Vampire Slayer (1997)
Country | USA
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses | Panavision Lenses
modified:
Bad Boys (1995)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Directed by | Michael Bay | Cinematography by | Howard Atherton | Editing by | Christian Wagner
modified:
The Rock (1996)
Country | USA
Type | Motion Picture
Running Time | 136 Minutes
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce
Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
modified:
CSI: Crime Scene Investigation (2000)
Country | USA, Canada
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona | Editing by | John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
modified:
Gladiator (2000)
Country | USA, UK, Malta, Morocco
Type | Motion Picture
Running Time | 155 Minutes
Aspect Ratio | 2.39:1
Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia
Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens
modified:
The Game (1997)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood
Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens
modified:
Two and a Half Men (2003)
Country | USA
Type | Television Episode, Television Series
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Lenses
modified:
Trust (2010)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | David Schwimmer | Cinematography by | Andrzej Sekula | Editing by | Douglas Crise
modified:
West Bank Story (2005)
Country | USA
Type | Motion Picture
Running Time | 21 Minutes
Aspect Ratio | 1.85:1
Directed by | Ari Sandel | Cinematography by | Gavin Kelly | Editing by | Avi Youabian
Cameras | Panavision Panaflex Gold II Camera
modified:
Drive Thru (2007)
Country | USA
Type | Motion Picture
Running Time | 83 Minutes
Aspect Ratio | 1.85:1
Directed by | Brendan Cowles, Shane Kuhn | Cinematography by | Vincent E. Toto | Editing by | Daniel R. Padgett
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens
modified:
Kai Rabe gegen die Vatikankiller (1998)
Country | Germany
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.35:1
Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens
Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
modified:
Now You See Me (2013)
Country | USA, France
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | Louis Leterrier | Cinematography by | Mitchell Amundsen, Larry Fong | Editing by | Robert Leighton, Vincent Tabaillon
modified:
Angel (1999)
Country | USA
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Ross Berryman, Herbert Davis | Editing by | Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Lenses
modified:
Firefly (2002)
Country | USA
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | David Boyd | Editing by | Sunny Hodge, Lisa Lassek, John Peter Bernardo
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Super Speed Lenses
modified:
Playing for Keeps (2012)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.35:1
Directed by | Gabriele Muccino | Cinematography by | Peter Menzies Jr. | Editing by | Padraic McKinley
Lenses | Panavision Primo Anamorphic Lenses
modified:
Seven Psychopaths (2012)
Country | UK, USA
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.35:1
Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Lisa Gunning
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Valentine’s Day (2010)
Country | USA
Type | Motion Picture
Running Time | 125 Minutes
Aspect Ratio | 1.85:1
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Bruce Green
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Desperate Housewives (2004)
Country | USA
Type | Television Series
Running Time | 45 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder | Editing by | Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
modified:
The Banger Sisters (2002)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 2.39:1
Directed by | Bob Dolman | Cinematography by | Karl Walter Lindenlaub | Editing by | Aram Nigoghossian
modified:
