Panavision Primo Anamorphic Lenses | 260 Titles
A Time to Kill (1996)
149 Minutes
Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp Cameras | Panavision Panaflex Platinum Camera
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Romeo + Juliet (1996)
120 Minutes
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
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Unbreakable (2000)
106 Minutes
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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A Quiet Place (2018)
90 Minutes
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
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Shutter Island (2010)
138 Minutes
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
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Mudbound (2017)
134 Minutes
Directed by | Dee Rees | Cinematography by | Rachel Morrison | Editing by | Mako Kamitsuna Cameras | ARRI ALEXA Mini Camera
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Spider-Man 3 (2007)
139 Minutes
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski Lenses | Panavision Primo Anamorphic Lenses
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Transformers (2007)
144 Minutes
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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Triple 9 (2016)
115 Minutes
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenormodified:
Jane Got a Gun (2015)
98 Minutes
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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The 5th Wave (2016)
112 Minutes
Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell Cameras | ARRI ALEXA XT Plus Camera
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Midnight Special (2016)
112 Minutes
Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroemodified:
Volver (2006)
121 Minutes
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
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Cinderella (2015)
105 Minutes
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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The Revenant (2015)
156 Minutes
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Spectre (2015)
148 Minutes
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Insidious: Chapter 3 (2015)
97 Minutes
Directed by | Leigh Whannell | Cinematography by | Brian Pearson | Editing by | Timothy Alverson Cameras | Sony PMW-F55 Camera
Lenses | Panavision Primo Anamorphic Lenses
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Avengers: Age of Ultron (2015)
141 Minutes
Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
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The Gunman (2015)
115 Minutes
Directed by | Pierre Morel | Cinematography by | Flavio Martínez Labiano | Editing by | Frédéric Thoraval Cameras | ARRI ALEXA XT Camera, Red Epic Camera
Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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Maintenant ou jamais (2014)
92 Minutes
Directed by | Serge Frydman | Cinematography by | Pierre-Hugues Galien | Editing by | Céline Kélépikis Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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