Panavision Primo Anamorphic Lenses | 259 Titles
Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
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Transformers (2007)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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Triple 9 (2016)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
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Jane Got a Gun (2015)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 2.39:1
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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The 5th Wave (2016)
Country | USA, UK
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 2.39:1
Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell
Cameras | ARRI ALEXA XT Plus Camera
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Midnight Special (2016)
Country | USA, Greece
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 2.39:1
Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe
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Volver (2006)
Country | Spain
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 2.39:1
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
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Cinderella (2015)
Country | USA, UK
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.39:1
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
The Revenant (2015)
Country | USA, Hong Kong, Taiwan
Type | Motion Picture
Running Time | 156 Minutes
Aspect Ratio | 2.39:1
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Spectre (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 148 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Insidious: Chapter 3 (2015)
Country | Canada, UK, USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Directed by | Leigh Whannell | Cinematography by | Brian Pearson | Editing by | Timothy Alverson
Cameras | Sony PMW-F55 Camera
Lenses | Panavision Primo Anamorphic Lenses
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Avengers: Age of Ultron (2015)
Country | USA
Type | Motion Picture
Running Time | 141 Minutes
Aspect Ratio | 2.39:1
Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek
Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
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The Gunman (2015)
Country | USA, Spain, UK, France
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | Pierre Morel | Cinematography by | Flavio Martínez Labiano | Editing by | Frédéric Thoraval
Cameras | ARRI ALEXA XT Camera, Red Epic Camera
Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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Maintenant ou jamais (2014)
Country | France, Belgium
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | Serge Frydman | Cinematography by | Pierre-Hugues Galien | Editing by | Céline Kélépikis
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
Hercules (2014)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong
Cameras | ARRI ALEXA XT Camera
modified:
The Water Diviner (2014)
Country | Australia, USA
Type | Motion Picture
Running Time | 111 Minutes
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Directed by | Russell Crowe | Cinematography by | Andrew Lesnie | Editing by | Matt Villa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
The Hunger Games: Mockingjay – Part 2 (2015)
Country | USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
The Judge (2014)
Country | USA
Type | Motion Picture
Running Time | 141 Minutes
Aspect Ratio | 2.39:1
Directed by | David Dobkin | Cinematography by | Janusz Kaminski | Editing by | Mark Livolsi
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Deliver Us from Evil: Sarchie (2014)
Country | USA
Type | Direct to Video, Motion Picture
Aspect Ratio | 2.39:1
Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
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20 ans d’écart (2013)
Country | France
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | David Moreau | Cinematography by | Laurent Tangy | Editing by | Cyril Besnard
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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