Aaton 35-III Camera | 41 Titles
Paradise Now (2005)
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
Under solen (1998)
Directed by | Colin Nutley | Cinematography by | Jens Fischer | Editing by | Perry Schaffer
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Gladiator (2000)
Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia
Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens
Something in the Air (2012)
Directed by | Olivier Assayas | Cinematography by | Eric Gautier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Aaton Penelope Camera
Switch (2011)
Directed by | Thomas Hefferon | Cinematography by | Jj Rolfe | Editing by | Eamonn Cleary
Cameras | Aaton 35-III Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Super Speed Lenses
Plan 9 (2015)
Directed by | John Johnson | Cinematography by | B. Sweeney | Editing by | John Johnson, Neil Wagner
Cameras | Aaton 35-III Camera, Sony PMW-F3 Camera
Lenses | Zeiss Lenses
No Man’s Land (2001)
Directed by | Danis Tanovic | Cinematography by | Walther van den Ende | Editing by | Francesca Calvelli
Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4s Camera
Lenses | Canon Lenses, Cooke S4 Lenses
The Corruptor (1999)
Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith
Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Eraser (1996)
Un homme qui crie (2010)
Directed by | Mahamat-Saleh Haroun | Cinematography by | Laurent Brunet | Editing by | Marie-Hélène Dozo
Cameras | Aaton 35-III Camera
Villa Amalia (2009)
Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Lake Mungo (2008)
Billy Elliot (2000)
Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson
Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Marie Antoinette (2006)
Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack
Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera
A Slipping-Down Life (1999)
Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
A Very Long Engagement (2004)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Cooke S4 Lenses
Triumph of the Spirit (1989)
Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn
Insomnia (2002)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
