Angenieux HR Zoom Lenses | 66 Titles
Semper Fi (2019)
Directed by | Henry Alex Rubin | Cinematography by | David Devlin | Editing by | Kevin Tent, Kyle Valenta
Cameras | Red Monstro 8K Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Angenieux HR Zoom Lenses, Cineovision Lenses, Zeiss Lenses
Magnetic Beats (2021)
Directed by | Vincent Maël Cardona | Cinematography by | Brice Pancot | Editing by | Flora Volpelière
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Technovision Zeiss Standard Speed Anamorphic 100mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 200mm T2.8 Lens, Technovision Zeiss Standard Speed Anamorphic 25mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 32mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 40mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 50mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 85mm T2.1 Lens
Mandy (2018)
Directed by | Panos Cosmatos | Cinematography by | Benjamin Loeb | Editing by | Brett W. Bachman, Paul Painter
Master of None (2015)
| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth
Cameras | Panasonic VariCam 35
Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses
Amores Perros (2000)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda
Cameras | Moviecam Superlight Camera
Vice (2018)
Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras
Chronicle of an Escape (2006)
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce
Cameras | ARRICAM Lite (LT) Camera
American Pie 2 (2001)
Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé
Cameras | Moviecam Compact Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
Transformers (2007)
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Cat and Mouse (2015)
Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek
Cameras | Red One Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
The Hollars (2016)
Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons
Cameras | ARRI ALEXA Plus 4:3 Camera
Milk (2008)
The Visitor (2007)
Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle
Cameras | ARRICAM Lite (LT) Camera
Carol (2015)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves
Cameras | ARRIFLEX 416 Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Meadowland (2015)
Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Oranges and Sunshine (2010)
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRICAM Lite (LT) Camera
Johnny Flynton (2002)
Directed by | Lexi Alexander | Cinematography by | Alexander Buono | Editing by | Christopher Klonecke
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
Pour une femme (2013)
La fille du 14 juillet (2013)
Directed by | Antonin Peretjatko | Cinematography by | Simon Roca | Editing by | Carole Le Page, Antonin Peretjatko
Cameras | ARRIFLEX 16SR3 Camera
Age of Uprising: The Legend of Michael Kohlhaas (2013)
Directed by | Arnaud des Pallières | Cinematography by | Jeanne Lapoirie | Editing by | Sandie Bompar, Arnaud des Pallières
Lenses | Angenieux HR 25-250mm T3.5 Lens
