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Kowa Lenses | 24 Titles

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Monster Party (2018)

Motion Picture | 2D | 6K Project | Color | 2.39:1 | 89 Minutes

Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr., Joe Rosenbloom

Starring | Sam Strike, Virginia Gardner, Brandon Micheal Hall, Kian Lawley

Cameras | Red Epic Helium Camera

Lenses | Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

The End of the Dial (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley

Starring | Jeff Dernlan, Jacob Hightower

Cameras | Sony PXW-FS9 Camera

Lenses | Kowa Cine Prominar Anamorphic Lenses, P+S Technik Lenses

Moonlight (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders

Starring | Mahershala Ali, Naomie Harris, Trevante Rhodes

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses

Battle of the Sexes (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Linus Sandgren | Editing by | Pamela Martin

Starring | Emma Stone, Steve Carell, Andrea Riseborough

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

May December (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves

Starring | Natalie Portman, Chris Tenzis, Charles Melton

Cameras | ARRI Alexa 35 Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Arrival (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker

Starring | Amy Adams, Jeremy Renner, Forest Whitaker

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

A Star Is Born (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy

Starring | Lady Gaga, Bradley Cooper, Sam Elliott, Greg Grunberg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

At Eternity’s Gate (2018)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Julian Schnabel | Cinematography by | Benoît Delhomme | Editing by | Louise Kugelberg, Julian Schnabel

Starring | Willem Dafoe, Rupert Friend, Oscar Isaac, Mads Mikkelsen

Cameras | Red Helium (Weapon) 8K

Lenses | Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses

The Strangers: Prey at Night (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 85 Minutes

Directed by | Johannes Roberts | Cinematography by | Ryan Samul | Editing by | Martin Brinkler

Starring | Christina Hendricks, Martin Henderson, Bailee Madison, Lewis Pullman

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Rattlesnake (2019)

Motion Picture | 2D | 4K Project | Color | 2.40:1 |

Directed by | Zak Hilditch | Editing by | Merlin Eden

Starring | Carmen Ejogo, Theo Rossi, Emma Greenwell, David Yow

Cameras | Sony CineAlta VENICE Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Out of the Dark (2014)

Motion Picture | 2D | 2K Project | Color | 92 Minutes

Directed by | Lluís Quílez | Cinematography by | Isaac Vila | Editing by | Bernat Vilaplana

Starring | Julia Stiles, Scott Speedman, Stephen Rea, Pixie Davies

Cameras | ARRI ALEXA Studio Camera

Lenses | Hawk C-Series Lenses, Hawk V-Plus Lenses, Kowa Cine Prominar Spherical Lenses

Straight Outta Compton (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 147 Minutes

Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick

Starring | O'Shea Jackson Jr., Corey Hawkins, Jason Mitchell, Neil Brown Jr.

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

The 33 (2015)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick

Starring | Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin

Cameras | ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

The Gunman (2015)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Pierre Morel | Cinematography by | Flavio Martínez Labiano | Editing by | Frédéric Thoraval

Starring | Sean Penn, Idris Elba, Jasmine Trinca, Javier Bardem

Cameras | ARRI ALEXA XT Camera, Red Epic Camera

Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

La ritournelle (2014)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Marc Fitoussi | Cinematography by | Agnès Godard | Editing by | Laure Gardette

Starring | Isabelle Huppert, Jean-Pierre Darroussin, Michael Nyqvist, Pio Marmaï

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Je vous souhaite d’être follement aimée (2015)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Ounie Lecomte | Cinematography by | Caroline Champetier | Editing by | Tina Baz

Starring | Céline Sallette, Anne Benoît, Françoise Lebrun, Elyes Aguis

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Kowa Lenses

Under the Skin (2013)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Jonathan Glazer | Cinematography by | Daniel Landin | Editing by | Paul Watts

Starring | Scarlett Johansson, Jeremy McWilliams, Lynsey Taylor Mackay, Dougie McConnell

Cameras | ARRI ALEXA Plus Camera, one-cam Camera

Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

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