2.40:1 | 25 Titles
The Enchantress of Number (2018)
 Directed by | Rebecca Murga | Cinematography by | David Auner 
 
  Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera 
  Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens 
Rattlesnake (2019)
 Directed by | Zak Hilditch | Editing by | Merlin Eden 
 
  Cameras | Sony CineAlta VENICE Camera 
  Lenses | Kowa Cine Prominar Spherical Lenses 
Odium (2013)
 Directed by | Leszek Hendzel | Cinematography by | Michal Wisniowski | Editing by | Michal Wisniowski 
 
  Cameras | Canon EOS-5D Mark III Camera 
Katyar Kaljat Ghusali (2015)
 Directed by | Subodh Bhave | Cinematography by | Sudhir Palsane | Editing by | Ashish Mhatre, Apurva Motiwale
 
 Oranges and Sunshine (2010)
 Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper 
 
  Cameras | ARRICAM Lite (LT) Camera 
 The Apostate: Call of the Revenant (2015)
 Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd 
 
  Cameras | Panasonic Lumix DMC-GH2 Camera 
 Last Passenger (2013)
 Directed by | Omid Nooshin | Cinematography by | Angus Hudson | Editing by | Joe Walker 
 
  Cameras | ARRI ALEXA Plus Camera 
 Impávido (2012)
 Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Carlos Therón 
 
  Cameras | ARRI ALEXA Camera 
  Lenses | Zeiss Ultra Prime Lenses 
Behind Me (2013)
 Directed by | Rebecca Pugh | Cinematography by | Joseph Walker | Editing by | Joseph Walker 
 
  Cameras | Red Epic Camera 
Trade of Innocents (2012)
 Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes 
 
  Cameras | Red One MX Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses 
The Waiting Game (2014)
 Directed by | Timothy David Mitchell | Cinematography by | Timothy David Mitchell | Editing by | Timothy David Mitchell 
 
  Cameras | Canon EOS-7D Camera, Sony DCR-SR60 Camera 
  Lenses | Canon Lenses 
Blood River (2009)
 Directed by | Adam Mason | Cinematography by | Stuart Brereton | Editing by | Adam Mason 
 
  Cameras | Sony HDW-F900 Camera 
Trance (2013)
 Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Jon Harris 
 
  Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera 
 Tell (2012)
 Directed by | Ryan Connolly | Cinematography by | Ryan Connolly | Editing by | Ryan Connolly 
 
  Cameras | Canon XL-H1 Camera 
  Lenses | Canon Lenses 
Steen’s Revenge – Volume 1 (2012)
 Directed by | Michael Naulls | Cinematography by | Michael Naulls | Editing by | Michael Naulls 
 
  Cameras | Canon EOS 550D Camera 
  Lenses | Canon Lenses 
Dinner for Schmucks (2010)
 Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten, Jon Poll  
 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses 
Thule (2011)
 Directed by | Robert Scott Wildes | Cinematography by | Timothy Nuttall | Editing by | Simon Carmody 
 
  Cameras | Panavision Cameras 
Safe House (2012)
The Book of Eli (2010)
 Directed by | Albert Hughes, Allen Hughes | Cinematography by | Don Burgess | Editing by | Cindy Mollo 
 
  Cameras | Red One Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
The Other Guys (2010)
 Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White 
 
  Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
 
  
 



























































