Zeiss Master Prime Lenses | 217 Titles
The Scythian (2018)
105 Minutes
Directed by | Rustam Mosafir | Cinematography by | Dzmitry Karnachyk | Editing by | Andrey Nazarov Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke Anamorphic/i Prime Lenses, Zeiss Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Bloodline (2015)
60 Minutes
1.78 : 1
| Cinematography by | Jaime Reynoso, Darren Lew | Editing by | Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses
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House of Cards (2013)
51 Minutes
Capture Resolution | 5120x2700 - (1.90:1) Capture Resolution
| Cinematography by | David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives | Editing by | Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor Lenses | Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses
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3 Idiots (2009)
170 Minutes
Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani Cameras | ARRICAM Lite (LT) Camera
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Shanghai (2012)
120 Minutes
Directed by | Dibakar Banerjee | Cinematography by | Nikos Andritsakis | Editing by | Namrata Rao Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
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BlacKkKlansman (2018)
135 Minutes
Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
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Cloud Atlas (2012)
172 Minutes
Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
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The Ballad of Buster Scruggs (2018)
133 Minutes
Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coenmodified:
The Girl in the Spider’s Web (2018)
115 Minutes
Capture Resolution | 3840 x 2160 (1.78:1) - Capture Resolution, 6560 x 3100 - (2.12:1) Capture Resolution
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegelmodified:
Rounded Corners (2019)
87 Minutes
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Paul Check Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
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The Vampire Diaries (2009)
43 Minutes
| Cinematography by | Paul M. Sommers, Dave Perkal, Darren Genet, Michael Karasick, Star Barry, Ramsey Nickell, Michael Negrin, John Peters | Editing by | Tony Solomons, Lance Anderson, Marc Pollon, Glenn Garland, Brian Wessel, Tyler L. Cook, Nathan Easterling, Sean Albertson, Joel T. Pashby, Evan J. Warner, Shawn Paper, Nicholas Erasmus, Nancy Forner, Lisa Willinger, Joshua Butler, Michael Ruscio, Sunny Hodge, Michael H. Friedlander, Jacques Gravett, Peter Basinski, Erik Presant, Kyle Keris Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
Lenses | Zeiss Master Prime Lenses
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Hemingway & Gellhorn (2012)
155 Minutes
Directed by | Philip Kaufman | Cinematography by | Rogier Stoffers | Editing by | Walter Murch Cameras | ARRI ALEXA Camera
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Rocky Balboa (2006)
102 Minutes
Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses | Zeiss Master Prime Lenses
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Ice (2016)
60 Minutes
| Cinematography by | Robert Aschmann, Christos Bitsakos, Maz Makhani | Editing by | Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440mm A2S T4.5 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Lenses
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Death Note (2017)
101 Minutes
Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi Cameras | Panasonic VariCam 35, Panasonic VariCam Camera
Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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The Precipice Game (2016)
90 Minutes
Directed by | Zao Wang | Cinematography by | Joewi Verhoeven | Editing by | Hua Tang, Jolin Zhu Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera
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Somewhere in the Middle (2015)
90 Minutes
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Lanre Olabisi | Cinematography by | Piero Basso | Editing by | Alex Kopit Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
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Ghostbusters (2016)
116 Minutes
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White Cameras | ARRI ALEXA XT Camera
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Star Trek Beyond (2016)
122 Minutes
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Bahubali: The Beginning (2015)
159 Minutes
Directed by | S.S. Rajamouli | Cinematography by | Senthil Kumar | Editing by | Venkateswara Rao Kotagiri Cameras | ARRI ALEXA XT Camera
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