Zeiss Master Prime Lenses | 206 Titles
Steve Jobs (2015)
Country | UK, USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Starring ~ Michael Fassbender,
Kate Winslet,
Seth Rogen
Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham
Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
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Ice (2016)
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Cam Gigandet,
Jeremy Sisto,
Ray Winstone
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic 40-440mm 2S T4.5 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Lenses
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Doctor Strange (2016)
Country | USA
Type | Motion Picture
Aspect Ratio | 1.78:1 (16x9), 2.39:1
Starring ~ Rachel McAdams,
Benedict Cumberbatch,
Tilda Swinton
Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Prisoners (2013)
Country | USA
Type | Motion Picture
Running Time | 153 Minutes
Starring ~ Hugh Jackman,
Jake Gyllenhaal,
Viola Davis
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA Studio Camera
Lenses | Zeiss Master Prime Lenses
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Johnny English Reborn (2011)
Country | USA, France, UK
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Starring ~ Rowan Atkinson,
Rosamund Pike,
Dominic West
Directed by | Oliver Parker | Cinematography by | Danny Cohen | Editing by | Guy Bensley
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses | Zeiss Master Prime Lenses
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Martha Marcy May Marlene (2011)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Starring ~ Elizabeth Olsen,
Sarah Paulson,
John Hawkes
Directed by | Sean Durkin | Cinematography by | Jody Lee Lipes | Editing by | Zachary Stuart-Pontier
Cameras | ARRICAM Lite (LT) Camera
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Ghostbusters (2016)
Country | USA
Type | Motion Picture
Running Time | 116 Minutes
Starring ~ Melissa McCarthy,
Kristen Wiig,
Kate McKinnon
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA XT Camera
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Star Trek Beyond (2016)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Starring ~ Chris Pine,
Zachary Quinto,
Karl Urban
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven SprungCamera Operator | Geoffrey Haley
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Key and Peele (2015)
Country | USA
Type | Television Series
Running Time | 30 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Keegan-Michael Key,
Jordan Peele,
Ron Artest
Cameras | ARRI ALEXA XT Camera, Sony PMW-F3 Camera
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Furious 7 (2015)
Country | USA, Japan
Type | Motion Picture
Running Time | 137 Minutes
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution
Starring ~ Vin Diesel,
Paul Walker,
Dwayne Johnson
Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
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Bahubali: The Beginning (2015)
Country | India
Type | Motion Picture
Running Time | 159 Minutes
Aspect Ratio | 1.85:1
Starring ~ Prabhas,
Rana Daggubati,
Anushka Shetty
Directed by | S.S. Rajamouli | Cinematography by | Senthil Kumar | Editing by | Venkateswara Rao Kotagiri
Cameras | ARRI ALEXA XT Camera
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Mängelexemplar (2016)
Country | Germany
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Starring ~ Claudia Eisinger,
Katja Riemann,
Barbara Schöne
Directed by | Laura Lackmann Popescu | Cinematography by | Sten Mende | Editing by | Gergana Voigt
Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera
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Criminal (2016)
Country | UK, USA
Type | Motion Picture
Running Time | 113 Minutes
Aspect Ratio | 2.39:1
Starring ~ Kevin Costner,
Ryan Reynolds,
Gal Gadot
Directed by | Ariel Vromen | Cinematography by | Dana Gonzales | Editing by | Danny Rafic
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
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10.000 Km (2014)
Country | Spain
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.85:1
Starring ~ Natalia Tena,
David Verdaguer
Directed by | Carlos Marques-Marcet | Cinematography by | Dagmar Weaver-Madsen | Editing by | Carlos Marques-Marcet, Juliana Montañés
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Lenses
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El hombre de las mil caras (2016)
Country | Spain
Type | Motion Picture
Starring ~ Marta Etura,
José Coronado,
Jimmy Shaw
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Plus Camera
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I’m Off Then (2015)
Country | Germany
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Starring ~ Devid Striesow,
Martina Gedeck,
Karoline Schuch
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
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Hail, Caesar! (2016)
Country | UK, USA, Japan
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Starring ~ Josh Brolin,
George Clooney,
Alden Ehrenreich
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
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Doubt (2008)
Country | USA
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 1.85:1
Starring ~ Meryl Streep,
Philip Seymour Hoffman,
Amy Adams
Directed by | John Patrick Shanley | Cinematography by | Roger Deakins | Editing by | Dylan Tichenor
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
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Sette opere di misericordia (2011)
Country | Italy, Romania, France
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Starring ~ Roberto Herlitzka,
Ignazio Oliva,
Olimpia Melinte
Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
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Saul fia (2015)
Country | Hungary
Type | Motion Picture
Running Time | 107 Minutes
Aspect Ratio | 1.37:1
Starring ~ Géza Röhrig,
Levente Molnár,
Urs Rechn
Directed by | László Nemes | Cinematography by | Mátyás Erdély | Editing by | Matthieu Taponier
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
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