Lenses » ARRI Lenses » ARRI / Zeiss Lenses » Zeiss Master Prime Lenses

Zeiss Master Prime Distagon 12 mm T1.3 Len... : 5Zeiss Master Prime Distagon 14 mm T1.3 Len... : 10Zeiss Master Prime Distagon 16 mm T1.3 Len... : 7Zeiss Master Prime Distagon 18 mm T1.3 Len... : 12Zeiss Master Prime Distagon 21 mm T1.3 Len... : 12Zeiss Master Prime Distagon 25 mm T1.3 Len... : 11Zeiss Master Prime Distagon 27 mm T1.3 Len... : 8Zeiss Master Prime Distagon 32 mm T1.3 Len... : 10Zeiss Master Prime Distagon 35 mm T1.3 Len... : 11Zeiss Master Prime Distagon 40 mm T1.3 Len... : 6Zeiss Master Prime Planar 50 mm T1.3 Lens : 15Zeiss Master Prime Planar 65 mm T1.3 Lens : 8Zeiss Master Prime Sonnar 100 mm T1.3 Lens : 11Zeiss Master Prime Sonnar 150 mm T1.3 Lens : 6Zeiss Master Prime Sonnar 75 mm T1.3 Lens : 8

Zeiss Master Prime Lenses | 248 Titles

Zeiss Master Prime Lenses 4.17/5 6 Votes

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Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Age of Heroes (2011)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Adrian Vitoria | Cinematography by | Mark Hamilton | Editing by | Chris Gill, Joe Parsons

Starring | Sean Bean, Danny Dyer, Aksel Hennie

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

To Leslie (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb

Starring | Andrea Riseborough, Drew Youngblood, Tom Virtue

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Everything Everywhere All at Once (2022)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1, 2.0:1, 2.39:1 | 139 Minutes

Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers

Starring | Michelle Yeoh, Stephanie Hsu, Jamie Lee Curtis

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

Kis Uykusu (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 196 Minutes

Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl

Starring | Haluk Bilginer, Melisa Sözen, Demet Akbag, Ayberk Pekcan

Cameras | Sony CineAlta F65 Camera

Lenses | Zeiss Master Prime Lenses

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Nyad (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen

Starring | Annette Bening, Jodie Foster, Anne Marie Kempf

Cameras | Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses | Fujinon Lenses, Zeiss Master Prime Lenses

A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Never Look Away (2018)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Florian Henckel von Donnersmarck | Cinematography by | Caleb Deschanel | Editing by | Patricia Rommel, Patrick Sanchez Smith

Starring | Tom Schilling, Sebastian Koch, Paula Beer

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Mr. Nobody (2009)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Jaco Van Dormael | Cinematography by | Christophe Beaucarne | Editing by | Susan Shipton, Matyas Veress

Starring | Jared Leto, Sarah Polley, Diane Kruger

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

Kick-Ass 2 (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Jeff Wadlow | Cinematography by | Tim Maurice-Jones | Editing by | Eddie Hamilton

Starring | Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

BlacKkKlansman (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown

Starring | John David Washington, Adam Driver, Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

A Cure for Wellness (2016)

Motion Picture | 2D | 2K Project | Color | 1.66:1, 1.78:1 (16x9) | 146 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | Pete Beaudreau, Lance Pereira

Starring | Dane DeHaan, Jason Isaacs, Mia Goth

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Edie (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Simon Hunter | Cinematography by | August Jakobsson | Editing by | Olly Stothert

Starring | Sheila Hancock, Kevin Guthrie, Paul Brannigan, Amy Manson

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Master Prime Lenses

Knives Out (2019)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 130 Minutes

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Chris Evans, Ana de Armas

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

A Hidden Life (2019)

Motion Picture | 2D | 4K Project | Color | 174 Minutes

Directed by | Terrence Malick | Cinematography by | Jörg Widmer | Editing by | Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Starring | August Diehl, Valerie Pachner, Maria Simon, Karin Neuhäuser

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Bahubali: The Beginning (2015)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 159 Minutes

Directed by | S.S. Rajamouli | Cinematography by | Senthil Kumar | Editing by | Kotagiri Venkateshwara Rao

Starring | Prabhas, Rana Daggubati, Ramya Krishnan, Sathyaraj

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

White Collar (2009)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Russell Lee Fine, Robert Gantz, Niels Alpert, Jamie Silverstein, Joel Ransom | Editing by | Doug Hannah, Jonathan Chibnall, Tom Wilson, Michael Schweitzer, Justin Krohn, Tammis Chandler, Hibah Schweitzer, Jon Dudkowski, Kimberly Ray, Russell Denove, Joel T. Pashby, Jordan Goldman, Michael Stern, Nicholas Erasmus, Kevin Krasny

Starring | Matt Bomer, Tim DeKay, Willie Garson, Tiffani Thiessen

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

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