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ARRIFLEX 416 Camera | 34 Titles

ARRIFLEX 416 Camera 3.89/5 9 Votes

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The Old Man & the Gun (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | David Lowery | Cinematography by | Joe Anderson | Editing by | Lisa Zeno Churgin

Starring | Robert Redford, Casey Affleck, Sissy Spacek

Cameras | ARRIFLEX 416 Camera

Lenses | Canon Lenses, Cooke S4 Lenses

Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

The Walking Dead (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall | Editing by | Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie

Starring | Andrew Lincoln, Norman Reedus, Melissa McBride, Lauren Cohan

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera, Panavision Cameras

Lenses | Panavision Lenses, Zeiss Super Speeds Mk I Lenses

A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Mother! (2017)

Motion Picture | 2D | 2K Project | Color | 121 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

Vice (2018)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin

Starring | Christian Bale, Amy Adams, Steve Carell, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Anthropoid (2016)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Sean Ellis | Cinematography by | Sean Ellis | Editing by | Richard Mettler

Starring | Jamie Dornan, Cillian Murphy, Brian Caspe, Karel Hermánek Jr.

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Theeb (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd

Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Carol (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves

Starring | Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ping Pong Summer (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives

Starring | Marcello Conte, Judah Friedlander, Amy Sedaris, Lea Thompson

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

’71 (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Yann Demange | Cinematography by | Tat Radcliffe | Editing by | Chris Wyatt

Starring | Jack O'Connell, Sam Reid, Sean Harris, Paul Popplewell

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens, Hawk V-Lite Vintage´74 Lens

Lovelace (2013)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Rob Epstein, Jeffrey Friedman | Cinematography by | Eric Alan Edwards | Editing by | Robert Dalva, Matt Landon

Starring | Amanda Seyfried, James Franco, Peter Sarsgaard, Juno Temple

Cameras | ARRIFLEX 416 Camera

Lenses | Canon Lenses, Clairmont Anamorphic Lenses, Zeiss Lenses

Oldboy (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown

Starring | Josh Brolin, Elizabeth Olsen, Samuel L. Jackson, Sharlto Copley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses

No One Lives (2012)

Motion Picture | 2D | Color | 2.39:1 | 86 Minutes

Directed by | Ryûhei Kitamura | Cinematography by | Daniel Pearl | Editing by | Toby Yates

Starring | Luke Evans, Gary Grubbs, Adelaide Clemens, Derek Magyar

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra Prime Lenses

Burn Notice (2007)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | William Wages, Bart Tau, Roy H. Wagner, Dennis Hall, Tiko Pavoni, Paul Krumper | Editing by | Casey Brown, Steven Lang, Zack Arnold, Doug Hannah, James Kilton, Brad Schreiber, Paul Fontaine, Scott van Beever

Starring | Jeffrey Donovan, Gabrielle Anwar, Bruce Campbell, Sharon Gless

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, Red One MX Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

Fruitvale Station (2013)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver

Starring | Michael B. Jordan, Melonie Diaz, Octavia Spencer, Kevin Durand

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

Shopping (2013)

Motion Picture | 2D | Color | 98 Minutes

Shopping | ShotOnWhat?

Directed by | Mark Albiston, Louis Sutherland | Cinematography by | Ginny Loane | Editing by | Annie Collins

Starring | Kevin Paulo, Julian Dennison, Jacek Koman, Alistair Browning

Cameras | ARRIFLEX 416 Camera

Americano (2011)

Motion Picture | Color | 2.35:1 | 105 Minutes

Americano | ShotOnWhat?

Directed by | Mathieu Demy | Cinematography by | Georges Lechaptois | Editing by | Jean-Baptiste Morin

Starring | Mathieu Demy, Geraldine Chaplin, Chiara Mastroianni, Carlos Bardem

Cameras | ARRIFLEX 416 Camera

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