Luke
Waves (2019)
Directed by: Trey Edward Shults
Cinematography by: Drew Daniels
Cameras: ARRI ALEXA Mini Camera
Ian
Mid90s (2018)
Directed by: Jonah Hill
Cinematography by: Christopher Blauvelt
Edited by: Nick Houy
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Super Speed Lenses
Jared Eamons
Boy Erased (2018)
Directed by: Joel Edgerton
Cinematography by: Eduard Grau
Edited by: Jay Rabinowitz
Lenses: Zeiss Super Speed Lenses
Robbie
Three Billboards Outside Ebbing, Missouri (2017)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Jon Gregory
Cameras: ARRI ALEXA XT Series Cameras
Patrick
Manchester by the Sea (2016)
Directed by: Kenneth Lonergan
Cinematography by: Jody Lee Lipes
Edited by: Jennifer Lame
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Lenses, Canon K35 Prime Lenses
Pump Attendant
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Richard
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
Redford
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Lilly's Dance Partner
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
