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Bausch & Lomb Super Baltar Lenses | 12 Titles

Bausch & Lomb Super Baltar Lenses 5.00/5 3 Votes

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I Don’t Feel at Home in This World Anymore (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Macon Blair | Cinematography by | Larkin Seiple | Editing by | Tomas Vengris

Starring | Melanie Lynskey, Chris Doubek, Marilyn Faith Hickey

Cameras | ARRI ALEXA Mini Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Zeiss Super Speed Lenses

The Witch (2015)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 92 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Julian Richings

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Eileen (2023)

Motion Picture | 2D | Color | 1.66:1 | 97 Minutes

Directed by | William Oldroyd | Cinematography by | Ari Wegner | Editing by | Nick Emerson

Starring | Thomasin McKenzie, Shea Whigham, Sam Nivola

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Bausch & Lomb Super Baltar Lenses

The Godfather (1972)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 175 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner

Starring | Marlon Brando, Al Pacino, James Caan, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Labor Day (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

Blind (2014)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Eskil Vogt | Cinematography by | Thimios Bakatakis | Editing by | Jens Christian Fodstad

Starring | Ellen Dorrit Petersen, Henrik Rafaelsen, Vera Vitali, Marius Kolbenstvedt

Lenses | Bausch & Lomb Lenses, Bausch & Lomb Super Baltar Lenses

To Kill a Bird of Prey (1983)

Motion Picture | 2D | Color | 104 Minutes

Directed by | Iosif Demian | Cinematography by | Alexandru David

Starring | George Negoescu, Dorel Visan, Ioana Bulca, Petre Simionescu

Cameras | Mitchell R35R Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Detektiv Downs (2013)

Motion Picture | 2D | Color | 84 Minutes

Directed by | Bård Breien | Cinematography by | Gaute Gunnari | Editing by | Zaklina Stojcevska

Starring | Svein André Hofsø Myhre, Martin L. Lotherington, Bjørn Sothberg, Berit Kullander

Cameras | ARRI ALEXA Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Canon K35 Prime Lenses

Prince Avalanche (2013)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Colin Patton

Starring | Paul Rudd, Emile Hirsch, Lance LeGault, Joyce Payne

Cameras | ARRI ALEXA Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Lilyhammer (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Johan-Fredrik Bødtker, Pål Bugge Haagenrud, Jakob Ingimundarson, Anders Flatland, Gaute Gunnari, Hallgrim Haug, Håvar Karlsen | Editing by | Silje Nordseth, Charlotte Kahn, Anders Bergland, Simen Malmø, Veslemøy B. Langvik, Simen Gengenbach, Morten Rørvig, Rodrigo Stoicheff

Starring | Steven Van Zandt, Trond Fausa, Steinar Sagen, Marian Saastad Ottesen

Cameras | ARRI ALEXA Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Canon K35 Prime Lenses

Margot at the Wedding (2007)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Margot at the Wedding | ShotOnWhat?

Directed by | Noah Baumbach | Cinematography by | Harris Savides | Editing by | Carol Littleton

Starring | Nicole Kidman, Jennifer Jason Leigh, Flora Cross, Zane Pais

Cameras | ARRICAM Lite (LT) Camera

Lenses | Bausch & Lomb Super Baltar Lenses

The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

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