Film Project | 204 Titles
Taxi Driver (1976)
114 Minutes
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
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The Patriot (2000)
165 Minutes
Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe Cameras | Panavision Cameras
Lenses | Panavision Lenses
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A Time to Kill (1996)
149 Minutes
Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp Cameras | Panavision Panaflex Platinum Camera
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A Beautiful Mind (2001) 
135 Minutes
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
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Music of the Heart (1999)
124 Minutes
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Gregg Featherman, Patrick Lussier Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Schindler’s List (1993)
195 Minutes
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahnmodified:
Friday the 13th Part VIII: Jason Takes Manhattan (1989)
100 Minutes
Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor Cameras | Panavision Panaflex Camera
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Titus (1999)
162 Minutes
Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
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Amores Perros (2000)
154 Minutes
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda Cameras | Moviecam Superlight Camera
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The Abyss (1989)
145 Minutes
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith Cameras | ARRIFLEX 35 BL Camera, Panavision System 65 Camera
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Romeo + Juliet (1996)
120 Minutes
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
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Das Boot (1981)
149 Minutes
Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Hannes Nikel Cameras | ARRI Cameras
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The Terminator (1984)
107 Minutes
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblattmodified:
Unbreakable (2000)
106 Minutes
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
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Krippendorf’s Tribe (1998)
94 Minutes
Directed by | Todd Holland | Cinematography by | Dean Cundey | Editing by | Jon Poll Cameras | Panavision Cameras
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The Brood (1979)
92 Minutes
Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Alan Collins Lenses | Panavision Lenses
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Deconstructing Harry (1997)
96 Minutes
Directed by | Woody Allen | Cinematography by | Carlo Di Palma | Editing by | Susan E. Morse Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
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The Godfather (1972)
175 Minutes
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses
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Stalker (1979)
162 Minutes
Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova Cameras | Kinor Cameras, Mitchell NC Camera
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Magnum Force (1973)
124 Minutes
Directed by | Ted Post | Cinematography by | Frank Stanley | Editing by | Ferris Webster Cameras | Panavision Panaflex Camera
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