Film Project | 174 Titles
Chitty Chitty Bang Bang (1968)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley
Cameras | Super Panavision-70 Camera
modified:
The Birth of a Nation (1915)
Country | USA
Type | Motion Picture
Running Time | 195 Minutes
Aspect Ratio | 1.33:1 (4x3)
Directed by | D.W. Griffith | Cinematography by | G.W. Bitzer | Editing by | D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh
Cameras | Pathé Cameras
modified:
Citizen Kane (1941)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.37:1
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise
Cameras | Mitchell BNC Camera
modified:
Pulp Fiction (1994)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.39:1
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
modified:
Fantasia (1940)
Country | USA
Type | Motion Picture
Running Time | 125 Minutes
Aspect Ratio | 1.37:1
Directed by | James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen | Cinematography by | James Wong Howe
Cameras | Bell & Howell 2709 Camera
modified:
Munich (2005)
Country | France, Canada, USA
Type | Motion Picture
Running Time | 164 Minutes
Aspect Ratio | 2.39:1
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Lenses
modified:
E.T. the Extra-Terrestrial (1982)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Directed by | Steven Spielberg | Cinematography by | Allen Daviau | Editing by | Carol Littleton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
Lolita (1997)
Country | France, USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 1.85:1
Directed by | Adrian Lyne | Cinematography by | Howard Atherton | Editing by | David Brenner, Julie Monroe
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
modified:
End of Days (1999)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper
Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Country | USA, Canada
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor
Cameras | Panavision Panaflex Camera
modified:
Tango (1998)
Country | Spain, Argentina
Type | Motion Picture
Running Time | 115 Minutes
Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz
Cameras | Technovision Cameras
Lenses | Technovision Lenses
modified:
Jaws (1975)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.39:1
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
modified:
Honey I Blew Up the Kid (1992)
Country | USA
Type | Motion Picture
Running Time | 89 Minutes
Aspect Ratio | 1.85:1
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson
Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
modified:
Independence Day (1996)
Country | USA
Type | Motion Picture
Running Time | 145 Minutes
Directed by | Roland Emmerich | Cinematography by | Karl Walter Lindenlaub | Editing by | David Brenner
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Lenses
modified:
Elf (2003)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 1.85:1
Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental
Cameras | Panavision Cameras
modified:
Hulk (2003)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 1.85:1
Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres
Cameras | ARRIFLEX 535 B Camera
modified:
Toto le héros (1991)
Country | Belgium, France, Germany
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 1.85:1
Directed by | Jaco Van Dormael | Cinematography by | Walther van den Ende | Editing by | Susana Rossberg
Cameras | Aaton Cameras
modified:
Don Quixote (1973)
Country | Australia
Type | Motion Picture
Running Time | 111 Minutes
Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley
Cameras | Mitchell BNC Camera
Lenses | Angenieux 24-240 f2.6 Zoom Lens
modified:
Too Late Blues (1961)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Directed by | John Cassavetes | Cinematography by | Lionel Lindon | Editing by | Frank Brachtmodified:
Billy’s Hollywood Screen Kiss (1998)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt
Cameras | Panavision Silent Reflex PSR Camera
modified:
