Harrison Ford

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Indiana Jones and the Dial of Destiny | ShotOnWhat?

Indiana Jones

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

"1923" Nothing Left to Lose | ShotOnWhat?

Jacob Dutton

'1923' Nothing Left to Lose (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Brooke Rupe

"1923" The Rule of Five Hundred | ShotOnWhat?

Jacob Dutton

'1923' The Rule of Five Hundred (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Christopher Gay

"1923" One Ocean Closer to Destiny | ShotOnWhat?

Jacob Dutton

'1923' One Ocean Closer to Destiny (2023)

Television Episode

Directed by: Guy Ferland

Cinematography by: Robert McLachlan

Edited by: Todd Desrosiers, Chad Galster

"1923" Ghost of Zebrina | ShotOnWhat?

Jacob Dutton

'1923' Ghost of Zebrina (2023)

Television Episode

Directed by: Guy Ferland

Cinematography by: Robert McLachlan

Edited by: Christopher Gay

"1923" War and the Turquoise Tide | ShotOnWhat?

Jacob Dutton

'1923' War and the Turquoise Tide (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Brooke Rupe, Byron Smith

"1923" The War Has Come Home | ShotOnWhat?

Jacob Dutton

'1923' The War Has Come Home (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

1923 | ShotOnWhat?

Jacob Dutton

1923 (2022)

Television Series

Directed by: Ben Richardson, Guy Ferland

Cinematography by: Corrin Hodgson, Ben Richardson, Robert McLachlan

Edited by: Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

"1923" 1923 | ShotOnWhat?

Jacob Dutton

'1923' 1923 (2022)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

"1923" Nature's Empty Throne | ShotOnWhat?

Jacob Dutton

'1923' Nature's Empty Throne (2022)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Byron Smith

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Han Solo

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Blade Runner 2049 | ShotOnWhat?

Rick Deckard

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Star Wars: The Force Awakens | ShotOnWhat?

"Years of Living Dangerously" Dry Season | ShotOnWhat?

Himself

'Years of Living Dangerously' Dry Season (2014)

Television Episode

Cinematography by: Maryse Alberti, Wolfgang Held, Lucian Read, Rick Rowley

Edited by: Alison Amron, Adam Bolt, M. Brennan, Paul Frost, Dan Madden

"Years of Living Dangerously" End of the Woods | ShotOnWhat?

Himself

'Years of Living Dangerously' End of the Woods (2014)

Television Episode

Cinematography by: Maryse Alberti, Wolfgang Held, Ronan Killeen, Lucian Read, Rick Rowley

Edited by: M. Brennan, Paul Frost, Federico Rosenzvit

Years of Living Dangerously | ShotOnWhat?

Himself

Years of Living Dangerously (2014)

Television Series

Directed by: Tom Casciato, Martha Jeffries, Drew Magratten, Ivy Meeropol, Jon Meyersohn, Jonathan Schienberg, Sydney Trattner, David Gelber

Edited by: Paul Frost, Federico Rosenzvit, Adam Bolt, Dan Madden, Alison Amron, M. Brennan, Tal Ben-David, Cindy Lee, Jennifer McGarrity, Jawad Metni, Ken Eluto, Rebecca Laks, David Marcus, Anna Pivarnik

Cameras: Canon EOS-5D Mark III Camera, Canon EOS-C300 Camera

Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens

The Expendables 3 | ShotOnWhat?

Drummer

The Expendables 3 (2014)

Directed by: Patrick Hughes

Cinematography by: Peter Menzies Jr.

Edited by: Sean Albertson, Paul Harb

Cameras: Blackmagic Cinema Camera, Red Epic Camera, Red Scarlet Camera

Anchorman 2: The Legend Continues | ShotOnWhat?

Mack Tannen

Anchorman 2: The Legend Continues (2013)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Ender's Game | ShotOnWhat?

Colonel Graff

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

42 | ShotOnWhat?

Branch Rickey

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

"Face to Face with 'Weird Al' Yankovic" Harrison Ford/Rose McGowan | ShotOnWhat?

Himself - Guest

'Face to Face with 'Weird Al' Yankovic' Harrison Ford/Rose McGowan (2012)

Television Episode

Directed by: 'Weird Al' Yankovic

Face to Face with 'Weird Al' Yankovic | ShotOnWhat?

Himself - Guest

Face to Face with 'Weird Al' Yankovic (2012)

Television Series

Directed by: 'Weird Al' Yankovic

Cameras: Panasonic AJ-HPX3700 Camera, Panasonic Cameras

Editing System: Final Cut Pro Editing System

Cowboys & Aliens | ShotOnWhat?

Woodrow Dolarhyde

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Morning Glory | ShotOnWhat?

Mike Pomeroy

Morning Glory (2010)

Directed by: Roger Michell

Cinematography by: Alwin H. Küchler

Edited by: Dan Farrell, Nick Moore, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

"The Daily Show" Harrison Ford | ShotOnWhat?

Himself - Guest

'The Daily Show' Harrison Ford (2010)

Television Episode

Directed by: Chuck O'Neil

Extraordinary Measures | ShotOnWhat?

Dr. Stonehill, Executive Producer

Extraordinary Measures (2010)

Directed by: Tom Vaughan

Cinematography by: Andrew Dunn

Edited by: Anne V. Coates

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Indiana Jones

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Firewall | ShotOnWhat?

Jack Stanfield

Firewall (2006)

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Jim Page

"The Daily Show" Harrison Ford | ShotOnWhat?

Himself - Guest

'The Daily Show' Harrison Ford (2006)

Television Episode

Directed by: Chuck O'Neil

Edited by: Andrew Matheson

"The Daily Show" Harrison Ford | ShotOnWhat?

Himself - Guest

'The Daily Show' Harrison Ford (2003)

Television Episode

Directed by: Chuck O'Neil

Edited by: Mark Paone

Hollywood Homicide | ShotOnWhat?

Sgt. Joe Gavilan

Hollywood Homicide (2003)

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Paul Seydor

Cameras: Panavision Panaflex Camera

K-19: The Widowmaker | ShotOnWhat?

Capt. Alexei Vostrikov, Executive Producer

K-19: The Widowmaker (2002)

Directed by: Kathryn Bigelow

Cinematography by: Jeff Cronenweth

Edited by: Walter Murch

What Lies Beneath | ShotOnWhat?

Norman Spencer

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Random Hearts | ShotOnWhat?

Dutch Van Den Broeck

Random Hearts (1999)

Directed by: Sydney Pollack

Cinematography by: Philippe Rousselot

Edited by: William Steinkamp

Six Days Seven Nights | ShotOnWhat?

Quinn Harris

Six Days Seven Nights (1998)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

The Devil's Own | ShotOnWhat?

Tom O'Meara

The Devil's Own (1997)

Directed by: Alan J. Pakula

Cinematography by: Gordon Willis

Edited by: Tom Rolf, Dennis Virkler

Air Force One | ShotOnWhat?

President James Marshall

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

Access Hollywood | ShotOnWhat?

Himself

Access Hollywood (1996)

Television Series

Directed by: Neill Harper, Richard Plotkin, Earnest Winborne, Robert Cedric Bowden, Kim Anastasia, Christopher A. Berry, A. Berry, Shannon Fitzgerald

Cinematography by: Dieter Depypere, Shaheen Seth, Robert Cedric Bowden

Edited by: Pascal Boidart, George D. Brown III, Craig Casey, Nick Friedman, Brian Gallotto, Mark Grizzle, Summer Huber, Juan Jones, Doug Marconet, Kevin McCormick, Richard Arsenault, Chad Bergacs, TaJuan Hayes, Mark S. Andrew, Pete Hentrich, Doug Imai

The Daily Show | ShotOnWhat?

Himself - Guest, Self - Guest

The Daily Show (1996)

Television Series

Directed by: Chuck O'Neil, Scott Preston, Paul Pennolino, Andy Barsh, David Paul Meyer

Cinematography by: Dave Carroll, Ryan Scafuro, Michael Chase, James P. Brady, James Markham Hall Jr., Peter Zivkovic, Joel Sadler, Matt Sohn

Clear and Present Danger | ShotOnWhat?

Jack Ryan

Clear and Present Danger (1994)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Jimmy Hollywood | ShotOnWhat?

Harrison Ford

Jimmy Hollywood (1994)

Directed by: Barry Levinson

Cinematography by: Peter Sova

Edited by: Jay Rabinowitz

The Fugitive | ShotOnWhat?

Dr. Richard Kimble

The Fugitive (1993)

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

Patriot Games | ShotOnWhat?

Jack Ryan

Patriot Games (1992)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: William Hoy, Neil Travis

Regarding Henry | ShotOnWhat?

Henry Turner

Regarding Henry (1991)

Directed by: Mike Nichols

Cinematography by: Giuseppe Rotunno

Edited by: Sam O'Steen

Cameras: Panavision Cameras

Presumed Innocent | ShotOnWhat?

Rusty Sabich

Presumed Innocent (1990)

Directed by: Alan J. Pakula

Cinematography by: Gordon Willis

Edited by: Evan A. Lottman

Indiana Jones and the Last Crusade | ShotOnWhat?

Indiana Jones

Indiana Jones and the Last Crusade (1989)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Frantic | ShotOnWhat?

Dr. Richard Walker

Frantic (1988)

Directed by: Roman Polanski

Cinematography by: Witold Sobocinski

Edited by: Sam O'Steen

Cameras: Moviecam Cameras

The Mosquito Coast | ShotOnWhat?

Allie Fox

The Mosquito Coast (1986)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: Thom Noble

Witness | ShotOnWhat?

John Book

Witness (1985)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: Thom Noble

Indiana Jones and the Temple of Doom | ShotOnWhat?

Indiana Jones

Indiana Jones and the Temple of Doom (1984)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Han Solo

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Blade Runner | ShotOnWhat?

Rick Deckard

Blade Runner (1982)

Directed by: Ridley Scott

Cinematography by: Jordan Cronenweth

Edited by: Marsha Nakashima, Terry Rawlings

Cameras: Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

Raiders of the Lost Ark | ShotOnWhat?

Indy

Raiders of the Lost Ark (1981)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex-X Camera

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode V - The Empire Strikes Back | ShotOnWhat?

Han Solo

Star Wars: Episode V - The Empire Strikes Back (1980)

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

Apocalypse Now | ShotOnWhat?

Colonel Lucas

Apocalypse Now (1979)

Directed by: Francis Ford Coppola

Cinematography by: Vittorio Storaro

Edited by: Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Cameras: ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera

Lenses: Technovision Lenses, Todd-AO Lenses

Editing System: K.E.M. Editing System, Moviola Editing System

Hanover Street | ShotOnWhat?

David Halloran

Hanover Street (1979)

Directed by: Peter Hyams

Cinematography by: David Watkin

Edited by: James Mitchell

More American Graffiti | ShotOnWhat?

Officer Bob Falfa

More American Graffiti (1979)

Directed by: Bill Norton

Cinematography by: Caleb Deschanel

Edited by: Tina Hirsch, Duwayne Dunham, Marcia Lucas

Cameras: Panavision Cameras

The Frisco Kid | ShotOnWhat?

Tommy

The Frisco Kid (1979)

Directed by: Robert Aldrich

Cinematography by: Robert B. Hauser

Edited by: Jack Horger, Irving Rosenblum, Maury Winetrobe

Cameras: ARRI Cameras

Force 10 from Navarone | ShotOnWhat?

Barnsby

Force 10 from Navarone (1978)

Directed by: Guy Hamilton

Cinematography by: Christopher Challis

Edited by: Raymond Poulton

Cameras: Panavision Cameras

Heroes | ShotOnWhat?

Ken Boyd

Heroes (1977)

Directed by: Jeremy Kagan

Cinematography by: Frank Stanley

Edited by: Patrick Kennedy

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Han Solo

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

"1923" Episode #2.1 | ShotOnWhat?

Jacob Dutton

'1923' Episode #2.1 (0)

Television Episode

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