Moviecam Cameras | 154 Titles
Amores Perros (2000)
154 Minutes
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda Cameras | Moviecam Superlight Camera
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I Viceré (2007)
120 Minutes
Directed by | Roberto Faenza | Cinematography by | Maurizio Calvesi | Editing by | Massimo Fiocchi Cameras | Moviecam Compact Camera
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The Lord of the Rings: The Two Towers (2002)
179 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
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The Lord of the Rings: The Return of the King (2003) 
201 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
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Body of Lies (2008)
128 Minutes
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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Under solen (1998)
130 Minutes
Directed by | Colin Nutley | Cinematography by | Jens Fischer | Editing by | Perry Schaffer Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
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The Fast and the Furious (2001)
106 Minutes
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess Lenses | Zeiss Ultra Prime Lenses
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The Cable Guy (1996)
96 Minutes
Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera
Lenses | Zeiss Standard Speed Prime Lenses
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True Blood (2008)
800 Minutes
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
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American Pie 2 (2001)
108 Minutes
Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé Cameras | Moviecam Compact Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
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Honey I Blew Up the Kid (1992)
89 Minutes
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
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Stuart Little (1999)
84 Minutes
Directed by | Rob Minkoff | Cinematography by | Guillermo Navarro | Editing by | Tom Finan Cameras | Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
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Y Tu Mamá También (2001)
106 Minutes
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
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Pour une femme (2013)
110 Minutes
Directed by | Diane Kurys | Cinematography by | Gilles Henry | Editing by | Sylvie Gadmermodified:
The Pianist (2002)
150 Minutes
Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luzemodified:
Boyhood (2014)
165 Minutes
Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adairmodified:
Sur la piste du Marsupilami (2012)
105 Minutes
Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
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Nosso Lar (2010)
103 Minutes
Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes Lenses | Angenieux Lenses, Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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Friendship! (2010)
110 Minutes
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer Lenses | Angenieux Lenses, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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One for the Road (2009)
