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Moviecam Cameras | 157 Titles

Moviecam Cameras 4.50/5 2 Votes

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Nightwatch (1994)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Ole Bornedal | Cinematography by | Dan Laustsen | Editing by | Camilla Skousen

Starring | Nikolaj Coster-Waldau, Sofie Gråbøl, Kim Bodnia, Lotte Andersen

Cameras | Moviecam Compact Camera, Moviecam SuperAmerica Camera

Boyhood (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 165 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair

Starring | Ellar Coltrane, Patricia Arquette, Ethan Hawke, Elijah Smith

Cameras | Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Topsy-Turvy (1999)

Motion Picture | 2D | Color | 1.66:1 | 154 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Robin Sales

Starring | Jim Broadbent, Allan Corduner, Dexter Fletcher, Sukie Smith

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

American Pastime (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 105 Minutes

Directed by | Desmond Nakano | Cinematography by | Matthew Williams | Editing by | Mark Yoshikawa

Starring | Aaron Yoo, Olesya Rulin, Carlton Bluford, Sami Roe

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Eyes Wide Shut (1999)

Motion Picture | 2D | Color | 159 Minutes

$Last Days of Kubrick\'s Life - Behind the Scenes at ShotOnSet!$

Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt

Starring | Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Amores Perros (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 154 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda

Starring | Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero

Cameras | Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

I Viceré (2007)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Roberto Faenza | Cinematography by | Maurizio Calvesi | Editing by | Massimo Fiocchi

Starring | Alessandro Preziosi, Lando Buzzanca, Cristiana Capotondi, Guido Caprino

Cameras | Moviecam Compact Camera

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Body of Lies (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia

Starring | Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses

Under solen (1998)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Colin Nutley | Cinematography by | Jens Fischer | Editing by | Perry Schaffer

Starring | Rolf Lassgård, Helena Bergström, Johan Widerberg, Gunilla Röör

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

The Fast and the Furious (2001)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess

Starring | Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

The Cable Guy (1996)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg

Starring | Jim Carrey, Matthew Broderick, Leslie Mann, Jack Black

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

True Blood (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 800 Minutes

American Pie 2 (2001)

Motion Picture | 2D | Color | 108 Minutes

Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé

Starring | Jason Biggs, Seann William Scott, Shannon Elizabeth, Alyson Hannigan

Cameras | Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses

Honey I Blew Up the Kid (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 89 Minutes

Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson

Starring | Rick Moranis, Marcia Strassman, Robert Oliveri, Daniel Shalikar

Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses | Canon K35 Prime Lenses

Stuart Little (1999)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Directed by | Rob Minkoff | Cinematography by | Guillermo Navarro | Editing by | Tom Finan

Starring | Michael J. Fox, Geena Davis, Hugh Laurie, Jonathan Lipnicki

Cameras | Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

Y Tu Mamá También (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez

Starring | Maribel Verdú, Gael García Bernal, Daniel Giménez Cacho, Ana López Mercado

Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Pour une femme (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Diane Kurys | Cinematography by | Gilles Henry | Editing by | Sylvie Gadmer

Starring | Benoît Magimel, Mélanie Thierry, Nicolas Duvauchelle, Sylvie Testud

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Pianist (2002)

Motion Picture | 2D | Black & White, Color | 150 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Adrien Brody, Thomas Kretschmann, Frank Finlay, Emilia Fox

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

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