Moviecam Cameras | 151 Titles
The Fast and the Furious (2001)
Country | USA, Germany
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess
Lenses | Zeiss Ultra Prime Lenses
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The Cable Guy (1996)
Country | USA
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 2.39:1
Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg
Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera
Lenses | Zeiss Standard Speed Prime Lenses
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True Blood (2008)
Country | USA
Type | Television Series
Running Time | 800 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
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American Pie 2 (2001)
Country | USA
Type | Motion Picture
Running Time | 108 Minutes
Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé
Cameras | Moviecam Compact Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
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Honey I Blew Up the Kid (1992)
Country | USA
Type | Motion Picture
Running Time | 89 Minutes
Aspect Ratio | 1.85:1
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson
Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
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Stuart Little (1999)
Country | Germany, USA
Type | Motion Picture
Running Time | 84 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Minkoff | Cinematography by | Guillermo Navarro | Editing by | Tom Finan
Cameras | Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
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Y Tu Mamá También (2001)
Country | Mexico
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez
Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera
Lenses | Zeiss Super Speed Lenses
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Pour une femme (2013)
Country | France
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.39:1
Directed by | Diane Kurys | Cinematography by | Gilles Henry | Editing by | Sylvie Gadmer
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The Pianist (2002)
Country | UK, France, Poland, Germany
Type | Motion Picture
Running Time | 150 Minutes
Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze
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Boyhood (2014)
Country | USA
Type | Motion Picture
Running Time | 165 Minutes
Aspect Ratio | 1.85:1
Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair
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Sur la piste du Marsupilami (2012)
Country | France, Belgium, Mexico
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.39:1
Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
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Nosso Lar (2010)
Country | Brazil
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.35:1
Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes
Lenses | Angenieux Lenses, Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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Friendship! (2010)
Country | Germany, USA
Type | Motion Picture
Running Time | 110 Minutes
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer
Lenses | Angenieux Lenses, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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One for the Road (2009)
Country | France
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Philippe Godeau | Cinematography by | Jean-Marc Fabre
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The Guilt Trip (2012)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 2.39:1
Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
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The Twilight Saga: Breaking Dawn – Part 2 (2012)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.35:1
Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz, Ian Slater
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The Old Man Who Read Love Stories (2001)
Country | Netherlands, France, Spain, Australia
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.35:1
Directed by | Rolf de Heer | Cinematography by | Denis Lenoir | Editing by | Tania Nehme
Cameras | Moviecam Compact Camera
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Frantic (1988)
Country | USA, France
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 1.85:1
Directed by | Roman Polanski | Cinematography by | Witold Sobocinski | Editing by | Sam O'Steen
Cameras | Moviecam Cameras
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Gremlins 2: The New Batch (1990)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Directed by | Joe Dante | Cinematography by | John Hora | Editing by | Kent Beyda
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Cashback (2006)
Country | UK
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Directed by | Sean Ellis | Cinematography by | Angus Hudson | Editing by | Carlos Domeque, Scott Thomas
Cameras | Moviecam Compact Camera
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