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Moviecam Cameras | 167 Titles

Moviecam Cameras 4.50/5 2 Votes

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Eyes Wide Shut (1999)

Motion Picture | 2D | Color | 159 Minutes

Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt

Starring | Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Amores Perros (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 154 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda

Starring | Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero

Cameras | Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

I Viceré (2007)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Roberto Faenza | Cinematography by | Maurizio Calvesi | Editing by | Massimo Fiocchi

Starring | Alessandro Preziosi, Lando Buzzanca, Cristiana Capotondi, Guido Caprino

Cameras | Moviecam Compact Camera

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Body of Lies (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia

Starring | Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Under solen (1998)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Colin Nutley | Cinematography by | Jens Fischer | Editing by | Perry Schaffer

Starring | Rolf Lassgård, Helena Bergström, Johan Widerberg, Gunilla Röör

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

The Fast and the Furious (2001)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess

Starring | Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

The Cable Guy (1996)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg

Starring | Jim Carrey, Matthew Broderick, Leslie Mann, Jack Black

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

American Pie 2 (2001)

Motion Picture | 2D | Color | 108 Minutes

Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé

Starring | Jason Biggs, Seann William Scott, Shannon Elizabeth, Alyson Hannigan

Cameras | Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses

Honey I Blew Up the Kid (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 89 Minutes

Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson

Starring | Rick Moranis, Marcia Strassman, Robert Oliveri, Daniel Shalikar

Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses | Canon K35 Prime Lenses

Stuart Little (1999)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Directed by | Rob Minkoff | Cinematography by | Guillermo Navarro | Editing by | Tom Finan

Starring | Michael J. Fox, Geena Davis, Hugh Laurie, Jonathan Lipnicki

Cameras | Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

Y Tu Mamá También (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez

Starring | Maribel Verdú, Gael García Bernal, Daniel Giménez Cacho, Ana López Mercado

Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Pour une femme (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Diane Kurys | Cinematography by | Gilles Henry | Editing by | Sylvie Gadmer

Starring | Benoît Magimel, Mélanie Thierry, Nicolas Duvauchelle, Sylvie Testud

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Pianist (2002)

Motion Picture | 2D | Black & White, Color | 150 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Adrien Brody, Thomas Kretschmann, Frank Finlay, Emilia Fox

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Sur la piste du Marsupilami (2012)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux

Starring | Jamel Debbouze, Alain Chabat, Fred Testot, Lambert Wilson

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Nosso Lar (2010)

Motion Picture | 2D | Color | 2.35:1 | 103 Minutes

Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes

Starring | Renato Prieto, Fernando Alves Pinto, Rosanne Mulholland, Inez Viana

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Friendship! (2010)

Motion Picture | 2D | Color, Black and White | 110 Minutes

Friendship! | ShotOnWhat?

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer

Starring | Matthias Schweighöfer, Friedrich Mücke, Alicja Bachleda, Todd Stashwick

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

One for the Road (2009)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Philippe Godeau | Cinematography by | Jean-Marc Fabre

Starring | François Cluzet, Mélanie Thierry, Michel Vuillermoz, Anne Consigny

Cameras | ARRICAM Studio (ST) Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Guilt Trip (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly

Starring | Barbra Streisand, Seth Rogen, Julene Renee, Zabryna Guevara

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

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