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Mitchell Cameras | 39 Titles

Mitchell Cameras 3.50/5 2 Votes

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Apocalypse Now (1979)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.20:1, 2.39:1 | 147 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Starring | Martin Sheen, Marlon Brando, Robert Duvall

Cameras | ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera

Lenses | Technovision Lenses, Todd-AO Lenses

Barry Lyndon (1975)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 185 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson

Starring | Ryan O'Neal, Marisa Berenson, Patrick Magee, Hardy Krüger

Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera

Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens

Night Train (1999)

Motion Picture | Black & White | 1.33:1 (4x3) | 80 Minutes

Directed by | Les Bernstien | Cinematography by | Patrick Melly | Editing by | George Lockwood

Starring | John Voldstad, Barry Cutler, Nikoletta Skarlatos

Cameras | ARRIFLEX Camera, Bell & Howell Eyemo Camera, Mitchell Standard Camera

King Kong (1933)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman

Starring | Fay Wray, Robert Armstrong, Bruce Cabot, Frank Reicher

Cameras | Mitchell Standard Camera

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Godfather (1972)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 175 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner

Starring | Marlon Brando, Al Pacino, James Caan, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Stalker (1979)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 162 Minutes

Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova

Starring | Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn, Nikolay Grinko

Cameras | Kinor Cameras, Mitchell NC Camera

Citizen Kane (1941)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 119 Minutes

Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise

Starring | Orson Welles, Joseph Cotten, Dorothy Comingore, Agnes Moorehead

Cameras | Mitchell BNC Camera

Don Quixote (1973)

Motion Picture | Film Project | Color | 111 Minutes

Don Quixote | ShotOnWhat?

Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley

Starring | Robert Helpmann, Ray Powell, Rudolf Nureyev, Francis Croese

Cameras | Mitchell BNC Camera

Lenses | Angenieux 24-240 f2.6 Zoom Lens

Going My Way (1944)

Motion Picture | 2D | Black & White | 1.37:1 | 126 Minutes

Directed by | Leo McCarey | Cinematography by | Lionel Lindon, John F. Seitz | Editing by | LeRoy Stone

Starring | Bing Crosby, Barry Fitzgerald, Frank McHugh, James Brown

Cameras | Mitchell BNC Camera

On the Waterfront (1954)

Motion Picture | 2D | Black & White | 1.37:1, 1.66:1, 1.85:1 | 108 Minutes

Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford

Starring | Marlon Brando, Karl Malden, Lee J. Cobb, Rod Steiger

Cameras | Mitchell BNC Camera

I Call First (1967)

Motion Picture | 2D | Black & White | 90 Minutes

$Harvey Keitel : Who\'s That Knocking at My Door (1967) - Behind the Scenes at ShotOnSet!$

Directed by | Martin Scorsese | Cinematography by | Richard H. Coll, Michael Wadleigh | Editing by | Thelma Schoonmaker

Starring | Harvey Keitel, Zina Bethune, Anne Collette, Lennard Kuras

Cameras | Éclair NPR Camera, Mitchell BNC Camera

Dr. No (1962)

Motion Picture | 2D | Color | 1.66:1, 1.85:1 | 110 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Ursula Andress, Bernard Lee, Joseph Wiseman

Cameras | Mitchell BNC Camera

I Love Lucy (1951)

Television Series | 2D | Black & White | 30 Minutes

| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn

Starring | Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley

Cameras | Mitchell BNC Camera

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Motion Picture | 2D | Black & White | 95 Minutes

Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey

Starring | Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn

Cameras | Mitchell BNC Camera

Rio Bravo (1959)

Motion Picture | 2D | Color | 141 Minutes

Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted

Starring | John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson

Cameras | Mitchell BNC Camera

From Here to Eternity (1953)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 118 Minutes

Directed by | Fred Zinnemann | Cinematography by | Burnett Guffey, Floyd Crosby | Editing by | William A. Lyon

Starring | Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed

Cameras | Mitchell Cameras

The Apartment (1960)

Motion Picture | 2D | Film Project | Black & White | 2.35:1 | 125 Minutes

Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell

Starring | Jack Lemmon, Shirley MacLaine, Fred MacMurray, Ray Walston

Cameras | Mitchell Cameras

High Noon (1952)

Motion Picture | 2D | Black & White | 85 Minutes

Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams

Starring | Gary Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges

Cameras | Mitchell Cameras

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