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Mitchell Cameras  |  36 Titles

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Don Quixote   (1973)

Country | Australia

Running Time | 111 Minutes
Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley
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Going My Way   (1944) oscar-icon

Country | USA

Running Time | 126 Minutes
Aspect Ratio |
Directed by | Leo McCarey | Cinematography by | Lionel Lindon, John F. Seitz | Editing by | LeRoy Stone
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On the Waterfront   (1954) oscar-icon

Country | USA

Running Time | 108 Minutes
Aspect Ratio | , ,
Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford
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I Call First   (1967)

Country | USA

Running Time | 90 Minutes
Directed by | Martin Scorsese | Cinematography by | Richard H. Coll, Michael Wadleigh | Editing by | Thelma Schoonmaker
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Dr. No   (1962)

Country | UK

Running Time | 110 Minutes
Aspect Ratio | ,
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
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I Love Lucy   (1951)

Country | USA

Running Time | 30 Minutes
| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn
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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb   (1964)

Country | USA, UK

Running Time | 95 Minutes
Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey
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Rio Bravo   (1959)

Country | USA

Running Time | 141 Minutes
Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted
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From Here to Eternity   (1953) oscar-icon

Country | USA

Running Time | 118 Minutes
Aspect Ratio |
Directed by | Fred Zinnemann | Cinematography by | Burnett Guffey, Floyd Crosby | Editing by | William A. Lyon
Cameras |

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The Apartment   (1960) oscar-icon

Country | USA

Running Time | 125 Minutes
Aspect Ratio |
Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell
Cameras |

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High Noon   (1952)

Country | USA

Running Time | 85 Minutes
Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams
Cameras |

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A Double Life   (1947)

Country | USA

Running Time | 104 Minutes
Directed by | George Cukor | Cinematography by | Milton R. Krasner | Editing by | Robert Parrish
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Casablanca   (1942) oscar-icon

Country | USA

Running Time | 102 Minutes
Directed by | Michael Curtiz | Cinematography by | Arthur Edeson | Editing by | Owen Marks
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Once Upon a Time in the West   (1968)

Country | Italy, USA

Running Time | 165 Minutes
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli
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Lolita   (1962)

Country | UK, USA

Running Time | 153 Minutes
Directed by | Stanley Kubrick | Cinematography by | Oswald Morris | Editing by | Anthony Harvey
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To Kill a Bird of Prey   (1983)

Country | Romania

Running Time | 104 Minutes
Directed by | Iosif Demian | Cinematography by | Alexandru David
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The Family Jewels   (1965)

Country | USA

Running Time | 99 Minutes
Aspect Ratio |
Directed by | Jerry Lewis | Cinematography by | W. Wallace Kelley | Editing by | John Woodcock
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The Mirror   (1975)

Country | Soviet Union

Running Time | 107 Minutes
Aspect Ratio |
Directed by | Andrei Tarkovsky | Cinematography by | Georgi Rerberg | Editing by | Lyudmila Feyginova
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Barry Lyndon   (1975)

Suspiria   (1977)

Country | Italy

Running Time | 92 Minutes
Aspect Ratio |
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
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