Mitchell Cameras | 74 Titles
Night Train (1999)
King Kong (1933)
Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman
Cameras | Mitchell Standard Camera
The Lord of the Rings: The Two Towers (2002)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton
Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
The Lord of the Rings: The Return of the King (2003)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
The Godfather (1972)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Don Quixote (1973)
Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley
Cameras | Mitchell BNC Camera
Lenses | Angenieux 24-240 mm f2.6 Zoom Lens
Going My Way (1944)
Directed by | Leo McCarey | Cinematography by | Lionel Lindon, John F. Seitz | Editing by | LeRoy Stone
Cameras | Mitchell BNC Camera
On the Waterfront (1954)
Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford
Cameras | Mitchell BNC Camera
I Call First (1967)
Directed by | Martin Scorsese | Cinematography by | Richard H. Coll, Michael Wadleigh | Editing by | Thelma Schoonmaker
Cameras | Éclair NPR Camera, Mitchell BNC Camera
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey
Cameras | Mitchell BNC Camera
Rio Bravo (1959)
Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted
Cameras | Mitchell BNC Camera
West Side Story (1961)
Directed by | Jerome Robbins, Robert Wise | Cinematography by | Daniel L. Fapp | Editing by | Thomas Stanford
From Here to Eternity (1953)
Directed by | Fred Zinnemann | Cinematography by | Burnett Guffey, Floyd Crosby | Editing by | William A. Lyon
Cameras | Mitchell Cameras
Patton (1970)
Directed by | Franklin J. Schaffner | Cinematography by | Fred J. Koenekamp | Editing by | Hugh S. Fowler
Cameras | Mitchell FC 65mm Camera
The Apartment (1960)
Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell
Cameras | Mitchell Cameras
High Noon (1952)
Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams
Cameras | Mitchell Cameras
A Double Life (1947)
Directed by | George Cukor | Cinematography by | Milton R. Krasner | Editing by | Robert Parrish
Cameras | Mitchell BNC Camera
Casablanca (1942)
Directed by | Michael Curtiz | Cinematography by | Arthur Edeson | Editing by | Owen Marks
Cameras | Mitchell BNC Camera
Once Upon a Time in the West (1968)
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli
Cameras | ARRIFLEX 35mm Cameras, Mitchell BNC Camera
Lolita (1962)
Directed by | Stanley Kubrick | Cinematography by | Oswald Morris | Editing by | Anthony Harvey
Cameras | Mitchell BNCR Camera